No século XVI, o cruel e louco Don Lope de Aguirre lidera uma expedição espanhola em busca de El Dorado.No século XVI, o cruel e louco Don Lope de Aguirre lidera uma expedição espanhola em busca de El Dorado.No século XVI, o cruel e louco Don Lope de Aguirre lidera uma expedição espanhola em busca de El Dorado.
- Direção
- Roteirista
- Artistas
- Prêmios
- 4 vitórias e 3 indicações no total
Claus Biederstaedt
- Brother Gaspar de Carvajal
- (narração)
- (não creditado)
Lothar Blumhagen
- Don Pedro de Ursua
- (narração)
- (não creditado)
Heinz Theo Branding
- Don Fernando de Guzman
- (narração)
- (não creditado)
Christian Brückner
- Balthasar
- (narração)
- (não creditado)
Enredo
Você sabia?
- CuriosidadesDuring a particularly rowdy night of production, Klaus Kinski, irritated by the noise from a hut where cast and crew were playing cards, repeatedly fired with a Winchester rifle into it. One of the bullets took the tip of an unnamed extra's finger off. Werner Herzog immediately confiscated the weapon and it remains his property to this day.
- Erros de gravaçãoThe indigenous Peruvians wear clothes that were imported by Europeans in the 19th century.
- Citações
Don Lope de Aguirre: That man is a head taller than me. That may change.
- Versões alternativasThe early 2000's DVD release is missing the opening shot (after the text scroll) of the clouds parting to reveal the mountains. It simply opens on the shot following the line of people descending the narrow mountain trail. It also is missing the title credits over the river water. Earlier U.S. video versions were missing these titles as well, but kept the footage so that the film had several seemingly unmotivated long shots of the flowing water.
- ConexõesEdited into Spisok korabley (2008)
- Trilhas sonorasAguirre, Der Zorn Gottes (Lacrime Di Re)
Written by Florian Fricke
Performed by Popol Vuh
Published by Edition Intro Meisel
Courtesy of Gammarock Music
Avaliação em destaque
"Aguirre, the Wrath of God": Werner Herzog is one of my all-time favorite film makers, and this is one of my favorite films by him. Actually taken from the diary of the priest who accompanied Pizarro's expedition in 1560, Herzog recreates the pretentious and self-deluded search for the "Lost City of Gold - Eldorado".
Herzog likes true stories...ones that are bizarre in their own right, but with his direction and personal vision, they become profound (and never optimistic). The camera work is always interesting (he single-handedly "patented" camera shots that don't sweep - they ("you") stare and stare - and stare - at a thing or person or place until it becomes abstract, intense, beautiful, threatening, profound), the scoring is always appropriate yet never expected, and his casting, often using the unique talents of the late Klaus Kinski, guarantee nothing less than an intense experience...even in a film like "Aguirre", which SLOWLY claws and slogs it's way along each and every slippery, dangerous, foreign mile of jungle.
It is clear Herzog 'focuses' on the ridiculously high beliefs humans create for and hold of themselves - that they could actually "own" anything, "conquer" anything, outwit that which they do not understand, and by sheer Will cause anything they deem important, to exist. Herzog is NOT a cheerleader for the history of humans, but he is a ponderer... and we are fortunate he does it on film.
Herzog likes true stories...ones that are bizarre in their own right, but with his direction and personal vision, they become profound (and never optimistic). The camera work is always interesting (he single-handedly "patented" camera shots that don't sweep - they ("you") stare and stare - and stare - at a thing or person or place until it becomes abstract, intense, beautiful, threatening, profound), the scoring is always appropriate yet never expected, and his casting, often using the unique talents of the late Klaus Kinski, guarantee nothing less than an intense experience...even in a film like "Aguirre", which SLOWLY claws and slogs it's way along each and every slippery, dangerous, foreign mile of jungle.
It is clear Herzog 'focuses' on the ridiculously high beliefs humans create for and hold of themselves - that they could actually "own" anything, "conquer" anything, outwit that which they do not understand, and by sheer Will cause anything they deem important, to exist. Herzog is NOT a cheerleader for the history of humans, but he is a ponderer... and we are fortunate he does it on film.
- futures-1
- 30 de ago. de 2004
- Link permanente
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Aguirre, the Wrath of God
- Locações de filme
- Huayna Picchu, Peru(mountain with stone stairway in the opening scene)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 370.000 (estimativa)
- Faturamento bruto mundial
- US$ 37.794
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
What is the Hindi language plot outline for Aguirre, a Cólera dos Deuses (1972)?
Responda