Os três filhos do Rei Henrique II querem herdar o trono, mas ele não se comprometerá a decidir. Eles e sua esposa conspiram de várias maneiras para forçá-lo.Os três filhos do Rei Henrique II querem herdar o trono, mas ele não se comprometerá a decidir. Eles e sua esposa conspiram de várias maneiras para forçá-lo.Os três filhos do Rei Henrique II querem herdar o trono, mas ele não se comprometerá a decidir. Eles e sua esposa conspiram de várias maneiras para forçá-lo.
- Ganhou 3 Oscars
- 16 vitórias e 18 indicações no total
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- (as Mark Griffith)
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- CuriosidadesKatharine Hepburn bested Peter O'Toole as the top dog on the set. Known to be something of a tyrant on most of his shoots, O'Toole meekly obliged, when she told him, "Peter, stop towering over me. Come and sit down and try to look respectable." O'Toole readily admitted in her presence that she reduced him "to a shadow of my former gay-dog self. She is terrifying. It is sheer masochism working with her. She has been sent by some dark fate to nag and torment me." Her reply: "Don't be so silly. We are going to get on very well. You are Irish, and you make me laugh. In any case, I am on to you, and you to me."
- Erros de gravaçãoChristmas trees were a somewhat obscure German tradition, introduced to the British royal family, and, by extension, England, by Queen Charlotte. It was not commonly decorated in English homes until the introduction of this custom by Prince Albert. Even the concept of using glass balls was unknown to Germans until long after the 12th century.
- Citações
John: A knife! He's got a knife!
Eleanor of Aquitaine: Of course he has a knife, he always has a knife, we all have knives! It's 1183 and we're barbarians! How clear we make it. Oh, my piglets, we are the origins of war: not history's forces, nor the times, nor justice, nor the lack of it, nor causes, nor religions, nor ideas, nor kinds of government, nor any other thing. We are the killers. We breed wars. We carry it like syphilis inside. Dead bodies rot in field and stream because the living ones are rotten. For the love of God, can't we love one another just a little - that's how peace begins. We have so much to love each other for. We have such possibilities, my children. We could change the world.
- Versões alternativasA 70mm version was released in Australia in 1969, and in the UK in 1973.
- ConexõesFeatured in Precious Images (1986)
I found this movie quite by accident--I was a sixteen-year-old with a Katharine Hepburn fixation. She mesmerized me; I wanted to BE her--smart, beautiful, sexy, and unwilling and unable to take anything off of anybody (except for Spencer Tracy, but that's another story). Honestly, I had no idea that there really had been such a person as Eleanor until I saw this movie. After watching my heroine portray her, I was determined to find out, though...so I have Katharine Hepburn to thank for my discovery of a new personal hero, and for my passion for medieval history.
It is true that this movie is not 100% factually accurate, not only because movie making dictates tinkering with history to create an interesting film, but also because, unfortunately, not too much is known about Eleanor herself. In the middle ages, women, even powerful, intriguing women like Eleanor, were not considered "important" enough to merit full biographical treatment. Most of Eleanor's history is recorded in the context of her sons and husbands. A good deal of this history was written by her detractors--people who disliked or disapproved of her for one reason or another. The simple explanation is that they felt that as a woman, she overstepped the bounds of what was considered "acceptable behavior" for a woman of the period.
That being said, this movie is 100% spiritually accurate. It perfectly captures the intrigue, the complexity of emotions and relationships, and tone of the age and the situation at hand. Though the sharp and witty dialogue is often considered a historical anachronism, this is not strictly true. Contrary to popular belief, people WERE educated in the middle ages, even women, if they were fortunate enough to be brought up in noble households, as Eleanor was. She was a brilliant woman, raised in a household where poetry and intelligent conversation were staples (her grandfather, after all, was one of the first troubadours). Henry was an intellectual powerhouse as well--he was a voracious reader who was often caught reading in church instead of paying attention to the sermons! It is unthinkable that these two minds would have produced stupid children, and the notion that the entire family should have only spoken in grunts and simple phrases is equally ludicrous.
Though not historically accurate, as other reviewers have noted, the strength of this movie lies in it's perfect portrayal of some of the most fascinating and complex personalities in recorded history. Henry, Eleanor, Richard, et al., make today's political and royal figures seem like low-rent bumbling hucksters.
- mazonis
- 6 de dez. de 2002
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- Também conhecido como
- The Lion in Winter
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- Consulte mais créditos da empresa na IMDbPro
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- Orçamento
- US$ 4.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 18.177
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.339
- 18 de dez. de 2016
- Faturamento bruto mundial
- US$ 20.139
- Tempo de duração2 horas 14 minutos
- Proporção
- 2.35 : 1