O Tiro que não Saiu pela Culatra

I recall seeing this when it was released in '89. I found it funny but was only a Junior in high school at the time. Much of the humor and pain/struggle was lost on me. I rediscovered this on TV yesterday and just could not turn it off.

Having been married for a while and having kids of my own really brings this picture into focus. It is an amazing rendition of various families and how they are existing and treating their children. I identified so completely with Steve Martin's character that is was a bit scary.

I can see this film lasting the test of time very well. You can watch it as an outsider and enjoy the chaos or find yourself in one of the characters and enjoy the irony. Another Ron Howard masterpiece.

When "Parenthood" first came out, I did my level best to avoid it, certain that it seeing it would be roughly akin to being embalmed with maple syrup. Then came that dreadfully slow night at home a couple of years later, faced with a choice on the ol' tube between endless reruns of "Three's Company" and HBO showing -- oh, no! -- "Parenthood." So I clicked on HBO, gritted my teeth, prepared for the worst . . .

And was wrong.

Ron Howard is one savvy filmmaker. Maybe one of the savviest, I'm not sure. But I do know that, to make "Parenthood," he combined his savvy with all the heart he could muster (which was plenty, apparently) and that the result is a masterpiece.

Virtually every aspect of parenting is examined; moreover, it is done in a way that -- miracle of miracles! -- causes you to think, and to feel, every bit as much as it makes you laugh. Throat lumping up? Not to worry, here comes another belly-laugh to smooth it out.

The key to the film's message may lie with Jason Robards' speech --"There's no goal line in parenting, no end zone where you spike the ball and that's it . . ." -- or it may lie with Keanu Reeves -- "You know, Mrs. Buckman, you need a license to drive a car or buy a dog . . ." -- or it may simply be Gil Buckman's (Steve Martin) heroism in salvaging his emotionally disturbed son's birthday party; then again, it might be embodied in the frantic, stressed out stoicism of Dianne Wiest's single mom character as she comes to grips with her teenage daughter's choices and impending motherhood. But wherever you find it herein, the message is simple and profound: Parenthood is nothing less than heroism on a daily basis. Quiet, unheralded, underappreciated heroism.

One of the finest things about this movie is that nobody steps out of character. There are no miraculous revelations, no nick-of-time cavalry charges or character transformations. Characters here solve their individual dilemmas by growing WITHIN their characters. And realistically, at that.

It's been said that a really good story leaves its author crying as he/she writes the final pages. Sometimes -- not often enough -- a really good movie can leave a reviewer the same way as he finishes his commentary, crying and laughing simultaneously.

Well, don't just stand there! Someone get me a Kleenex!!

Winning ensemble comedy about the humurous and tragic tribulations of parenting that is for all ages. Robards is wonderful as the patriarch of the family but it's Martin who stands out, especially in the wonderful "Cowboy" scene. The film is heartfelt and ends on a tender note. Randy Newman leads his through the work with his grand tunes. He was Oscar nominated for his song, "Love to See You Smile." Wiest was also Oscar nominated.

This might very well be the most balanced- and excellent mix of drama and comedy I have ever seen. I already loved "Parenthood" when I was a kid and I perhaps love it even more now as a grownup, when I recently watched it again.

Perhaps the greatest strength of this movie is in its realism. Sure every character and event in the movie are somewhat silly and over-the-top but yet they also feel like very real problems and persons at the same time. This due to the great portrayal of the drama elements in the movie. These are real, recognizable or not, family-issues portrayed in this movie. It handles some delicate subjects but never without a smile as well. It makes this movie both touching and warm to watch, as well as fun and amusing.

Reason why both the dramatic and comical elements all work so well is also thanks to the cast. The movie has many well known actors in it. Tom Hulce especially impressed me and also Steve Martin was a great leading man, from the period when he was still funny in movies. Solid as always were Mary Steenburgen and Dianne Wiest. Rick Moranis surprisingly doesn't play a loser this time but he still is a nutty character in the movie. He shows in this movie that he also has some real acting skills. Keanu Reeves is also good in his role, from the period when he appeared mostly in just comedies. The still very young Joaquin Phoenix also plays a great and quite big role in the movie.

It has some totally unforgettable moments in it, both comedy-wise as in its drama. It all makes this movie one of the most warm and subtle movies ever made. It doesn't try to be funny, it doesn't try to be melodramatic. The end result of it all is an extremely well balanced and crafted mix of drama and comedy that works on both levels. You can watch this movie as a drama or as a comedy, so fans of both the genre will be pleased with this movie that surely does not disappoint in any way.

An early subtle Ron Howard masterpiece, that is criminally underrated here on IMDb.

9/10

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30th Anniversary: 1989 - the Best Year in Cinema Marathon Film #55/100: "Parenthood" (2nd Viewing.) I can see why this spawned a successful TV series, though not really interested in seeing any more. This movie was just fine. I found myself laughing out loud more than about a dozen times. I worried about the runtime up front - over 2 hours, but it never felt long and I definitely got involved with this family. Really enjoyed this touching family drama/comedy.