A kryptonita sintética misturada com alcatrão divide o Superman em dois: o bom Clark Kent e o mau Homem de Aço.A kryptonita sintética misturada com alcatrão divide o Superman em dois: o bom Clark Kent e o mau Homem de Aço.A kryptonita sintética misturada com alcatrão divide o Superman em dois: o bom Clark Kent e o mau Homem de Aço.
- Prêmios
- 3 vitórias e 7 indicações no total
Enredo
Você sabia?
- CuriosidadesAfter Margot Kidder expressed her disgust about the firing of Richard Donner to producers Alexander Salkind and Ilya Salkind, her role was cut to 12 lines and less than five minutes of screen time. In the film's 2006 DVD commentary, Ilya Salkind says there was little need for Lois Lane in this movie because her relationship with Superman ended at the end of Superman II: A Aventura Continua (1980).
- Erros de gravaçãoScenes which are set in the United States feature printed spellings of words like defence, colour, and unauthorised which reveal the Canadian and British filming locations.
- Citações
Ross Webster: I ask you to kill Superman, and you're telling me you couldn't even do that one, simple thing.
- Versões alternativasBroadcast version uses separate title sequence similar to original Superman - The Movie titles, with adapted John Williams theme. Theatrical and home video versions had difficult-to-read titles over opening slapstick sequence.
- ConexõesEdited from O Seqüestro do Metrô (1974)
- Trilhas sonorasRock On
Performed by Marshall Crenshaw
Music by Giorgio Moroder
Lyrics by Keith Forsey
Produced by Giorgio Moroder
Avaliação em destaque
After making two fairly decent Superman movies, things took a slightly different turn with Superman III. Gene Hackman was nowhere to be found, Lois Lane has such a small part that she's essentially not even in the continuity anymore (Clark apparently forgets all about his love of Lois when he re-meets Lana Lang). And things became really funny, or were at least supposed to be. If you consider "campy" to be funny.
Superman faces off against himself, after being exposed to a new form of kryptonite that has tobacco tar mixed in. Can the world trust a Superman who destroys oil tankers and sleeps with random women on top of the Statue of Liberty? The best part of the "Evil Superman" sequence is when we see Superman drunk, if for no other reason than the thought of Superman getting drunk (or even having the ability to become intoxicated) is a most unusual thought. Good thing Superman doesn't drive a car.
I really enjoyed the entrance of Lana Lang into the film. Lana, in my opinion, was always the more appropriate match for Superman and there is no exception in this movie. She shares a history with him, is more caring than Lois and less dominant. I'm curious where the Lois/Lana thing will go in Part 4, if it goes anywhere. (I am not suggesting dominant women are bad, by the way. But the fact of the matter is anyone dating Superman is going to have to be comfortable with being second fiddle.) What sold me on this movie (and almost scored it a 7 instead of a 6) is the tie-in with "Office Space". In Office Space, Superman III is referenced for a computer program that takes fractions of a cent and puts them in a bank account. The scene in this film was great, and really made me appreciate the way Mike Judge used it many years later.
With nicotine and tar being the secret ingredients in the new kryptonite, was there some message being sent? Richard Pryor was great. He was funny and made the entire film more of a comedy with kitsch than the serious films we had seen before. Many people really didn't like the campiness, I guess, but I thought it was enjoyable for the most part (though they did go over the top just a bit). In my mind, Superman was the light story and Batman the dark story, so I'd rather see a silly Superman than a silly Batman.
The new villain to replace Lex Luthor was okay, but why bother making a new villain if he's going to be the exact same character? I would hope after fifty years of comic books, there would have been at least one other super villain they could have chosen (although the new "Superman Returns" focuses on Luthor again, so I guess creativity is minimal in the Superman world).
If you've seen parts one and two, you may as well see this. But do keep in mind that the world of Superman turns a little "bizarro" for the next two hours of film time...
Superman faces off against himself, after being exposed to a new form of kryptonite that has tobacco tar mixed in. Can the world trust a Superman who destroys oil tankers and sleeps with random women on top of the Statue of Liberty? The best part of the "Evil Superman" sequence is when we see Superman drunk, if for no other reason than the thought of Superman getting drunk (or even having the ability to become intoxicated) is a most unusual thought. Good thing Superman doesn't drive a car.
I really enjoyed the entrance of Lana Lang into the film. Lana, in my opinion, was always the more appropriate match for Superman and there is no exception in this movie. She shares a history with him, is more caring than Lois and less dominant. I'm curious where the Lois/Lana thing will go in Part 4, if it goes anywhere. (I am not suggesting dominant women are bad, by the way. But the fact of the matter is anyone dating Superman is going to have to be comfortable with being second fiddle.) What sold me on this movie (and almost scored it a 7 instead of a 6) is the tie-in with "Office Space". In Office Space, Superman III is referenced for a computer program that takes fractions of a cent and puts them in a bank account. The scene in this film was great, and really made me appreciate the way Mike Judge used it many years later.
With nicotine and tar being the secret ingredients in the new kryptonite, was there some message being sent? Richard Pryor was great. He was funny and made the entire film more of a comedy with kitsch than the serious films we had seen before. Many people really didn't like the campiness, I guess, but I thought it was enjoyable for the most part (though they did go over the top just a bit). In my mind, Superman was the light story and Batman the dark story, so I'd rather see a silly Superman than a silly Batman.
The new villain to replace Lex Luthor was okay, but why bother making a new villain if he's going to be the exact same character? I would hope after fifty years of comic books, there would have been at least one other super villain they could have chosen (although the new "Superman Returns" focuses on Luthor again, so I guess creativity is minimal in the Superman world).
If you've seen parts one and two, you may as well see this. But do keep in mind that the world of Superman turns a little "bizarro" for the next two hours of film time...
- gavin6942
- 16 de set. de 2006
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Superman vs. Superman
- Locações de filme
- Calgary, Alberta, Canadá(Metropolis city exteriors)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 39.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 59.950.623
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.352.357
- 19 de jun. de 1983
- Faturamento bruto mundial
- US$ 80.250.623
- Tempo de duração2 horas 5 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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