As Crianças Terríveis

Título original: Les enfants terribles

1950
Not Rated
1 h 45 min

AVALIAÇÃO DA IMDb

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Jean Cocteau in As Crianças Terríveis (1950)

A relação perigosamente obsessiva entre um irmão e uma irmã psicologicamente manipuladores que se isolam e atraem os outros para seus jogos mentais.A relação perigosamente obsessiva entre um irmão e uma irmã psicologicamente manipuladores que se isolam e atraem os outros para seus jogos mentais.A relação perigosamente obsessiva entre um irmão e uma irmã psicologicamente manipuladores que se isolam e atraem os outros para seus jogos mentais.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

6,9/10

4,4 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Indicado para 1 prêmio BAFTA
- 2 indicações no total

Fotos18

+ 11

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Curiosidades
Jean Cocteau was allowed a day of shooting, when Jean-Pierre Melville wasn't feeling up to the mark. Cocteau was to follow Melville's instructions exactly or do nothing at all. Eight shots in all, which were supposed to be of a summer's day but were done in midwinter in the rain.

Erros de gravação
The amount of blood on Paul's face changes between when he is in the shop and when he is in the taxi.

Citações
Narrator: Young people imagine the worst right away, yet the worst seems unreal to them, since they're unable to imagine death.

Versões alternativas
The song that Michael sings while sitting at the piano was deleted for the original American release.

Conexões
Edited into Histoire(s) du cinéma: Une vague nouvelle (1999)

Trilhas sonoras
Concerto in A minor for 2 violins and string orchestra (Opus 3, No. 8; RV 522)
Written by Antonio Vivaldi

Avaliações de usuários32

Avaliação em destaque

8/10

Pretty good early Melville

Before he made the Bob Le Flambeur, the "Grandfather of the New Wave" made this film in collaboration with Cocteau. The cinematography in this film is pretty good, and Melville does a good job at replicating the feel of a Cocteau film. This is perhaps Melville's most "Un-Melville" film. There's no hardened men or bank robbers to be had here. The portrait of a sister/brother relationship is well-done and believable, and easily holds your attention the entire film.

The imagery is great, particularly towards the ending and the shot of the dead mother. It's almost dream-like! With this film, and Bob, it's easy to see why Melville was such and inspiration to future New Wave directors such as Godard, Truffaut, Chabrol, etc. Highly recommended, especially to Cocteau/Melville fans!