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5,8/10
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Adicionar um enredo no seu idiomaIn Lisbon, an American businessman is mistaken for a British agent with hilarious consequences.In Lisbon, an American businessman is mistaken for a British agent with hilarious consequences.In Lisbon, an American businessman is mistaken for a British agent with hilarious consequences.
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10ctostino
1965s 'A Man Could Get Killed' is a great slice of 60s movie hokum. It has James Garner at his "Basically, I'm just passing through on my way to Australia" best. Added to that, the cream of England's 'old duffer' character actors, Coote, Culver, Parker and Grey. An interesting cameo from the great Irish doctor/actor Niall MacGinnis, as the ships captain. Sandra Dee is as loud as any American tourist in Europe should be allowed to get, but still gorgeous. Tony Franciosa as the pretend Portuguese smuggler is fun and of course the wonderful, and criminally underrated, Melina Mercouri stealing the show. Throw in some diamonds and it all adds up to a not bad 97 minutes of escapism. And with a nice romantic ending to the strains of, probably Bert Kaempfert's greatest tune 'Strangers in the Night'. What's not to like! I saw this film as a young boy, when first released, loved it and have never forgotten it. How this film is not available on DVD is beyond me! It's about time we had a box set of James Garner 60s films with, obviously, this film included.
This really is one of those incredibly exciting caper movies of the 60's and it really is sad that it is not on DVD. Melina Mercouri, a total woman in every sense, exuded sex appeal and charm in a way that few others ever have. All the cast were great and how many know that this is the movie where Strangers in the Night was first heard, a big hit for Frank Sinatra. The European locations were wonderfully atmospheric, and also James Garner in the lead role, so perfectly cast .Sandra Dee and Anthony Franciosa, now both departed added to the confusion and fun of this absolutely delightful movie. The pace never lets up, and whilst James Garner is still with us , would be great to hear his views on working with the other cast members. Lets get this out on DVD!!!
Funny the things you remember as a kid. I saw this movie with my grandparents at a drive-in and never saw it again. But I clearly remember the plot and characters. It was funny, entertaining, and well worth seeing again. I've been checking everywhere for it on DVD and would like to be notified when it comes out on DVD. Movies like this don't come around often. With the invention of computer animation and high cost movie budgets there seems to be a lack of true screenplay and character building -- "A Man Could Get Killed" was simple, well acted and memorable -- what more could you ask for in a movie? I strongly recommend seeing it if you get the chance.
Just wanted to let anyone who might stumble upon this movie to know that it's certainly worth your time viewing. Melina Mercouri is great as the widow of a shadowy underworld figure who entangles James Garner in her search for missing booty. The booty being a small fortune in loose diamonds. The movie has lots of sixties style going for it and is set in beautiful Mediterranean locales. With a great supporting cast of sixties superstars like Sandra Dee and Tony Franciosa the movie entertains with tons of tounge in cheek, cloak and dagger sexy verve. It's a fun in the sun movie with all the stars putting in great performances. One final note, as the credits roll at the end of the movie, Frank Sinatra's rendition of Strangers in the Night provides a fitting and satisfying end.
Whatever happened to the intelligent "adult" comedy movie? Well, my theory is that they made one too many like "A Man Could Get Killed."
The movie starts out well: Garner is a banker examining some sort of prospects near Lisbon (that part doesn't matter in the slightest, it's just an excuse to get him there) and from the moment he disembarks from the airplane it's assumed by everyone he's an American spy and no one will listen to the truth, thinking it's a clever cover story.
This includes the dunderheads at the British embassy (Robert Coote, Cecil Parker) an American smuggler posing as Portugese (Anthony Franciosa) and a collection of spies working in groups of twos and threes who are more like Keystone Kops.
Garner plays "comically frustrated" as well as or better than anyone in the business and I've never seen Franciosa better. And the movie has some fine comic moments. I even laughed out loud and I'm pretty jaded.
But as the movie drags on it seems to run out of ideas. It gets bogged down in fish and rice scenes (if you must know what that means, see the flick). Though it does keep trying new (rather, familiar) plot twists right up to the climax, i'd trade a plot twist or two for something funny.
In fact, one of the best things about "A Man Could Get Killed" is a trial run of music for what became "Strangers in the Night," a chart-topping hit for Sinatra in the age of the Beatles. It's lovely.
If the writers (or whomever) had been able to sustain the ideas and energy propelling its first half-hour "A Man Could Get Killed" might've been a spy-spoof classic. Garner is certainly good enough and has range enough as an actor to carry it off, as he did in the comic-western "Support Your Local Sheriff " But at some point someone decided the way to proceed was with boring scenes of fish and rice and that's what we're left with.
(James Coburn's unfortunately dated spy spoof "The President's Analyst" nailed the genre better and despite a third-act lull ultimately sustains itself to the end.)
I like Sandra Dee but she's just awful. Rumor is, she didn't want to go to Lisbon and was forced to do the movie contractually. I never "got" Melina Mercori and that's probably my own blind spot, but I can provide, under separate cover, a list of actresses I'd prefer cast as the women who bedevil Garner and Franciosa (as if Coote, Parker and the spies didn't bedevil them enough).
Overall, a worthy try until it runs out of steam. Despite a wonderful title, good music, and fine performances by Garner and Franciosa, "A Man Could Get Killed" is not a must-see classic you've missed all your life. Too bad.
The movie starts out well: Garner is a banker examining some sort of prospects near Lisbon (that part doesn't matter in the slightest, it's just an excuse to get him there) and from the moment he disembarks from the airplane it's assumed by everyone he's an American spy and no one will listen to the truth, thinking it's a clever cover story.
This includes the dunderheads at the British embassy (Robert Coote, Cecil Parker) an American smuggler posing as Portugese (Anthony Franciosa) and a collection of spies working in groups of twos and threes who are more like Keystone Kops.
Garner plays "comically frustrated" as well as or better than anyone in the business and I've never seen Franciosa better. And the movie has some fine comic moments. I even laughed out loud and I'm pretty jaded.
But as the movie drags on it seems to run out of ideas. It gets bogged down in fish and rice scenes (if you must know what that means, see the flick). Though it does keep trying new (rather, familiar) plot twists right up to the climax, i'd trade a plot twist or two for something funny.
In fact, one of the best things about "A Man Could Get Killed" is a trial run of music for what became "Strangers in the Night," a chart-topping hit for Sinatra in the age of the Beatles. It's lovely.
If the writers (or whomever) had been able to sustain the ideas and energy propelling its first half-hour "A Man Could Get Killed" might've been a spy-spoof classic. Garner is certainly good enough and has range enough as an actor to carry it off, as he did in the comic-western "Support Your Local Sheriff " But at some point someone decided the way to proceed was with boring scenes of fish and rice and that's what we're left with.
(James Coburn's unfortunately dated spy spoof "The President's Analyst" nailed the genre better and despite a third-act lull ultimately sustains itself to the end.)
I like Sandra Dee but she's just awful. Rumor is, she didn't want to go to Lisbon and was forced to do the movie contractually. I never "got" Melina Mercori and that's probably my own blind spot, but I can provide, under separate cover, a list of actresses I'd prefer cast as the women who bedevil Garner and Franciosa (as if Coote, Parker and the spies didn't bedevil them enough).
Overall, a worthy try until it runs out of steam. Despite a wonderful title, good music, and fine performances by Garner and Franciosa, "A Man Could Get Killed" is not a must-see classic you've missed all your life. Too bad.
Você sabia?
- CuriosidadesBert Kaempfert's soundtrack for this movie features the introduction of his most famous composition, "Strangers in the Night," here still without lyrics but clearly recognizable. The accompanying soundtrack album listed it under the title "Beddy Bye".
- Erros de gravaçãoIn the hotel, the card at the door asks "do not disturb" in Portuguese, but it is written wrong: "Não Encomodar" (with an E). The right spelling is "Incomodar" (with an I).
- ConexõesReferenced in A Morte do Chefão (1973)
- Trilhas sonorasStrangers in the Night
Music by Bert Kaempfert
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- How long is A Man Could Get Killed?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 37 minutos
- Cor
- Proporção
- 2.35 : 1
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What is the Mexican Spanish language plot outline for Passaporte para o Perigo (1966)?
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