Matadores de Velhinha

Título original: The Ladykillers

2004
14
1 h 44 min

AVALIAÇÃO DA IMDb

6,2/10

110 mil

SUA AVALIAÇÃO

Tom Hanks, Tzi Ma, Marlon Wayans, Irma P. Hall, Ryan Hurst, and J.K. Simmons in Matadores de Velhinha (2004)

Reproduzir trailer0:44

3 vídeos

99+ fotos

Caper Dark Comedy Comedy Crime Thriller

Um professor excêntrico e sua equipe posam como um conjunto clássico para roubar um cassino, tudo baixo o nariz de uma senhora insuspeita, mas astuta.Um professor excêntrico e sua equipe posam como um conjunto clássico para roubar um cassino, tudo baixo o nariz de uma senhora insuspeita, mas astuta.Um professor excêntrico e sua equipe posam como um conjunto clássico para roubar um cassino, tudo baixo o nariz de uma senhora insuspeita, mas astuta.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

6,2/10

110 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Prêmios
- 6 vitórias e 4 indicações no total

Curiosidades
Prior to filming, Tom Hanks had not seen Quinteto da Morte (1955), as he did not want it to prejudice the way he acted in the remake.

Erros de gravação
The criminals intent to collapse the tunnel in order to leave no trace of the crime, however, all this would have done is leave a trench between Mrs. Munson's house and the casino.

Citações
Waffle Hut Waitress: Have you all decided?
Professor G.H. Dorr: Madam, we must have waffles! We must all have waffles forthwith! We must all think, and we must all have waffles, and think each and every one of us to the very best of his ability...

Cenas durante ou pós-créditos
Special thanks to ... the residents of Natchez, Mississippi

Conexões
Edited into The Clock (2010)

Trilhas sonoras
Come, Let Us Go Back to God
Written by Thomas A. Dorsey (as Thomas Dorsey)
Performed by The Soul Stirrers
Courtesy of Specialty Records, Inc./Fantasy, Inc.

Avaliações de usuários444

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Avaliação em destaque

New, but not improved.

A group of thieves disguised as musicians hiding out in a sweet old lady's house sounds like a pretty hysterical premise for a movie, and Alec Guiness proved it was in the original film.

The new version, however, only demonstrates how you can start out with a great premise and completely destroy it.

While Hank's performance was funny, it certainly didn't out way all the foul language and meaningless interludes that were supposed to "modernize" the movie. The director and/or writers obviously missed the point and charm of the other movie.

If you like the sound of the plot, don't see this movie, stick with the classic. Let's not change a good thing.