Um mosaico épico de personagens relacionados em busca de amor, perdão e significado no Vale de San Fernando.Um mosaico épico de personagens relacionados em busca de amor, perdão e significado no Vale de San Fernando.Um mosaico épico de personagens relacionados em busca de amor, perdão e significado no Vale de San Fernando.
- Indicado a 3 Oscars
- 28 vitórias e 59 indicações no total
Mark Flanagan
- Joseph Green
- (as Mark Flannagan)
Enredo
Você sabia?
- CuriosidadesThe story about the man being killed by a gunshot while falling off a building has for years been used as a hypothetical case in criminal law classes to illustrate causation.
- Erros de gravaçãoIn the "Wise Up" sequence, Claudia is dressed for her date, she's wearing black and her hair is up. When she opens the door to Jim, she's wearing red, her hair is down. On the way to the car, she is again wearing black etc, and at the restaurant she is back wearing red.
- Citações
Jimmy Gator: The book says, "We might be through with the past, but the past ain't through with us."
- Cenas durante ou pós-créditosUnderneath the title at the end a line reads "for fa and ea". fa is Fiona Apple (Paul Thomas Anderson's girlfriend) ea is Ernie Anderson (Paul Thomas Anderson's father)
- Versões alternativasThe supplemental material disc of the R1 special edition DVD of Magnolia has about 8 minutes of hidden outtake footage. To access it, you need to select the 'Color Bars' option and wait about twenty seconds.
- ConexõesFeatured in The Johnny Vaughan Film Show: Episode #1.1 (1999)
Avaliação em destaque
"Magnolia" is an incredibly unusual film...sort of an experimental project in it's style. Because of this and the occasionally extremely graphic language and depressing stories, it's a film that many would find hard to like...though I remember professional critics practically falling all over themselves praising it for its originality. So did I like it? Read on.
As far as how the film is experimental, it features many different stories that are interwoven throughout the story and it is really not apparently what connects them all during much of "Magnolia". There are also many rapid edits and jumps that make it difficult to follow as well as the three hour plus running time.
There is a prologue where several stories (including at least two urban legends) are all used to illustrate death and that perhaps in life there are no coincidences...and you can only assume the disparate stories that follow must be related to this...maybe. So what are the stories? Well, there are too many and too many parts to tell but they involve a dying man (Jason Robards) and his caregiver (Philip Seymour Hoffman), a woman who appears to be strung out (Julianne Moore), a cop who seems to go from one crisis call to another (John C. Reilly), a man who is dying and wants to reconnect with his angry daughter, an ex-quiz kid who now feels like a loser, a sociopathic motivational speaker (Tom Cruise) and many more. And do they all come together to make any sense? Well, they are mostly pretty depressing...at least I can say that without hurting the viewing experience.
As I watched, I found "Magnolia" very hard to stop watching. Despite not necessarily enjoying much of the film, it sure kept my attention. Much of it was because the film features a lot of great actors and they had some amazing moments in the movie. Is it a film I loved? No. But I do respect it for trying to be different. And, on balance I am glad I saw it. But I agree with the director/writer when he later said the film might have been better had it been pared down a bit.
As far as how the film is experimental, it features many different stories that are interwoven throughout the story and it is really not apparently what connects them all during much of "Magnolia". There are also many rapid edits and jumps that make it difficult to follow as well as the three hour plus running time.
There is a prologue where several stories (including at least two urban legends) are all used to illustrate death and that perhaps in life there are no coincidences...and you can only assume the disparate stories that follow must be related to this...maybe. So what are the stories? Well, there are too many and too many parts to tell but they involve a dying man (Jason Robards) and his caregiver (Philip Seymour Hoffman), a woman who appears to be strung out (Julianne Moore), a cop who seems to go from one crisis call to another (John C. Reilly), a man who is dying and wants to reconnect with his angry daughter, an ex-quiz kid who now feels like a loser, a sociopathic motivational speaker (Tom Cruise) and many more. And do they all come together to make any sense? Well, they are mostly pretty depressing...at least I can say that without hurting the viewing experience.
As I watched, I found "Magnolia" very hard to stop watching. Despite not necessarily enjoying much of the film, it sure kept my attention. Much of it was because the film features a lot of great actors and they had some amazing moments in the movie. Is it a film I loved? No. But I do respect it for trying to be different. And, on balance I am glad I saw it. But I agree with the director/writer when he later said the film might have been better had it been pared down a bit.
- planktonrules
- 12 de mar. de 2018
- Link permanente
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
Bilheteria
- Orçamento
- US$ 37.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 22.455.976
- Fim de semana de estreia nos EUA e Canadá
- US$ 193.604
- 19 de dez. de 1999
- Faturamento bruto mundial
- US$ 48.453.541
- Tempo de duração3 horas 8 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente