AVALIAÇÃO DA IMDb
6,5/10
51 mil
SUA AVALIAÇÃO
A população de uma pequena cidade desaparece e é substituída por alienígenas que procuram carne humana para a sua cadeia intergaláctica de fast food.A população de uma pequena cidade desaparece e é substituída por alienígenas que procuram carne humana para a sua cadeia intergaláctica de fast food.A população de uma pequena cidade desaparece e é substituída por alienígenas que procuram carne humana para a sua cadeia intergaláctica de fast food.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
Peter Vere-Jones
- Lord Crumb
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This picture is about murderous alien zombies, headed by the unspeakable Lord Crumb, who invade Earth, intent on subjugating humanity for use on the menus of their intergalactic fast-food franchise. And it's also about the anti-alien SWAT squad battling them: four rambunctious New Zealanders who eventually seem little better than murderous psychopaths themselves.
It's a personal film to the max. Jackson wrote, produced and directed "Bad Taste" as well as editing it, doing the makeup and playing two roles, a demented commando and a crazed zombie alien. (At one point, through camera magic, the two Jacksons battle each other on a steep mountainside.) As Derek the commando, Jackson suggests that, had he continued acting, he might well have become New Zealand's Rick Moranis. (Fortunately, he didn't). As a movie maker, he proves that he was a natural from the first moment he pointed his camera at a band of fear-addled humans or bloodthirsty ghouls.
"Bad Taste" must be one of the most accurate titles in cinematic history. This movie is intended to make part of the audience reel and another part scream--though it's bad taste done, obviously, with a wink.
Most of the movie is a series of wild chases, terrifying fist fights, nauseating sight gags and bizarre gun battles, studded with gore and homages to "Night of the Living Dead," "Evil Dead" and "The Texas Chain Saw Massacre." But throughout, despite the budget, it's staged and shot with deep-focus bravura and brilliance, non-stop verve and relentless energy.
Like "Dead Alive," "Bad Taste" means to scare us and make us laugh, go past all our defenses. You're probably shockproof if you aren't offended by the grislier moments of "Bad Taste"--like the scene where Derek, woozy from his zombie battles, peels back his own skull and sticks in some mashed brains he finds on the ground. But, if you aren't entertained, you've probably never seen a horror movie.
It's a personal film to the max. Jackson wrote, produced and directed "Bad Taste" as well as editing it, doing the makeup and playing two roles, a demented commando and a crazed zombie alien. (At one point, through camera magic, the two Jacksons battle each other on a steep mountainside.) As Derek the commando, Jackson suggests that, had he continued acting, he might well have become New Zealand's Rick Moranis. (Fortunately, he didn't). As a movie maker, he proves that he was a natural from the first moment he pointed his camera at a band of fear-addled humans or bloodthirsty ghouls.
"Bad Taste" must be one of the most accurate titles in cinematic history. This movie is intended to make part of the audience reel and another part scream--though it's bad taste done, obviously, with a wink.
Most of the movie is a series of wild chases, terrifying fist fights, nauseating sight gags and bizarre gun battles, studded with gore and homages to "Night of the Living Dead," "Evil Dead" and "The Texas Chain Saw Massacre." But throughout, despite the budget, it's staged and shot with deep-focus bravura and brilliance, non-stop verve and relentless energy.
Like "Dead Alive," "Bad Taste" means to scare us and make us laugh, go past all our defenses. You're probably shockproof if you aren't offended by the grislier moments of "Bad Taste"--like the scene where Derek, woozy from his zombie battles, peels back his own skull and sticks in some mashed brains he finds on the ground. But, if you aren't entertained, you've probably never seen a horror movie.
This extremely bloody and hilariously funny gore comedy from the director of "Braindead" and "Meet the Feebles" is about some aliens,who gather in a small New Zealand town to harvest human beings as a food source for their struggling intergalactic fast food.Four agents of the Alien Investigation and Defense Sector(A.I.D.S)are called on to stop them."Bad Taste" was filmed on a shoestring budget over a period of four years,using second hand equipment,and produced by and starring all Jackson's friends and work colleagues.The amount of bloodshed in this film is really high,but the gore is presented in such a way that it just makes you laugh hysterically.There's vomit eating,brain eating,exploding heads,flying guts and even exploding sheep.A must see for horror,splatter and gore fans!
It seems fitting that in the wake of the excellent Lord of the Rings films, that we should have a look at just what started director Peter Jackson on the road to being one of the worlds greatest visionaries. Before LOTR's, Jackson's biggest financial hit was the Michael J. Fox horror comedy 'The Frighteners', and his biggest critical success being the haunting 'Heavenly Creatures', starring a then not-so-famous Kate Winslet. But it wasn't an easy ride getting to be the director of the most anticipated trilogy since Star Wars. Jackson started small, very small, and clawed his way up the movie ladder using nothing more than pure determination and a raw talent for film-making.
Jackson's first feature was Bad Taste, a low, low-budget horror comedy movie made over two years about aliens killing humans for their fast-food business back in space. No real plot, no real actors, no real crew. Only an insane imagination and devoted friends willing to help out. There's not even much of a script, because what Jackson sets out to do is sicken his audience with some of the most gruesome deaths ever seen and make them laugh until the back of their heads fall off. And he succeeds.
Narrative and plot structure are not on the vile menu here. Instead, Bad Taste is a testament to sick jokes, low-budget gore and technical brilliance on a shoestring. Jackson made his own steadicam, crane and other camera rigs to create the impression of a bigger-budgeted movie (he fails to do so, unfortunately) and even undertook the task of making all of his own make-up and prosthetic effects, including mechanised masks and realistic machine guns. This is an even greater achievement when you consider just how much gore there is in the film, but the finale, in which a huge mansion is rocketed into space, defies the rules of its low budget and minimal crew.
Even the cast were so minimal that the same aliens can be seen, if you look hard enough, being killed over and over again throughout the film, and Jackson himself takes on two roles; the unstable Derek and a mad alien called Robert. In one scene, Derek and Robert engage in a cliff-top fight with each other, balanced precariously on the edge and with no indication that one is a body double. Jackson's creativity and knowledge of movie trickery is undoubtedly on display here, but the low-rent sickness and bloody gore on display would suggest otherwise. At first it is hard to imagine that Jackson would go on from this to directing one of the best films of all time, but when you look closely, examine just what Jackson could do with no money and no crew, you begin to realise that a true genius was at work here.
Bad Taste is a delirious testament to the 'just-get-out-there-and-do-it' school of film-making, as that is literally what Jackson did. Shooting whenever he had the money for film stock and making props and special effects in his parent's garage. Apparently, one of Jackson's greatest problems was keeping his actors consistent in appearance over the two-year period, making sure haircuts remained the same and that one actor had a permanent five-o'clock shadow. Bad Taste is true to the spirit of independent film-making, one man making the film he wants, when he wants and with whom he wants. In fact, it would never and could never have been made under the supervision of a studio, and even if it had the spirit would have been killed off.
Bad Taste works for me because I admire the way in which it is made. When I first saw it I was in my teens and I liked it because it was a demented, gruesome, funny film, so maybe the teen crowd is the right one for Jackson's brain-eating, vomit-spewing, chuck-up-a-thon, or maybe it's also for twenty-somethings after a night on the lash. Either way, Bad Taste should be seen as an example that if you want to make a movie and know how - there is usually a way
Jackson's first feature was Bad Taste, a low, low-budget horror comedy movie made over two years about aliens killing humans for their fast-food business back in space. No real plot, no real actors, no real crew. Only an insane imagination and devoted friends willing to help out. There's not even much of a script, because what Jackson sets out to do is sicken his audience with some of the most gruesome deaths ever seen and make them laugh until the back of their heads fall off. And he succeeds.
Narrative and plot structure are not on the vile menu here. Instead, Bad Taste is a testament to sick jokes, low-budget gore and technical brilliance on a shoestring. Jackson made his own steadicam, crane and other camera rigs to create the impression of a bigger-budgeted movie (he fails to do so, unfortunately) and even undertook the task of making all of his own make-up and prosthetic effects, including mechanised masks and realistic machine guns. This is an even greater achievement when you consider just how much gore there is in the film, but the finale, in which a huge mansion is rocketed into space, defies the rules of its low budget and minimal crew.
Even the cast were so minimal that the same aliens can be seen, if you look hard enough, being killed over and over again throughout the film, and Jackson himself takes on two roles; the unstable Derek and a mad alien called Robert. In one scene, Derek and Robert engage in a cliff-top fight with each other, balanced precariously on the edge and with no indication that one is a body double. Jackson's creativity and knowledge of movie trickery is undoubtedly on display here, but the low-rent sickness and bloody gore on display would suggest otherwise. At first it is hard to imagine that Jackson would go on from this to directing one of the best films of all time, but when you look closely, examine just what Jackson could do with no money and no crew, you begin to realise that a true genius was at work here.
Bad Taste is a delirious testament to the 'just-get-out-there-and-do-it' school of film-making, as that is literally what Jackson did. Shooting whenever he had the money for film stock and making props and special effects in his parent's garage. Apparently, one of Jackson's greatest problems was keeping his actors consistent in appearance over the two-year period, making sure haircuts remained the same and that one actor had a permanent five-o'clock shadow. Bad Taste is true to the spirit of independent film-making, one man making the film he wants, when he wants and with whom he wants. In fact, it would never and could never have been made under the supervision of a studio, and even if it had the spirit would have been killed off.
Bad Taste works for me because I admire the way in which it is made. When I first saw it I was in my teens and I liked it because it was a demented, gruesome, funny film, so maybe the teen crowd is the right one for Jackson's brain-eating, vomit-spewing, chuck-up-a-thon, or maybe it's also for twenty-somethings after a night on the lash. Either way, Bad Taste should be seen as an example that if you want to make a movie and know how - there is usually a way
"Bad Taste" is Peter Jackson's first film and it shows. This is because Peter was not a director....just some guy making a film with his friends. In fact, because they had no money it took four years to piece the project together...and they didn't even have a script! But despite this and many other shortcomings (including using a 16mm camera and having ridiculous bloody effects), the film is VERY watchable and even, at times, quite funny.
The story is very simple and there really isn't any context or backstory. It begins with some zombie-like folks trying to kill and eat a group of guys. Later, the guys all don commando outfits and take on a whole house filled with what you've come to realize are blood-thirsty aliens!
There are two thins that really help this film....the sense of humor AND the cheesiness of the guys and blood. If the movie was more realistic (such as Jackson's "Dead Alive" made just a short time later), it would have been repulsive and sick. Instead, you find yourself laughing at the guts, blood and mayhem since it's so obviously fake. Well worth seeing and a great example of cheap filmmaking that works.
The story is very simple and there really isn't any context or backstory. It begins with some zombie-like folks trying to kill and eat a group of guys. Later, the guys all don commando outfits and take on a whole house filled with what you've come to realize are blood-thirsty aliens!
There are two thins that really help this film....the sense of humor AND the cheesiness of the guys and blood. If the movie was more realistic (such as Jackson's "Dead Alive" made just a short time later), it would have been repulsive and sick. Instead, you find yourself laughing at the guts, blood and mayhem since it's so obviously fake. Well worth seeing and a great example of cheap filmmaking that works.
It's everything a low budget production from the 80s could be, especially in a world before CGI but, as a basis for the craft and imagination it nurtured, it should be considered an inspiration for anyone with the imagination and aspiration to venture into original and ground breaking film making and cinema. Plus it includes references to Doctor Who, which can never be a bad thing, and you can also see those references reciprocated by that series the following century with some similar looking characters that appeared one season. Must have been great fun to make.
Você sabia?
- CuriosidadesSir Peter Jackson made all the alien latex masks in his mother's kitchen. As he frequently used her oven to harden the latex, his family was forced to have sausages for dinner.
- Erros de gravaçãoThe cast's hairstyles, and the color of the socks change from scene to scene due to the sporadic four-year shoot.
- Cenas durante ou pós-créditosInstead of standard disclaimer: Any similarity with persons living or dead is an accident. Sorry
- Versões alternativasIn Germany, apart from the uncut version (which is banned from public sale to minors) there is a version cut down to a "FSK 18" rating. It leaves out most of the violence and is cut by approximately 7 minutes.
- ConexõesEdited into Heads Blow Up! (2011)
- Trilhas sonorasROCK LIES
Composed and Performed by Madlight
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Detalhes
Bilheteria
- Orçamento
- NZ$ 200.000 (estimativa)
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