Sonhos de Mulheres

Dreams begins with a photography shoot. It is the land of Dreams. We meet Doris, the model. Soon we are drawn into her world. She is engaged. Trouble is, her beau is rather straight. She has big aspirations. She wants more out of life. But she is not the only one with dreams. The photographer, Susanne, is missing her ex lover. Trouble is, he broke the relationship off because he is married. She's not about to let that stop her.

To say more would be to ruin the plot, but we soon meet other characters who also have Dreams. It seems we all do, but more often than not, we are not allowed to achieve them. And perhaps that's not always a bad thing. We seem to spend most of our lives with desires, untapped and unreachable. Bergman knows this all too well, and tortures his characters with their yearnings, desires out of step with the mechanics of day to day living. It provides excellent drama. As always Bergman keeps the struggle between man and woman as tension filled lovers foremost in the frame. There is desire but it is fraught with problems.

It's not Bergman's best film. The characters can sometimes seem selfish, but this is the point. How do we exist in the world if we cannot have what we want? It's a heartbreaking realization.

Some say Bergman is the greatest Director the world has ever seen. I'm not sure about that. Tarkovsky was a visual genius, but Bergman is certainly more intimate, his stories personal and instantly identifiable. He achieves success again with Dreams.