Sette contro la morte

I was going to give this movie a 5 and say, "This is a solid 5!" Then I decided that if it's such a solid 5, why don't I give it a 6?

Why?, you may ask.

I watched it on FX cable last night, having missed the first 10 minutes or so. They were already trapped in the cavern. In a few minutes I was hooked. I happened across it again a few hours later just after the credits and caught the first few minutes until I was up with where I came in. Then I almost sat to watch it again. That alone says something.

Let's get some things out of the way about this film. This is in the public domain. It was shot in 1.85:1, but was broadcast in 4:3. It was broadcast on an HD channel, but still looked as if I was watching it through a silk screen. It may have been a 16mm transfer or a multigenerational copy.

Do not judge a book by its cover.

Many of the comments here about weakness in the script, character motivations and low budget production values are reasonable, but with a caveat. Many of those bad character decisions or odd motivations take place after being trapped in the cavern for weeks and months. When that is taken into account, some of the irrationality might be excused, or at least rationalized.

The cast is actually quite good, though half are likely unknown to most viewers.

The early exterior shots are not encouraging. The opening few minutes which set up the story look low budget. One German soldier stopped his motorcycle to give a report to an officer. After the report, he couldn't restart it, but they kept the "take".

Once the main characters are trapped in the cavern, however, the low budget matters less than the story.

Not everyone survives, and heroes and not-so-much heroes may not be who you expect. But that's a large part of what makes the film engaging.

It won't be the best ~80 minutes of your life, but it won't be a waste.

PS: One of these actors went on to a long-term gig as host of "Hollywood Squares". See if you can spot him. Another went on to be an iconic character on the TV series "Dallas". And this will be one of Brian Aherne's last roles, and not bad though certainly not his best.

This one starts out like a sub B flick but gradually improves to a B- as Larry Hagman and Peter Marshall are the familiar faces in the cavern. I almost turned this one off 10 minutes in but hung in there and it turned out to be not a 1 1/2 hour time suck I thought it might be.

Director Edgar G. Ulmer is mostly famous for one of the best film noirs ever made, Detour (1945)and therefore I was curious to see what else he has made.

This adventure drama about a group of people that gets trapped inside a fallout shelter/cave, is a exciting albeit slightly flawed film.

The group consists of a retired general(Brian Aherne), now working as war correspondent, a GI joe(John Saxon) who has been stripped of his rank,an Italian soldier( Nino Castelnuovo), army publicist(Larry Hagman) escorting the general, Italian civilian(Rosanna Schiaffino), Canadian POW(Peter Marshall) and a German soldier(Hans von Borsody) Despite different background, gender, these people must learn to co-operate in order to escape. There are some great scenes here when looking at this group and dynamics between them.

This film is like classical excerise in a philosophical discussion about ethics, human values and the darwinian model for survival.

Asking questions like:

Who is best leader?

Do everyone deserve a fair share of the small amount of food?

These and other vital questions are what film deals with and in way the film reflects society in a smaller scale.

The acting is very good and is surprise for modern viewers to see actors like Larry Hagman, now mostly famous for his role as JR Ewing in the soap opera Dallas, here showing a wider range then usual.

Same thing can be said about John Saxon who has(and still have) a long career, playing all kinds of characters. Here he does a good job playing a street smart soldier with disciplinary difficulties.

Rosanna Schiaffino is a new face for me but she is very believable as the only female stuck in cave surround by men. She very attractive something that causes tensions within the group.

Who should she choose?

Brian Aherne is just excellent, he plays his character with great subtlety, someone whos old ways doesn't really fit in with rest of the group. Time seems to have run away from him, and he can't keep up.

This film seems to be a lowbudget feature but Edgar G. Ulmer knew what he was doing, using the outmost of his small resources. The biggest flaw is in the script, where some character archs don't develop properly, the film is too long and should been shorter.

So future viewers that liked Lifeboat (1944), The Edge (1997), Sands of the Kalahari (1965)should get a kick out of this one.

A motley group of friends and foes during World War 2 are trapped in The Cavern during the Italian campaign. Junior officers and enlisted men, a woman Rosanna Schiaffino and a British general Brian Aherne. General Aherne tries to enforce some discipline, but is more concerned with making sure they all know rank has its privileges.

Some Axis folks buried a large quantity of ammunition in the place also and apparently forgot it. And I would think that if a general goes MIA the British would be making a 'no stone left unturned' search for him.

Not to mention the presence of one attractive woman amongst a few soldiers with some needs.

This was one mediocre war film.

First of all I'm the biggest John Saxon fan in the whole world. I can't think of a time when this guy showed up and didn't do his job-wasn'' convincing in a role? Never!

Big budget!! US Givt war footage, which these guys could never afford, mixed in with like a cheap shot of bricks falling from a truck. (The cars they use are so old and decrepit, it's funny)

But I'm pretty sure the whole purpose of this movie is for someone to see as much nakediditty as Rosanna Schiaffino / censors will allow.

I walked away from the movie for a couple minutes, you know multitasking, this is the first movie I can think of that sounds like it's dubbed...and it's not.

Really wretched. Really wretched.