Celebração dos Anjos: A História de Dorothy Day

Entertaining Angels goes through the hard life of the converted Catholic Workers Movement leader Dorothy Day, portrayed by the extremely talented Moira Kelly. This movie is great even for people who don't know who Dorothy Day is. This movie is very excellent. If you like this movie you will probably like the Emmy nominated CBS movie Joan of Arc ( Peter O'Toole and Leelee Sobieski), and the Zeffirelli film Brother Sun, Sister Moon.

This may be the best film no one has seen, despite the brief but important performance of rising star Heather Graham. {Perhaps the awkward title kept people away). "Entertaining Angels" does what few movies have: explore inner, spiritual conflict dramatically and intelligently. This is an engaging, challenging work for everyone. The film overall is not preachy, yet the religious dimension here is real, just as it is real in the lives of millions of Americans, whether the Hollywood inner-circle likes it or not.

Wow. Those of you who haven't had a chance to see Moira Kelly are really missing out on a truly great talent. Ever since I first saw her on The Cutting Edge, I've really looked up to her admirable character and her obvious acting talent. As Dorothy Day, she manages to take upon a tremendously difficult role and she succeeds beyond all expectations. The screenplay is well written, and while it does lead off the main drive of the story at times, Kelly is always there to provide a cohesive nature to to it which keeps the entire thing together. I really enjoyed this film -- I really didn't find the religious overtones to be a problem as a few of the reviews out there seemed to suggest. I hope you give it a try. You'll be glad you did. And, oh yeah... she's got a nice singing voice, too.

Looking astonishingly like the women she portrays Moira Kelly gives a great performance as Dorothy Day who with the Catholic Worker movement managed to combine Karl Marx and Jesus Christ. She came to believe that man shall not live by bread alone, but bread was certainly essential. A radical doctrine for that hidebound institution known as the Roman Catholic Church.

When we first meet Dorothy Day she's a most militant suffragette and she's out there hanging out with a crowd that Warren Beatty introduced us to in Reds. They all went their separate ways be it John Reed to Russia, Eugene O'Neill to the theater. At some point Day came to believe that humankind had a soul and a spiritual hunger that the Communist Manifesto was not addressing.

She will never be considered for sainthood, she was not the type to whom sainthood is granted. She had her share of lovers, she had a child and it's not too clear whether she was married to Lenny Von Dohlen or not when their daughter was born. But if deeds is the measure she should qualify.

Brian Keith has a role and he's simply identified as the Cardinal. In fact he's Cardinal Patrick Hayes of the New York Archdiocese and while not 100% supportive was indulgent. Cardinal Hayes did quite a lot spending much of the Archdiocese's own funds to help in relief. He died in late 1938. His successor was Cardinal Francis Spellman who had he been in charge no doubt would have squelched her movement. But Catholic Workers was a fait accompli when he took over and he gave her a wide berth and her do her thing while he did his vigorous anti-Communist thing.

In fact in their scene Keith does mention that he is distressed she associates with these anti-clerical elements who are sympathetic to the Spanish Republic. She doesn't give an inch. The scene with Keith and Kelly is the high point of the film.

No sainthood for Dorothy Day, but the love and respect of millions whom she served. Really fine biographical film.

One of the finer discoveries in my search for obscure and unseen films, Moira Kelly is such an incredible, plunky, tomboy leading lady. One of the unsung stars of recent decades, from Gen X. This shows she could have been big in the 40s, 50s, or any era. Directors who knew, knew.

It was produced by the Paulist Fathers, a Catholic religious order, and directed by Michael Ray Rhodes, and the question is... who are these people? Because this is powerhouse filmmaking start to finish. The film's scale is unbelievable, every scene is crammed with energy.

The camera is so effortlessly free flowing and expressive, almost like a Japanese film the way it captures movement. When it's not moving or taking you through crowds, it is printing these beautiful human moments. It's pitch perfect acting and directing in total lockstep.