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Marcas do silêncio

Título original: Bastard Out of Carolina
  • 1996
  • 18
  • 1 h 38 min
AVALIAÇÃO DA IMDb
7,3/10
5 mil
SUA AVALIAÇÃO
Jennifer Jason Leigh and Jena Malone in Marcas do silêncio (1996)
A mother and daughter find their lives adversely affected when a new man enters the picture. Will their family ever be what they expect?
Reproduzir trailer1:49
1 vídeo
33 fotos
Drama

Mãe e filha encontram suas vidas afetadas negativamente quando um novo homem entra em cena. A família delas será o que elas esperam?Mãe e filha encontram suas vidas afetadas negativamente quando um novo homem entra em cena. A família delas será o que elas esperam?Mãe e filha encontram suas vidas afetadas negativamente quando um novo homem entra em cena. A família delas será o que elas esperam?

  • Direção
    • Anjelica Huston
  • Roteiristas
    • Dorothy Allison
    • Anne Meredith
  • Artistas
    • Jennifer Jason Leigh
    • Ron Eldard
    • Glenne Headly
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    5 mil
    SUA AVALIAÇÃO
    • Direção
      • Anjelica Huston
    • Roteiristas
      • Dorothy Allison
      • Anne Meredith
    • Artistas
      • Jennifer Jason Leigh
      • Ron Eldard
      • Glenne Headly
    • 70Avaliações de usuários
    • 8Avaliações da crítica
    • 75Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Primetime Emmy
      • 6 vitórias e 17 indicações no total

    Vídeos1

    Official Trailer
    Trailer 1:49
    Official Trailer

    Fotos33

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    Elenco principal31

    Editar
    Jennifer Jason Leigh
    Jennifer Jason Leigh
    • Anney
    Ron Eldard
    Ron Eldard
    • Glen Waddell
    Glenne Headly
    Glenne Headly
    • Ruth
    Lyle Lovett
    Lyle Lovett
    • Wade
    Jena Malone
    Jena Malone
    • Bone
    Dermot Mulroney
    Dermot Mulroney
    • Lyle Parsons
    Christina Ricci
    Christina Ricci
    • Dee Dee
    Michael Rooker
    Michael Rooker
    • Earle
    Diana Scarwid
    Diana Scarwid
    • Raylene
    Susan Traylor
    Susan Traylor
    • Alma
    Grace Zabriskie
    Grace Zabriskie
    • Granny
    Richard Todd Sullivan
    Richard Todd Sullivan
    • Travis
    Pat Hingle
    Pat Hingle
    • Mr. Waddell
    Lindley Mayer
    • Reese
    Jamison Stewart
    • Grey
    Timothy Stewart
    • Garvey
    Kelsey Elizabeth Boulware
    • Bone at age 4
    Jeff Pillars
    Jeff Pillars
    • Truck Driver
    • (as Jeffrey Pillars)
    • Direção
      • Anjelica Huston
    • Roteiristas
      • Dorothy Allison
      • Anne Meredith
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários70

    7,34.9K
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    Avaliações em destaque

    7awender

    Child abuse spiced with a stupid mother

    This is just a usual tale how a deeply stupid, dumb, senseless mother spoils the entire life of her daughter. The same story could be told in any part of the world. Oh yes, and be prepared to have your heart and soul tormented throughout the film.
    7agbwillow

    Disturbing but worthwhile

    This is an often shocking but necessary film about a young girl called Bone and the abuse she suffers at the hands of her stepfather, Daddy Glen. The film is hard to watch at times but there are lighter moments when Bone's extended family are on screen. The book contains a much wider scope and naturally many of these subplots didn't make it into the screenplay. Ultimately, the film feels a little rushed and could have benefited from another half hour or so.

    The quality of the acting is patchy. Lyle Lovett's delivery of his few lines of dialogue is very wooden compared to Michael Rooker's excellent portrayal of gentle giant Earl. Jena Malone does a brilliant job in obviously difficult circumstances as young Bone. The look in her eyes breaks your heart whenever things are about to turn violent, making you want to rescue her yourself. Jennifer Jason Leigh is fine as Bone's mother but you feel like you never really get to see beneath the surface of her determined expression to understand her motives for standing by her man in the face of Glen's obvious resentment of her daughter.

    Ron Eldard is excellent in his depiction Glen, expertly capturing the character's pathetic childishness behind those icy blue eyes. Eldard often seems to play characters with a dark side and this role plays to his strengths, even if his southern accent slips from time to time. His scenes of violence with Bone are harrowing to watch and you can't help but feel uncomfortable, given the age of Jena Malone at the time. I know it's 'only acting' but the scenes are very realistic and graphic for a young actress to endure.

    The film is one that ought to be shown to any single mother tempted to jump into a relationship with a hot-headed young man with questionable intentions.
    10The Gryphon

    Stunning!

    I just finished watching this movie again for the third time in the last two days. Each time I watch it I discover something I missed in the previous viewing. There are no wasted lines or scenes. It is a powerful 1996 movie with excellent performances, dealing with the touchy subject of child abuse.

    Anjelica Huston is the director and this is her first attempt at directing a feature length movie. The results are stunning. It is altogether a flawless movie, with an excellent script based on the Dorothy Allison novel, and stars Jena Malone as the young protagonist. Jennifer Jason Leigh is in the tough role of the mother torn between the choices she faces in loving both her daughter and the abusive stepfather. Many times throughout the movie I sat on the edge of my seat stunned by the action happening onscreen. It is not a movie with pat answers and predictable solutions, but manages to show the complexities involved in each situation. There are no cardboard characters either, as in real life not everyone is totally good or evil, though their actions may dip into either category from time to time.

    The most compelling performance, in a film loaded with excellent acting, comes from young Malone, who commands a role that many adult actresses would no doubt have trouble handling. Her face tells a thousand stories with each shot giving a multi-leveled meaning to the deeper motivations that lie within her character.

    After the credits Glenne Headly provides further information about the subject and a child abuse hotline number, which is a great addition to a film of this sort. It is not "entertainment" per se, but more along the lines of an informational public service. The symptoms of child abuse are highlighted throughout the movie and the effect of everyone's participation documented as fair warning to the viewer.

    I can't praise this movie enough. A film like this raises my awareness and compassion level and makes me want to reach out to help in any way I can. It exceeds expectations in just about every way imaginable.
    9MovieLuvaMatt

    A daring, brilliant masterpiece

    I just watched this movie in my Advanced Developmental Psychology class, and I was blown away by it. Naturally, the professor warned us that the film contained some very graphic scenes, as it certainly did. There were moments where I absolutely could not look up at the screen. The film is wonderfully directed (by Anjelica Huston) and acted. Jennifer Jason Leigh gives one of the best performances of her career. She's one of those actresses who has talent and I have nothing against her, but rarely do I find myself raving about her performances. Here, she's given a genuinely challenging role, as she has to be both disturbed by her new husband's abuse towards her daughter, yet at the same time deeply in love with him. My class is predominantly female, so most of the girls were groaning and yelling out things like "You're stupid!" when she kept deciding to get back with the creep. But it's easy to say that while you're sitting on your butt looking at a TV screen. Tons of women get into relationships with abusive husbands, and guys who treat them like crap, and how many of them actually get out of those relationships? Love is a strange, strange thing. There's no way to explain it. But I didn't feel it was in any way inaccurate for Leigh's character to keep wanting to get back with Ron Eldard.

    I know Eldard from his role on the cancelled sitcom "Men Behaving Badly" and his supporting roles in films like "Sleepers" and "The Last Supper." Prior to this movie, I would've never envisioned him in this sort of role, as I didn't really think of him as a daring, intense actor. I would envision an actor like Ray Liotta or James Woods in this sort of role. But I think Eldard's apparent naivete really gives dimension to this role. He doesn't in any way appear like someone who would act abusive towards anyone, as it usually turns out in real life. He also plays the character with a certain charm, which gives us some insight into why Leigh decided to stay with him. Of course, he never gets a handle on the Carolina accent (at times even sounding like an Englishman, as he struggles so hard), but as I got more and more into the film, I barely paid attention to the flaws in his accent. After watching this film, I will definitely look at Eldard much differently, as much more than the fun-loving buddy of Rob Schneider on "Men Behaving Badly" (a show I used to watch pretty frequently).

    The cast is also composed of fine character actors, like Glenne Headley and Michael Rooker--who's absolutely terrific as Leigh's short-fused brother. Of course, that isn't an unusual role for him, but he plays it very well and packs a great dramatic punch in this performance especially. Jena Malone shows why she grew up to star in big films like "Stepmom" and "For Love of the Game." Even at this age, she is fully convincing as a tortured young girl. I just kept on wondering what the director gave her as motivation for her different emotions, since I'm guessing they couldn't outwardly address the issues or rape and abuse to a girl of her age.

    The film contains some of the most disturbing scenes in American cinema (I stress the word "American," because I've seen more graphic rape scenes in foreign films like "The Bandit Queen" and "Pixote"), so even those with stomachs of steel should beware. But how many films you watch really get you talking and thinking, and send you an emotional journey--without using cheap shots? I don't have A.D.D. or anything, but rarely do I get so lost in a film that my attention never drifts and I never take time to look at my watch. This is one of those rare powerful, touching films that I will never forget!

    My score: 9 (out of 10)
    Michael_Elliott

    Strong Performances and Direction

    Bastard Out of Carolina (1996)

    *** (out of 4)

    Graphic adaptation of the Dorothy Allison novel takes place in the South Carolina as a young girl (Jena Malone) begins to be physically and sexually abused by her stepfather (Ron Eldard) while her mother (Jennifer Jason Leigh) keeps overlooking what's going on. BASTARD OUT OF CAROLINA was the directorial debut from Anjelica Huston and while I'd question some of the flow in the story there's no question that she dives head first into the abuse and doesn't pull any punches. This here is a pretty hard film to watch because of how graphic it is towards the abuse in the film. I was really shocked at how much detail was shown when it came to the abuse because most of the time the camera pulls away with a child involved but that wasn't the case here. It's clear that Huston wanted to show how horrid the abuse of a child was and this here was shown and it certainly wasn't easy to watch. The film really benefits from some incredibly strong performances with Malone leading the way as the abused girl. She's completely believable in the part and it was certainly needed because the actress really makes you feel that she's this smart little girl being forced to grow up quickly because of her situation. Jennfier Jason Leigh also turns in a powerful performance as the mother who can't leave her husband even though he's hurting her daughter. Eldard is a complete slime here and perfectly captures the spirit of the character. We also get strong supporting performances by Michael Rooker, Lyle Lovett, Glenn Headly, Grace Zabriske, Diane Scarwid and Pat Hingle. Christina Ricci appears in one scene. I think there were times when the film didn't flow as good as it could have but there's no question that Huston gets her message across. The film is hard to recommend to most people due to how depressing and graphic it is but those who do sit through the film will be rewarded with a strong picture.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Ron Eldard spent a lot of time playing sports with Jena Malone so they would both feel comfortable performing the scenes in which he is physically abusing her. He claimed that in no scene did inappropriate contact with Malone take place, and that for scenes in which he appears to grab her by the throat, he is actually only holding her by his fingertips. Eldard was adamant that the graphic depiction of sexual abuse and rape was a necessity for the film.
    • Erros de gravação
      At 12 minutes and 57 seconds into the film, Dermot Mulroney's character (Lyle Parsons) is driving along a road past a modern looking house with a very modern looking red truck parked in the driveway.
    • Citações

      Doctor: How'd she break her coccyx?

      Anney Boatwright: Her what?

      Doctor: Her tailbone, lady! Her ass! What you been hitting' this child with, or maybe you just been throwin' her up against the damn wall!

      Anney Boatwright: What are you sayin'? What are you sayin'?

      Doctor: [to Bone] Do you wanna talk about it, honey? How 'bout we ask your mama to leave, and then, maybe you can tell me what happened, okay?

      Anney Boatwright: Let me have my girl!

      Doctor: This child's been beaten! This child's been beaten, and I'm gonna call the authorities!

    • Conexões
      Featured in The 49th Annual Primetime Emmy Awards (1997)
    • Trilhas sonoras
      My Lord Keeps a Record
      Performed by The Mountain Ramblers

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    Perguntas frequentes18

    • How long is Bastard Out of Carolina?Fornecido pela Alexa
    • What is Glen actually doing to Bone in the car?

    Detalhes

    Editar
    • Data de lançamento
      • 8 de novembro de 1997 (Coreia do Sul)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Bastard Out of Carolina
    • Locações de filme
      • Whiteville, Carolina do Norte, EUA
    • Empresa de produção
      • Gary Hoffman Productions
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 38 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.33 : 1

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