Adicionar um enredo no seu idiomaJigoku is a samurai outlaw who is on the run with his motley bunch of followers. There's a bounty on his head with a cute female bounty hunter named Yuri The Pistol who's an ace gunslinger h... Ler tudoJigoku is a samurai outlaw who is on the run with his motley bunch of followers. There's a bounty on his head with a cute female bounty hunter named Yuri The Pistol who's an ace gunslinger hot on his tail. He immediately falls for the woman due to her gutsy spirit. Jigoku is show... Ler tudoJigoku is a samurai outlaw who is on the run with his motley bunch of followers. There's a bounty on his head with a cute female bounty hunter named Yuri The Pistol who's an ace gunslinger hot on his tail. He immediately falls for the woman due to her gutsy spirit. Jigoku is shown a map that can lead to some treasure. Dodging many booby-traps, he comes across a golden... Ler tudo
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- 2 indicações no total
- Togizo the Squire
- (as Bengaru)
- Torisuke the Kitemaker
- (as Teruhiko Uragami)
- Tattoo Man
- (as Shu Ken)
Avaliações em destaque
Zipangu is surprisingly similar in style to the recent Wild Wild West (1999) movie and Original CBS TV Series. While predating the Wild Wild West movie by nine years, Zipangu could easily be called a Japanese "Wild Wild West" type of saga. Like WWW's James West, JGM is a feudal samurai who is decidedly and strangely modern. JGM's "Neo-Samurai" attire fuses Western influences (leather) with Japanese (silk). He carries a cache of wicked swords and stores them much like a golfer his golfing clubs. In a hilarious and elaborate opening sequence, JKG goes through his arsenal of swords one right after another, dependant on the opponent his is facing. Even his vernacular is a wierd mixture of modern slang and feudal speak.
Director Hayashi has a flair for parody as he literally borrows and lampoons all the various Samurai Movie conventions. One delightful highlight includes JKG's encounter with a all too familiar Blind Masseur (Zatoichi?) who turns out to be able to see after all. The Ninja (Shinobi-Nin) opponents whom JKG encounters throughout the film are also a joy to watch as they incorporate and wield various "modern" type of devices and gadgets that would make Wild Wild West's Artemus Gordon green with envy.
While the pacing is a bit slow at times and the story is an exercise in style rather than substance, the movie as a whole is quite enjoyable and a feast for the eyes. Not for the overly serious and a must for Japanese cinema fans.
They meet a seemingly primitive man in loin cloth, dubbed `the Prophet,' who originally came from Zipang and was trapped on earth many long years earlier. Up in Zipang is a Princess in white trapped in a white stone hut waiting to be rescued by the Prophet. Jigoku and Yuri find that their destiny is to help the two reunite. But they first must confront an evil ninja with some high-tech weapons.
Director Kaizo Hayashi mixes swordplay, historical drama, slapstick, romantic comedy, fantasy and science fiction, but the film never finds the right tone nor do the story elements ever quite gel. An early battle between Jigoku and the bounty hunters is clearly a parody as Jigoku fights such famous Japanese swordsmen as Zatoichi and Tange Sazen and a famous French swordsman, Cyrano de Bergerac! The whole story of the Princess and the Prophet and the island of Zipang in the sky is not even told until more than half-way into the two-hour film, so for the first half we have no idea where the story's going.
The high technology used in some scenes is amusingly far-fetched. The ninja villain has a pair of binoculars with a zoom lens that takes pictures on a little metal chip that is then transported via guided flying throwing star to the castle of the Ninja's lord who then projects the photos from the chip with some kind of slide projector apparatus. Fans of gimmicky Japanese fantasy will be interested but others may find the movie's charms somewhat fleeting.
The list of crazy stuff that occurs is long but it's delivered in a well-directed and beautifully photographed package that doesn't skip on incredible fight scenes and a great music track. There are two long one-take fight scenes that have to seen. Almost nobody does those anymore. The army of ninjas is an army of ninjas, there are dozens of ninja actors. The lead actors are all great for this kind of entertainment. The art direction is also very good. There are a couple of gory sword stabbing and a touch of Lone Wolf style blood spurting but mostly the violence is bloodless.
Much better then I expected. Recommended if you are not in the mood for reality.
Você sabia?
- CuriosidadesJigoku's swords are numbered 1-9, but you don't get to see all of them, in order of use they are... sword no 7 - 17 kills (long samurai sword) sword no.6 - 12 kills (2 daggers in single scabbard) sword no.5 - 12 kills (long handle short sword that fires blade) sword no.4 - 22 kills (sword with scabbard that attaches to handle) sword no.3 - 1 kill (long very flexible sword) sword no.1 - 52 kills (very long samurai sword) sword number 9 - 1 kill (Large curved, wide bladed scimitar) another sword of his is seen, a large samurai sword with a spinning top on the hilt. Jigoku kills 146 people throughout the movie.
- ConexõesReferenced in Fear, Panic & Censorship (2000)
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Detalhes
- Tempo de duração1 hora 59 minutos
- Cor