AVALIAÇÃO DA IMDb
6,1/10
846
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaActor Jack Albany, who plays gangsters on TV, is mistaken for notorious hit-man Ace, and is hired by mob boss Leo Smooth to pull a heist, but Jack must find a way out of it.Actor Jack Albany, who plays gangsters on TV, is mistaken for notorious hit-man Ace, and is hired by mob boss Leo Smooth to pull a heist, but Jack must find a way out of it.Actor Jack Albany, who plays gangsters on TV, is mistaken for notorious hit-man Ace, and is hired by mob boss Leo Smooth to pull a heist, but Jack must find a way out of it.
- Direção
- Roteiristas
- Artistas
Leon Alton
- Exhibit Guest
- (não creditado)
Don Ames
- Exhibit Guest
- (não creditado)
Eleanor Audley
- Matron
- (não creditado)
George Calliga
- Exhibit Guest
- (não creditado)
Anthony Caruso
- Tony Preston
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The title is quite true. There is never a dull 'moment' in this film, simply because the entire movie consists of 100 dull minutes. Van Dyke plays a bit-part actor who becomes entangled with gangster/mob type caricatures stealing a valuable painting, and other such dross. (On that note the film is about as lacklustre as the 1965 co-production 'Theft Of The Mona Lisa'). The director seems to have been offered an entirely different script to the one offering the audience alleged 'comedy', which is regrettably confined to Van Dyke's "unique" brand of muggery (eg Lt Robinson Crusoe, 1966).
Ed G Robinsons presence is not even worth mentioning, in the hope that it can be overlooked in summation of his career's overall contribution to American movie history and development.
An inept, feeble-minded vomition of the sort of pap that elucidates any mystery surrounding why such a tycoon as Walt D should have ended up bankrupt.
Ed G Robinsons presence is not even worth mentioning, in the hope that it can be overlooked in summation of his career's overall contribution to American movie history and development.
An inept, feeble-minded vomition of the sort of pap that elucidates any mystery surrounding why such a tycoon as Walt D should have ended up bankrupt.
Great movie.... genuinely funny throughout....cool story and great cast
Hoping this comes out on Blu-ray at some point. Nothing offensive, just great fun.
I came across this one while organizing videos my family had taped-I was about to take it out when this started playing. I figured I'd watch a few minutes, see what it was all about, and finish labeling the tapes. Long story short, the project was set aside for another day, and "Never a Dull Moment" became a family favorite! This is a Disney movie from the '60's, and as such represents some of Disney's best, before the days of formulaic family movies. It's not really aimed at children; the story is dialogue-driven, and the lead character's predicament is presented through dramatic irony. Younger viewers may not get it. That all makes it sound heavy, but it's actually incredibly funny. Three major aspects of comedy: physical/slapstick, situational, and verbal. All three are present and woven together in a way that certainly held my attention. I can't speak for everyone, but the title rings true for me, over and over!
The acting is solid all around. Dick Van Dyke steals the show as Jack Albany, an actor mistaken for renowned hit man Ace Williams (played by Jack Elam). Van Dyke is at his comedic best. Presumptious Florian (Tony Bill), having never seen Ace, makes the mistake, forcing Jack into a situation where his survival depends on his acting. On some level this movie pokes fun at the typical mob story. You have the boss, the tough guy, the inept guy, the pro pickpocket, the driver, the dumb broad, and the kid. The actors play their stereotyped parts well, highlights being Tony Bill and Joanna Moore. This may be the best role Tony Bill ever played-his other roles just seem flat in comparison to this punk, who changes from a creepy armed henchman to a whining, flinching doormat depending on how much trouble he's in. Bill has, however, become a successful producer/director. Edward G. Robinson seems to relish playing Joe Smooth, a powerful, art-loving mob boss who may be losing it a bit mentally. Dorothy Provine is good, also, as Smooth's art teacher, but my biggest beef with the movie is the part of the script where she explains her connection to the boss. It works, but it could have been better.
Overall I recommend this movie. It's no cinematic triumph, but it is good, clean fun, and it is very funny! Most parents are probably aware, but for those that aren't, the ratings system has changed since the '60's. This one was G in that time period, when smoking was commonplace and violence in the movies wasn't the issue that it is in the 21st century. Not that one era is better than another (I honestly can't fathom why Ice Age and Over the Hedge are PG movies), but this one has some PG material by today's standards. An engaging story with lots of laughs!
The acting is solid all around. Dick Van Dyke steals the show as Jack Albany, an actor mistaken for renowned hit man Ace Williams (played by Jack Elam). Van Dyke is at his comedic best. Presumptious Florian (Tony Bill), having never seen Ace, makes the mistake, forcing Jack into a situation where his survival depends on his acting. On some level this movie pokes fun at the typical mob story. You have the boss, the tough guy, the inept guy, the pro pickpocket, the driver, the dumb broad, and the kid. The actors play their stereotyped parts well, highlights being Tony Bill and Joanna Moore. This may be the best role Tony Bill ever played-his other roles just seem flat in comparison to this punk, who changes from a creepy armed henchman to a whining, flinching doormat depending on how much trouble he's in. Bill has, however, become a successful producer/director. Edward G. Robinson seems to relish playing Joe Smooth, a powerful, art-loving mob boss who may be losing it a bit mentally. Dorothy Provine is good, also, as Smooth's art teacher, but my biggest beef with the movie is the part of the script where she explains her connection to the boss. It works, but it could have been better.
Overall I recommend this movie. It's no cinematic triumph, but it is good, clean fun, and it is very funny! Most parents are probably aware, but for those that aren't, the ratings system has changed since the '60's. This one was G in that time period, when smoking was commonplace and violence in the movies wasn't the issue that it is in the 21st century. Not that one era is better than another (I honestly can't fathom why Ice Age and Over the Hedge are PG movies), but this one has some PG material by today's standards. An engaging story with lots of laughs!
Never A Dull Moment provided Hollywood icon Edward G. Robinson with the opportunity to do things. Add a Walt Disney movie to his list of screen credits and allow him to do a film about his passionate avocation, that of art collector.
Robinson combines it with the last of gangster roles, that of Leo Joseph Smooth, both gangster and art collector. Robinson is pretty much retired from the day to day business of running a criminal enterprise, kind of like Vito Corleone only he's pulling himself back in for one last go.
He has it mind to own a large mural that is being shipped to the United States for exhibit so he's going to steal it. With that in mind he hires a whole lot of his old gang back plus a couple of extra hands.
Which is where Dick Van Dyke comes in. For reasons I cannot fathom, Tony Bill mistakes actor Dick Van Dyke with hoodlum Jack Elam. To save his life Van Dyke goes along with the mistake for almost the entire run of the film as he's taken to Robinson's well guarded home. Van Dyke calls on all his acting skills to convince Robinson and his whole gang he's really a hoodlum.
Fortunately for him he meets up with Dorothy Provine who's an art teacher that Robinson hired to improve him culturally. The two of them have a whale of a time trying to get out before the caper comes off.
Never A Dull Moment has a few good laughs and also in Disney studio's tradition at that time, employs a nice range of film character actors who were finding less and less work as the studios were putting out less and less product for the big screen.
It does rest however on the weak premise that Dick Van Dyke could possibly be mistaken for Jack Elam. In that it's weak indeed.
Robinson combines it with the last of gangster roles, that of Leo Joseph Smooth, both gangster and art collector. Robinson is pretty much retired from the day to day business of running a criminal enterprise, kind of like Vito Corleone only he's pulling himself back in for one last go.
He has it mind to own a large mural that is being shipped to the United States for exhibit so he's going to steal it. With that in mind he hires a whole lot of his old gang back plus a couple of extra hands.
Which is where Dick Van Dyke comes in. For reasons I cannot fathom, Tony Bill mistakes actor Dick Van Dyke with hoodlum Jack Elam. To save his life Van Dyke goes along with the mistake for almost the entire run of the film as he's taken to Robinson's well guarded home. Van Dyke calls on all his acting skills to convince Robinson and his whole gang he's really a hoodlum.
Fortunately for him he meets up with Dorothy Provine who's an art teacher that Robinson hired to improve him culturally. The two of them have a whale of a time trying to get out before the caper comes off.
Never A Dull Moment has a few good laughs and also in Disney studio's tradition at that time, employs a nice range of film character actors who were finding less and less work as the studios were putting out less and less product for the big screen.
It does rest however on the weak premise that Dick Van Dyke could possibly be mistaken for Jack Elam. In that it's weak indeed.
This movie, starring the gifted actor, Dick Van Dyke, is an unsullied comedy full of humor and plot. Creative scenes flow in this film with a unique twist on classic situations. Though it is an older film, it surpasses most films hitting theaters today in acting and storyline. Jack displays courage and wit without losing the "just the average guy" way about him. Sincere facial expressions by Dick Van Dyke, and strong comedic timing sell this story from beginning to end. You will finish this movie feeling like you have stepped into "Jack's" shoes and gone on this escapade with him. With a touch of action, romance, suspense, and a delightful twist, this comedy is well worth your time.
Você sabia?
- CuriosidadesThis was the last film in which Edward G. Robinson portrayed a gangster.
- Erros de gravaçãoWhen Smooth is showing the gang slides of the painting and museum layout, he is standing in front of the screen and uses a cane for a pointer - but no shadows are cast on the screen, nor are any of the images projected on himself or the cane. This reveals the images are being rear-projected on the screen and are not coming from the slide projector on the table in the same room. Any shadows seen on the screen are being made from a studio light coming from a different direction.
- Citações
Jack Albany: Why'd they call a tough kid like you a sissy name like Florian?
Florian: It's a tough name!
- Versões alternativasOriginal VHS by Disney is 90 minutes, whereas the film's initial release and dvd release run 99 minutes.
- ConexõesFeatured in Dick Van Dyke 98 Years of Magic (2023)
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- How long is Never a Dull Moment?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
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- Idioma
- Também conhecido como
- Never a Dull Moment
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 4.150.000
- Tempo de duração1 hora 39 minutos
- Proporção
- 1.75 : 1
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