Mãe e filha encontram suas vidas afetadas negativamente quando um novo homem entra em cena. A família delas será o que elas esperam?Mãe e filha encontram suas vidas afetadas negativamente quando um novo homem entra em cena. A família delas será o que elas esperam?Mãe e filha encontram suas vidas afetadas negativamente quando um novo homem entra em cena. A família delas será o que elas esperam?
- Direção
- Roteiristas
- Artistas
- Ganhou 1 Primetime Emmy
- 6 vitórias e 17 indicações no total
- Truck Driver
- (as Jeffrey Pillars)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The quality of the acting is patchy. Lyle Lovett's delivery of his few lines of dialogue is very wooden compared to Michael Rooker's excellent portrayal of gentle giant Earl. Jena Malone does a brilliant job in obviously difficult circumstances as young Bone. The look in her eyes breaks your heart whenever things are about to turn violent, making you want to rescue her yourself. Jennifer Jason Leigh is fine as Bone's mother but you feel like you never really get to see beneath the surface of her determined expression to understand her motives for standing by her man in the face of Glen's obvious resentment of her daughter.
Ron Eldard is excellent in his depiction Glen, expertly capturing the character's pathetic childishness behind those icy blue eyes. Eldard often seems to play characters with a dark side and this role plays to his strengths, even if his southern accent slips from time to time. His scenes of violence with Bone are harrowing to watch and you can't help but feel uncomfortable, given the age of Jena Malone at the time. I know it's 'only acting' but the scenes are very realistic and graphic for a young actress to endure.
The film is one that ought to be shown to any single mother tempted to jump into a relationship with a hot-headed young man with questionable intentions.
Anjelica Huston is the director and this is her first attempt at directing a feature length movie. The results are stunning. It is altogether a flawless movie, with an excellent script based on the Dorothy Allison novel, and stars Jena Malone as the young protagonist. Jennifer Jason Leigh is in the tough role of the mother torn between the choices she faces in loving both her daughter and the abusive stepfather. Many times throughout the movie I sat on the edge of my seat stunned by the action happening onscreen. It is not a movie with pat answers and predictable solutions, but manages to show the complexities involved in each situation. There are no cardboard characters either, as in real life not everyone is totally good or evil, though their actions may dip into either category from time to time.
The most compelling performance, in a film loaded with excellent acting, comes from young Malone, who commands a role that many adult actresses would no doubt have trouble handling. Her face tells a thousand stories with each shot giving a multi-leveled meaning to the deeper motivations that lie within her character.
After the credits Glenne Headly provides further information about the subject and a child abuse hotline number, which is a great addition to a film of this sort. It is not "entertainment" per se, but more along the lines of an informational public service. The symptoms of child abuse are highlighted throughout the movie and the effect of everyone's participation documented as fair warning to the viewer.
I can't praise this movie enough. A film like this raises my awareness and compassion level and makes me want to reach out to help in any way I can. It exceeds expectations in just about every way imaginable.
I know Eldard from his role on the cancelled sitcom "Men Behaving Badly" and his supporting roles in films like "Sleepers" and "The Last Supper." Prior to this movie, I would've never envisioned him in this sort of role, as I didn't really think of him as a daring, intense actor. I would envision an actor like Ray Liotta or James Woods in this sort of role. But I think Eldard's apparent naivete really gives dimension to this role. He doesn't in any way appear like someone who would act abusive towards anyone, as it usually turns out in real life. He also plays the character with a certain charm, which gives us some insight into why Leigh decided to stay with him. Of course, he never gets a handle on the Carolina accent (at times even sounding like an Englishman, as he struggles so hard), but as I got more and more into the film, I barely paid attention to the flaws in his accent. After watching this film, I will definitely look at Eldard much differently, as much more than the fun-loving buddy of Rob Schneider on "Men Behaving Badly" (a show I used to watch pretty frequently).
The cast is also composed of fine character actors, like Glenne Headley and Michael Rooker--who's absolutely terrific as Leigh's short-fused brother. Of course, that isn't an unusual role for him, but he plays it very well and packs a great dramatic punch in this performance especially. Jena Malone shows why she grew up to star in big films like "Stepmom" and "For Love of the Game." Even at this age, she is fully convincing as a tortured young girl. I just kept on wondering what the director gave her as motivation for her different emotions, since I'm guessing they couldn't outwardly address the issues or rape and abuse to a girl of her age.
The film contains some of the most disturbing scenes in American cinema (I stress the word "American," because I've seen more graphic rape scenes in foreign films like "The Bandit Queen" and "Pixote"), so even those with stomachs of steel should beware. But how many films you watch really get you talking and thinking, and send you an emotional journey--without using cheap shots? I don't have A.D.D. or anything, but rarely do I get so lost in a film that my attention never drifts and I never take time to look at my watch. This is one of those rare powerful, touching films that I will never forget!
My score: 9 (out of 10)
*** (out of 4)
Graphic adaptation of the Dorothy Allison novel takes place in the South Carolina as a young girl (Jena Malone) begins to be physically and sexually abused by her stepfather (Ron Eldard) while her mother (Jennifer Jason Leigh) keeps overlooking what's going on. BASTARD OUT OF CAROLINA was the directorial debut from Anjelica Huston and while I'd question some of the flow in the story there's no question that she dives head first into the abuse and doesn't pull any punches. This here is a pretty hard film to watch because of how graphic it is towards the abuse in the film. I was really shocked at how much detail was shown when it came to the abuse because most of the time the camera pulls away with a child involved but that wasn't the case here. It's clear that Huston wanted to show how horrid the abuse of a child was and this here was shown and it certainly wasn't easy to watch. The film really benefits from some incredibly strong performances with Malone leading the way as the abused girl. She's completely believable in the part and it was certainly needed because the actress really makes you feel that she's this smart little girl being forced to grow up quickly because of her situation. Jennfier Jason Leigh also turns in a powerful performance as the mother who can't leave her husband even though he's hurting her daughter. Eldard is a complete slime here and perfectly captures the spirit of the character. We also get strong supporting performances by Michael Rooker, Lyle Lovett, Glenn Headly, Grace Zabriske, Diane Scarwid and Pat Hingle. Christina Ricci appears in one scene. I think there were times when the film didn't flow as good as it could have but there's no question that Huston gets her message across. The film is hard to recommend to most people due to how depressing and graphic it is but those who do sit through the film will be rewarded with a strong picture.
Você sabia?
- CuriosidadesRon Eldard spent a lot of time playing sports with Jena Malone so they would both feel comfortable performing the scenes in which he is physically abusing her. He claimed that in no scene did inappropriate contact with Malone take place, and that for scenes in which he appears to grab her by the throat, he is actually only holding her by his fingertips. Eldard was adamant that the graphic depiction of sexual abuse and rape was a necessity for the film.
- Erros de gravaçãoAt 12 minutes and 57 seconds into the film, Dermot Mulroney's character (Lyle Parsons) is driving along a road past a modern looking house with a very modern looking red truck parked in the driveway.
- Citações
Doctor: How'd she break her coccyx?
Anney Boatwright: Her what?
Doctor: Her tailbone, lady! Her ass! What you been hitting' this child with, or maybe you just been throwin' her up against the damn wall!
Anney Boatwright: What are you sayin'? What are you sayin'?
Doctor: [to Bone] Do you wanna talk about it, honey? How 'bout we ask your mama to leave, and then, maybe you can tell me what happened, okay?
Anney Boatwright: Let me have my girl!
Doctor: This child's been beaten! This child's been beaten, and I'm gonna call the authorities!
- ConexõesFeatured in The 49th Annual Primetime Emmy Awards (1997)
- Trilhas sonorasMy Lord Keeps a Record
Performed by The Mountain Ramblers
Principais escolhas
Detalhes
- Tempo de duração1 hora 38 minutos
- Cor
- Mixagem de som
- Proporção
- 1.33 : 1