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Alex Cord plays Clay McCord(how apt!), an outlaw who has traveled to New Mexico on the promise of amnesty given by its governor(Robert Ryan). Unfortunately, Clay gets challenged by the local sheriff(Arthur Kennedy) who doesn't agree with the governor's plans, and decides to use Clay to lure other outlaws to the state, so that he can deal with them all at once. This leads to a big showdown at the end.

Not bad western is clearly based on the style of the Sergio Leone westerns, and is a decent attempt at doing so, though of course is not as stylish or memorable. Good cast, and an interesting character detail of Clay having epilepsy like his father, which sometimes makes him vulnerable.

Back when the Italians were making their so-called 'Spaghetti Westerns', studios often obtained the services of non-Italians to play the leads in their films. The idea was that these B-list foreign actors would increase the marketability of the films abroad and folks like Rod Steiger, Clint Eastwood and Lee Van Cleef were often seen in these movies. In "Un minuto per pregare, un istante per morire", Alex Cord, Arthur Kennedy and Robert Ryan starred...and it was unusual to see that many American actors in one of these films.

Cord plays Clay McCord, an outlaw who is headed to Tuscosa, New Mexico Territory. Why? The territory has just approved an amnesty for criminals. In other words, if they sign a document promising to obey the law, their past crimes will be forgiven. But Cord realizes this might just be too good to be true...and that's exactly the case. Scum-bags, bounty hunters and the like plan to kill these outlaws before they get to the city...and in McCord's case this actually occurs IN Tuscosa...mostly because the Sheriff (Kennedy) is a jerk. But when the Governor (Ryan) arrives and swears the support the amnesty, McCord MIGHT just stand a chance.

Like you'd expect, this movie is extremely violent...as are nearly every Italian western. Lots of remorseless killings are the norm in this one and they seem to take precedence over the plot at times. Add to that a very simple plot and you have what amounts to an exciting time-passer and not much more.

By the way, I really liked Ryan's performance....very low key and convincing.

The cast alone tells you this will be a notch above the usual Italian western. Veteran actors Robert Ryan and Arthur Kennedy team up with Alex Cord who, at the time, seemed on the verge of stardom. The result is a movie that's both off-beat and down-beat and yet it'll satisfy those who seek more from a western than just gunplay. Especially interesting here is the character played by Alex Cord. One expects the "hero" in these westerns to be taciturn and introspective, but "Clay McCord" is an extreme example and, surprisingly enough, he's often shone in a passive, even weak position. Much is made of the fact that he fears falling prey to the epileptic fits which immobilized his father, and in these moments of helplessness he's either at the mercy of those who wish to harm him or those who wish to help him. To emphasize his passivity, Clay McCord -- don't you love that name? -- is often shone stripped to the waist as if he were little more than an attractive plaything being put on display. There's even a strong masochistic streak in his nature, most in evidence when he's used as a punching bag by his enemies and then suspended by his wrists and left hanging above the middle of a street. Not only does he often fail to protect himself, but McCord is equally ineffective in protecting those around him. Nearly everyone who helps him is killed.

While "A Minute to Pray, a Second to Die" is far from being a complete success, it has a depth and a tone which sets it apart and causes it to linger in the memory. It's also a good showcase for Alex Cord whose career tended to decline after this point following a few promising years in the mid-1960s. He must have been about 34 years old when he filmed this -- in his physical prime -- and the scene of him hanging by his wrists, bare-chested and sweaty, is a memorable piece of cinematic "beefcake."

A Minute To Pray,A Second To Die is a good spaghetti western that I enjoyed watching. This story is taken from the point of view of the outlaw. Alex Cord plays a outlaw gunslinger that grows tired of his occupation and life of violence and in the process of trying to hang up his guns and get amnesty for his crimes, he must deal with both law enforcement and the criminal element to achieve a future peaceful life. This film is approached differently than most westerns of it's times and it gives Alex Cord a chance to play up his character's flaws. Our hero/lead is not really a good guy, but he has some redeeming decent qualities compared to most of the other characters in the film. The west is portrayed here in a very dark fashion, life is cheap and most of the people live in squalor and misery or are completely ruthless and amoral scum. Robert Ryan shows up later and gives the film a lot of class and a bad ass character with unwavering integrity. I found this to be a very interesting B movie that was approached differently and enjoyed it quite a bit. A Minute To Pray, A Second To Die is also a song from Buffalo Hardcore legends Zero Tolerance. ZT was Buffalo, NY's answer to bands like Leeway or CroMags, so if you are a fan of NYHC or thrash metal, than Zero Tolerance is a band you should check out. Oh, the film... A Minute To Pray,A Second To Die is a nice spaghetti western and worth checking out regardless of your taste in music.

"A Minute to Pray, A Second to Die" is a quality spaghetti western with a solid cast and an interesting storyline. It is filmed beautifully, with a relatively high production value for a film in this genre.

Alex Cord does a terrific job portraying Clay McCord, an outlaw who is suffering from increasingly debilitating seizures. He is seeking amnesty before his enemies close in on him, but is being too cocky for his own good when he asks for it. Robert Ryan delivers the best performance in the film as the governor of New Mexico. Mario Brega and Arthur Kennedy are also great here.

This movie is very good, but it doesn't stand out to me as being one of the best spaghetti westerns out there. It's lacking too much in style to be in the same league as any of the great ones. It does have some cool spaghetti overtones, but overall it's a bit too much like an American western. This is especially evident in the music score, which is OK as movies go in general, but pretty dull by euro-western standards. The soundtrack kind of reminds me of the music from "The Unforgiven." Although there is an interesting story here, it is told in a manner which is a bit too conventional for my tastes. If a spaghetti western fan and a Hollywood western fan had to watch a movie together, this one would be the perfect compromise.

All of this is not to say that anyone should avoid this film. I did enjoy watching it very much. As I said, it is a very well-done film and I recommend it to anyone who likes westerns, spaghetti or otherwise.