Na Europa medieval, uma jovem de família nobre é obcecada por seus captores - plebeus.Na Europa medieval, uma jovem de família nobre é obcecada por seus captores - plebeus.Na Europa medieval, uma jovem de família nobre é obcecada por seus captores - plebeus.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 1 indicação no total
Fernando Hilbeck
- Arnolfini
- (as Fernando Hillbeck)
Avaliações em destaque
I decided to watch this film after a very heavy three day drinking session and to be honest was not expecting a great deal. However, at the end I deemed it to be the best two hours of my life. What a film!
The Cardinal (Ronald Lacey) was by far the most outrageous and stand out performance. I may be a bit biased from England but over the top acting from Lacey seems to be his forte and he certainly does not disappoint. Rutger puts in a typically strong performance as does Jason-Leigh and the supporting cast.
My favourite scene had to be Soldier Martin standing in front of the upturned carriage with the wheel representing the halo from the statue of Saint Martin. For me this was the icing on the cake.
The only question mark about this film is the contraption that Steven constructs to storm the castle. It definitely is a work of art and for those times would be considered quite an Engineering achievement. Not to mention the time in which it is built in such an effortless manner. However, PV seems to make this fit with the spirit of the film and after a few chuckles it is all forgiven.
Its certainly a film that will not stand up today with modern attitudes and morals but I fully recommend this film. Add it to your collection NOW!
The Cardinal (Ronald Lacey) was by far the most outrageous and stand out performance. I may be a bit biased from England but over the top acting from Lacey seems to be his forte and he certainly does not disappoint. Rutger puts in a typically strong performance as does Jason-Leigh and the supporting cast.
My favourite scene had to be Soldier Martin standing in front of the upturned carriage with the wheel representing the halo from the statue of Saint Martin. For me this was the icing on the cake.
The only question mark about this film is the contraption that Steven constructs to storm the castle. It definitely is a work of art and for those times would be considered quite an Engineering achievement. Not to mention the time in which it is built in such an effortless manner. However, PV seems to make this fit with the spirit of the film and after a few chuckles it is all forgiven.
Its certainly a film that will not stand up today with modern attitudes and morals but I fully recommend this film. Add it to your collection NOW!
I happened to catch this 1985 film on cable. I'd never heard of it before, and found only a few reviews for it on the movie review query engine. That's a shame, because this is one of the most original of the swords/knights/princesses genre movies I've seen. Technically, it's not a medieval tale, as it's set in the 16th Century, but with the exception of some innovative period weapons, including an exploding barrel with a long fuse that sometimes goes off at the wrong time, the atmosphere is very much out of the dark ages. While the costumes, scenery and plot (a gang of betrayed soldiers seek revenge and kidnap a princess) are fairly typical, the subtlety of the characters and the moral ambiguity of the story are very atypical of Hollywood films. For one thing, it's very difficult to say who the bad guys are. The gang of kidnappers, led by Rutger Hauer, is churlish and brutal. Yet, they were badly mistreated at the beginning of the movie, so it's hard not to retain some sympathy for them. The princess, played by Jennifer Jason Leigh, is a similarly ambiguous character. She's loved by both Hauer and his enemy (played by Tom Burlinson) and she may or may not love one or both of them in return. Overall, what makes Flesh and Blood original is the fact that it doesn't romanticize the past. Life is portrayed as extremely harsh; people rape, kill and torture with impunity, and the threat of the plague lurks everywhere. It's a good antidote for anyone who, after watching one of the King Arthur movies, wishes they were a sword-wielding knight.
After the success of Conan the Barbarian, the 80's saw a glut of Midevil adventure movies, but none of them stand on the same ground as Flesh and Blood. No movie, at the time, was more unabashedly filled with gore and nakedness. It doesnt try to be glossy or romantic in any way but isnt heavyhanded or serious either.
As he was so often in nearly every role he played, Rutger Hauer is perfect and at ease, alive, and eating up every frame of film he is in. A sad reminder of the days when he had so much promise, before he went downhill into Direct-To-Video Land.
Jennifer Jason Leigh is caught in one of her rare stilted preformances. Instead of going above the b-movie tone, she sort of wallows in it, but everyone else in the movie is also over the top and caricatured, so the film does not suffer and is invigorated instead of being obtuse.
The perfect blend of violence and sex, good and bad acting, b-movie tone with a studio budget. One enjoyable movie.
As he was so often in nearly every role he played, Rutger Hauer is perfect and at ease, alive, and eating up every frame of film he is in. A sad reminder of the days when he had so much promise, before he went downhill into Direct-To-Video Land.
Jennifer Jason Leigh is caught in one of her rare stilted preformances. Instead of going above the b-movie tone, she sort of wallows in it, but everyone else in the movie is also over the top and caricatured, so the film does not suffer and is invigorated instead of being obtuse.
The perfect blend of violence and sex, good and bad acting, b-movie tone with a studio budget. One enjoyable movie.
When a fortified city is taken from its rightful ruler while he is away he hires mercenaries to help retake it. I promises that they can have twenty four hours to loot as the please but once they are victorious he betrays them; ordering them to disarm and leave any treasure they have found. Soon afterwards the departing mercenaries discover a statue of St Martin and take it as a sign that their leader, also called Martin will make them rich. Not long after this they meet the man who betrayed them and make off with wagons loaded with valuables... and Agnes, the young woman promised to his son Steven. The mercenaries rape her but soon it becomes clear that Martin wants her for himself; especially after she helps him seize a castle which the mercenaries use as their new home. Of course things are far from over and they will have to contend with attacks from opposing forces and an outbreak of the plague!
If you have seen other films from director Paul Verhoeven you will have an idea of what to expect; violence, sex and nudity. While this means it won't appeal to everybody it didn't feel overly gratuitous. The film captures the filth and unpleasantness of the era in a way that might feel familiar to people watching things like 'Game of Thrones' now but would have been unusual at a time when things were far more sanitised. Our protagonists are more morally ambiguous than one expect; Martin is far from heroic as he forces himself onto Agnes and later she shows a cunning side as she appears to fall in love with him but doesn't forget Steven... one feels she will do what it takes to survive in the least unpleasant way possible. Rutger Hauer impresses as Martin and Jennifer Jason Leigh does a solid job as Agnes. The supporting cast are pretty good too. The action scenes are suitably gritty with many characters getting killed in ways that aren't swift and painless. One or two of these deaths are also quite inventive thanks to Steven's scientific approach to warfare. Overall one for fans of the genre who don't like things overly sanitised.
If you have seen other films from director Paul Verhoeven you will have an idea of what to expect; violence, sex and nudity. While this means it won't appeal to everybody it didn't feel overly gratuitous. The film captures the filth and unpleasantness of the era in a way that might feel familiar to people watching things like 'Game of Thrones' now but would have been unusual at a time when things were far more sanitised. Our protagonists are more morally ambiguous than one expect; Martin is far from heroic as he forces himself onto Agnes and later she shows a cunning side as she appears to fall in love with him but doesn't forget Steven... one feels she will do what it takes to survive in the least unpleasant way possible. Rutger Hauer impresses as Martin and Jennifer Jason Leigh does a solid job as Agnes. The supporting cast are pretty good too. The action scenes are suitably gritty with many characters getting killed in ways that aren't swift and painless. One or two of these deaths are also quite inventive thanks to Steven's scientific approach to warfare. Overall one for fans of the genre who don't like things overly sanitised.
Gloriously over the top middle ages saga from Verhoeven,who certainly makes sure the film lives up to its title!This is an exraordinarily bloody film,and apart from the gore we get dead babies,brain damaged nuns,plague infected flesh,raping,pillaging,and some terrible table manners.This is hugely enjoyable stuff,with some terrific black humour.Verhoeven also stages some excellent action sequences.The opening battle to take back the city is good,as is the amazing contraption to scale the castle that gets destroyed,and the final battle inside the castle is gripping.Rutger Hauer is reliably excellent in this,not so much a loveable rogue as a steely eyed psycho.Even better is Jennifer Jason Leigh as the kidnapped princess,who turns out to be a cunning,scheming,bitch.Witness the scene where she turns the tables on Hauer,who is attempting to rape her.There's good support also from Susan Tyrrell as a revolting whore,and Ronald Lacey as a demented priest who seems to have stepped straight out of the film 'The Devils'.This is miles better than all the other sword and sorcery films that were around at the time,because Verhoeven pulls no punches,and instills the film with a savage wit.Great music as well from 'Conan' composer,Bazil Poleduris.This film deserves a sequel!
Você sabia?
- CuriosidadesThe movie was director Paul Verhoeven's reaction to the many movies that, in his view, overly romanticized the Middle Ages. He wanted to show it as a period where brutality, disease, poverty, and hardship were common, and a natural death was a rare thing.
- Erros de gravaçãoAfter drinking from the contaminated well, several characters immediately fall ill from plague. Plague by any vector has an incubation period of at least one day.
- Versões alternativasUK cinema and video versions were cut by 38 secs by the BBFC with edits to the rape of Agnes. The cuts were waived for the 2005 MGM DVD.
- ConexõesFeatured in Slotavond van de Nederlandse Filmdagen (1985)
- Trilhas sonorasThroughout the Years
Composed by Charles Williams
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Conquista sangrienta
- Locações de filme
- Belmonte, Cuenca, Castilla-La Mancha, Espanha(The Castle was also used in "El Cid")
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 6.500.000 (estimativa)
- Faturamento bruto mundial
- US$ 278
- Tempo de duração2 horas 6 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was Conquista Sangrenta (1985) officially released in India in Hindi?
Responda