As Confissões de Schmidt

I spent a day watching "About Schmidt", with Jack Nicholson... and then the evening rambling through reviews, since my wife's perception of the ending differed somewhat from mine....

Conflict can often lead to enlightenment and discovery, but not so in the case of Warren Schmidt. In his case it leads to a life of complacency, denial, delusion, and passive-aggressive behaviors... and eventually, to a meaningless life of servitude devoid of passion or purpose.

Since my wife and I are around the same age as the character, and we ponder the same issues of our lives, the film had more significance to us. I found the work to be a cinema-graphic piece of art laced with symbolism and dark humor (at best). I likened it to previous movies like "Death of a Salesman", "The Apartment", "The Swimmer" (Burt Lancaster), or a short filmed called "The Bridge".

As a cautionary tale (or social comment) on the "American Way" of life, the messages it conveys are slightly exaggerated, but nevertheless there to be debated. We are talking about identity, achievement, interpersonal relationships, and the "average IQ".

In the end, I believe this film will become one that is studied in future classrooms, and it was brave of Nicholson to participate in such a character study and a work intended primarily for writers, actors, and directors. If laughter is "the sound we make when we are surprised (or shocked) by the truth", then the amount of humor you find in this film may be directly related to your own level of naivety or denial. After all, laughter can often be just another defense mechanism, right?

Some movies are straightforward, some are magical, some are mystical, and then, some are symbolic. This movie falls into the last category. The use of time, space, cognitive dissonance, and Irony abound in this work and challenge us to look, think, and feel.

Notes: we would have cut or altered the "Percodan scene" at the rehearsal (as overdone), also note- the cattle at the funeral who later appear on the freeway, inside jokes about Des Moines and Denver, Randall's "Certificate of Attendance", the look on Jeannie's face at the end of Warren's speech at the Wedding Reception, the use of "overstatement", details of wall decorations, and Warren's obvious attraction to the trite, idealistic, delusional, and superficial.

If you are a thinking, feeling, serious movie-lover, you should SEE this film once, and then STUDY it the 2nd time!

This is an inspiring story. It teaches me so much about what is important in life. Jack Nicholson, with a great performance as Warren R. Schmidt is an example of an American middle class after retiring. For many years he has worked as an actuary at a big insurance company. After retiring, Jack at home, while watching television, he decides to sponsor a six years old boy (Ndugu) from Tanzania. Sending a check of US$ 22,00 every month, he is also required to write a letter to the boy. In the process of writing these letters, he vents out to the boy about his life frustrations, his lost dreams and the dilemma he is in. He is married for forty-two years with his wife Helen (June Squibb) and he has a daughter living in Denver, Jeannie Schmidt (Hope Davis) who will marry a looser pretty soon. He misses his daughter. A few days after his retirement, his wife dies, and Jack realizes how important the wife was in his life now even though he never appreciated her. The director of the movie, Alexander Payne takes the audiences with Jack on a trip in a trailer to visit specific places in America. He mainly makes Jack visit the places where he has been before physically but at the same time Jack was revisiting his own life inside. In this trip he realizes what really matters in life - friendship, family and sharing- then why it is important to appreciate them whenever you have a chance.

In 'Citizen Kane' (1941), the director Orson Welles portrays the same idea when creating Mr. Kane. The movie is more than the story of a tycoon's rise and fall; it is an account of what is ultimately important in a person's life. Even though Kane attains riches and prestige, he is far from happy. He ends with two failed marriages and few friends. At his dying bed, all he has left is his reminiscences - and something called "Rosebud." In 'About Schmidt' the director Alexander Payne uses voiceover to convey Jack's thoughts and memories throughout the movie. To be specific it is when Jack is writing a letter to the boy he sponsors - (Ndugu), at the same time Payne is informing the audience about Jack's regrets and pain concerning his wife and daughter while the movie is still rolling on. I think this is a great technique.I believe this has been a great adventure and wake up call to many Americans as to what is important in life and why we should cherish every moment of it.

Jack Nicholson stars as a Warren Schmidt, a man who suffers several crises at once. First he goes into retirement, then his wife dies, and finally his daughter marries a no-hoper. Forced to abandon his usual comfortable routine, Schmidt goes on a personal journey of discovery and tries to make some sense of his life.

The beauty of About Schmidt is how well developed and interesting the characters are. They feel like real people struggling with real situations, which is a surprisingly difficult trick to pull off. This success can be attributed to the strength of the script and most importantly to the uniformly superb acting.

This film provides a showcase for Nicholson to display his talent, and he doesn't disappoint, delivering a superb and multi-layered turn, which is a world away from the smirking characters he often plays. He allows his face to droop, and adopts a world-weary expression, as Schmidt continually finds himself at the mercy of events.

One of Schmidt's first decisions when he determines to get out of the rut he finds himself in is to sponsor an African child. This doesn't have much to do with the rest of the plot, but provides an outlet for Schmidt's innermost thoughts, and is a brilliant and original way of allowing the audience inside the head of the central character.

About Schmidt succeeds in tackling the subject of old age, a topic not often addressed in mainstream Hollywood fare, and for that it should be applauded. This is a terrific film, which features Nicholson at his best.

It is hard to recommend About Schmidt to anyone, without actually knowing that person. Not only does the story seem unconventionally uneventful to most of modern audiences, but it also moves with an unhurried patience that will let many viewers shift in their seats. It really depends on whether one can develop an interest to the film and its subject matter, which shows a retired man suddenly facing the void and meaninglessness of his existence.

About Schmidt moves slowly, but it moves with grace. The film's success is deeply in debt to Jack Nicholson, subordinating his personality to the character of Warren Schmidt. It must have been difficult for somebody like Nicholson to display the role's required lack of passion without letting Schmidt lose his human touch. Yet, his portrayal is excellent in its understatement, and his numerable supporting actors do not disappoint either. Fans of Nicholson will be assured in their belief, that their favourite is not only one of the best, but also one of the most versatile actors still working today.

Apart from the acting, director Alexander Payne's film is also well crafted. The somewhat saddened mood is only enhanced by documentary-like shots, constantly making us aware that what we witness is really an everyday-tragedy. The script shows intelligence, and although it contains many subtleties, most of them will not go unnoticed with attentive viewers. Even though About Schmidt is billed as a comedy, it really is a drama. Many of the humorous situations are more tragic than funny, and truly hilarious moments are rare occurrences.

I've often wondered whether the title of About Schmidt has been chosen with any clear intent. The German surname Schmidt equals Smith in English and is one of the most common. So about Schmidt could actually mean "About Everybody". Everybody can wake up one day and discover that everything he or she has devoted himself to, amounts to nothing. It's a frequent social phenomenon, that people suddenly wise up that their lives are almost over, without ever having fully lived them. Maybe that's how all the sea cruises and world tours of old pensioners can be accounted for. Like Schmidt, they are all making a desperate effort to catch up on a time that's long done and over with.

The film does not exactly give answers and, like in reality, does not end with any true revelations to escape all bleakness. But there is something it often likes to apply, namely the self explanatory power of irony. Like one time during the film, when Warren Schmidt decides to adopt a six-year old African foster child by mail. A cheque of twenty-two dollars, which he dutifully provides on a monthly basis, assures that little Ndugu can go to school, gets sheltered, fed and clothed. Yet, in one of his letters Warren writes to him: "What difference has my life made to anyone? None that I can think of. None...at all!"

Well, think again, Mr. Schmidt.

This is the saddest movie I've seen in years, maybe in my entire life. People who say it's comedy are dead wrong. It's a realistic, brutally true example of a failed life, and it's so tragic.

Nicholson plays Warren Schmidt, an insurance salesman, whose life crashes down on him when he retires. Nicholson, someone I've loved ever since I first saw him, gives his best performance since "One flew over the cuckoos nest". He's so subtle, so sad, so hollow. You don't doubt for a second that he is Schmidt. He has let his body age for the role, which makes him even more real.

Alexander Payne's direction is flawless. Everyone, simply everyone, does a great job portraying the various characters, from the hotshot newly educated young man who takes Schmidt's job, to the embarrassing buddy of Schmidt's daughter's fiancé.

This is a must-see movie. Even if you hate Jack in all his other movies, you will love him in this one. Don't expect a "hilarious comedy", though. This is a thoughtful movie and not "Anger Management".

10/10