Adicionar um enredo no seu idiomaDocumentary about the gender-bending San Francisco performance group who became a pop culture phenomenon in the early 1970s.Documentary about the gender-bending San Francisco performance group who became a pop culture phenomenon in the early 1970s.Documentary about the gender-bending San Francisco performance group who became a pop culture phenomenon in the early 1970s.
- Prêmios
- 4 vitórias e 7 indicações no total
Fotos
Peggy Cass
- Self
- (cenas de arquivo)
The Cockettes
- Self
- (cenas de arquivo)
Pristine Condition
- Self
- (cenas de arquivo)
Jackie Curtis
- Self
- (cenas de arquivo)
Candy Darling
- Self
- (cenas de arquivo)
Ahmet Ertegun
- Self
- (cenas de arquivo)
Allen Ginsberg
- Self
- (cenas de arquivo)
Grateful Dead
- Themselves
- (cenas de arquivo)
- (as The Grateful Dead)
Enredo
Você sabia?
- CuriosidadesOn the Weekend of 22 December 2002, the movie grossed $75.00 (by contrast, O Senhor dos Anéis: As Duas Torres (2002) took in $62,007,000).
- ConexõesFeatured in The 2003 IFP Independent Spirit Awards (2003)
- Trilhas sonorasEastern Jam
Written by Barry Melton, Bruce Barthol, David Cohen and Gary Hirsch
Performed by Country Joe and the Fish
Published by Joyful Wisdom Music Co. (BMI)
Courtesy of Vanguard Records
Avaliação em destaque
Perhaps I was expecting more from the documentary. Don't get me wrong, it captures the era and the craziness of the time, but sometimes it goes flat. A little more gay wit should have helped here. The directors have captured the idea behind the Cockettes in their heyday in San Francisco.
Unfortunately, behind the happy facade of the parties, the theatre performances, we never get to really know most of the people who created the scene.
The main character, and the "mother" of the Cockettes, Hibiscus, is an enigma. He's obviously so high on LSD and other drugs of the period to make any sense at all. Hisbiscus did have a vision, but carrying it to the stage was another story. Most of the skits kind of fall flat. I guess that in order to have appreciated the group at the Palace Theatre in San Francisco in its prime would have required tons of acid to view what went onstage as probably Hibiscus conceived it.
The people that survived the Cockettes talk to the camara and tells us what it was like. It's great seeing the survivors as they look now and they looked then. Director John Waters is very effective in telling us his part of the story. The fabulous Devine, who only appears briefly in the film is a welcome distraction since she was the queen of all queens!
The Cockettes were way ahead of their time. When you see today's drag queens, they pale in comparison to that group which were probably the idea for most of the ones around today.
Go see it and enjoy a bygone time that will never be able to capture again.
Unfortunately, behind the happy facade of the parties, the theatre performances, we never get to really know most of the people who created the scene.
The main character, and the "mother" of the Cockettes, Hibiscus, is an enigma. He's obviously so high on LSD and other drugs of the period to make any sense at all. Hisbiscus did have a vision, but carrying it to the stage was another story. Most of the skits kind of fall flat. I guess that in order to have appreciated the group at the Palace Theatre in San Francisco in its prime would have required tons of acid to view what went onstage as probably Hibiscus conceived it.
The people that survived the Cockettes talk to the camara and tells us what it was like. It's great seeing the survivors as they look now and they looked then. Director John Waters is very effective in telling us his part of the story. The fabulous Devine, who only appears briefly in the film is a welcome distraction since she was the queen of all queens!
The Cockettes were way ahead of their time. When you see today's drag queens, they pale in comparison to that group which were probably the idea for most of the ones around today.
Go see it and enjoy a bygone time that will never be able to capture again.
- jotix100
- 3 de jul. de 2002
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- 50 Years of the Cockettes
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 300.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 220.165
- Fim de semana de estreia nos EUA e Canadá
- US$ 17.118
- 12 de mai. de 2002
- Faturamento bruto mundial
- US$ 220.165
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By what name was The Cockettes (2002) officially released in Canada in English?
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