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6,6/10
339
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Adicionar um enredo no seu idiomaAn American fugitive flees to Rome and tries to elude capture by masquerading as a priest.An American fugitive flees to Rome and tries to elude capture by masquerading as a priest.An American fugitive flees to Rome and tries to elude capture by masquerading as a priest.
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- Elenco e equipe completos
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Enredo
Você sabia?
- CuriosidadesPaul Douglas comments that St. Peter's is bigger than Yankee Stadium. In fact, the Yankee Stadium of 1952 could fit into just the central aisle of St. Peter's.
- Erros de gravaçãoA priest tells Brewster St. Peter's Basilica holds 100,000 people. It actually can only hold 60,000.
- Citações
Father John X. Halligan: Holiness often disappears with the daylight.
- Cenas durante ou pós-créditosOpening card: "1950 was a holy year. Three million pilgrims from every part of the world thronged to Rome, the Eternal City. Our story is about two men who journeyed to Rome that year. One was Father John X. Halligan, a young priest from Coaltown, Pennsylvania, whose mission was a holy one; the other was Joe Brewster, late of Sing Sing, San Quentin, Joliet, and Atlanta, whose mission was not so holy...
If our story has a moral, it's a simple one: God may move in mysterious ways, but He gets there just the same. "
- Trilhas sonorasHymn 'Panis Angelicus'
by César Franck
Avaliação em destaque
When In Rome finds Father Van Johnson on a pilgrimage to Rome during the declared Holy Year of 1950 when Catholic priests from all over the world will be heading to Rome as Moslems do to Mecca once in a lifetime. It's somebody's good or ill fortune depending on your point of view that pairs conman Paul Douglas with Johnson on the ocean liner going to Italy.
Before docking in Genoa, Douglas steals Johnson's priestly garments and identity because the Italian police are waiting for him. Now in this day and age a telex would have been sent with a picture and Douglas couldn't have done what he did. I'm not sure why even in the primitive international communications of 1950 that a photograph of convict Douglas wasn't sent to the Italian cops. Still they don't and before Douglas can shed the priestly attire, he's caught up in the identity.
Douglas is an escapee from San Quentin, no easy task and that escape will put years on his sentence. And Johnson is rather reluctant to help the Italian police.
Van's a priest in the tradition of G.K. Chesterton's Father Brown, more concerned with Douglas's standing before God as the Roman Catholic church teaches it than for any of man's temporal justice. The film plays like Father Brown going after master crook Flambeau which would come out in fact a couple of years after When In Rome.
Some newsreel shots of the Holy Year in Rome give us the Roman identification and the film was obviously done in black and white to blend those in. If you're a fan of G.K. Chesterton you will absolutely love this film.
Who triumphs, God's justice or man's law? In a way a little bit of both.
Before docking in Genoa, Douglas steals Johnson's priestly garments and identity because the Italian police are waiting for him. Now in this day and age a telex would have been sent with a picture and Douglas couldn't have done what he did. I'm not sure why even in the primitive international communications of 1950 that a photograph of convict Douglas wasn't sent to the Italian cops. Still they don't and before Douglas can shed the priestly attire, he's caught up in the identity.
Douglas is an escapee from San Quentin, no easy task and that escape will put years on his sentence. And Johnson is rather reluctant to help the Italian police.
Van's a priest in the tradition of G.K. Chesterton's Father Brown, more concerned with Douglas's standing before God as the Roman Catholic church teaches it than for any of man's temporal justice. The film plays like Father Brown going after master crook Flambeau which would come out in fact a couple of years after When In Rome.
Some newsreel shots of the Holy Year in Rome give us the Roman identification and the film was obviously done in black and white to blend those in. If you're a fan of G.K. Chesterton you will absolutely love this film.
Who triumphs, God's justice or man's law? In a way a little bit of both.
- bkoganbing
- 9 de mai. de 2010
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Detalhes
Bilheteria
- Orçamento
- US$ 1.313.000 (estimativa)
- Tempo de duração1 hora 18 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was Uma Aventura em Roma (1952) officially released in India in English?
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