Adicionar um enredo no seu idiomaFollowing the end of WWII, war-monger Sir Eric Hazarias (Lionel Atwill) sets the wheel in motion for WWIII. His search for Meteorium 245, the only practical defense against the atomic bomb, ... Ler tudoFollowing the end of WWII, war-monger Sir Eric Hazarias (Lionel Atwill) sets the wheel in motion for WWIII. His search for Meteorium 245, the only practical defense against the atomic bomb, leads him to mythical Pendrang.Following the end of WWII, war-monger Sir Eric Hazarias (Lionel Atwill) sets the wheel in motion for WWIII. His search for Meteorium 245, the only practical defense against the atomic bomb, leads him to mythical Pendrang.
- Direção
- Roteiristas
- Artistas
Frances Fong
- Lakana Shan
- (as Frances Chung)
Gene Roth
- Police Capt. Hammond
- (as Gene Stutenroth)
John Alban
- Henchman
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This is your typical cliffhanger adventure serial of the time. Sneering bad guys, daring heroes, exotic locations, and a fun over-the-top plot.
This was the pulpy fiction of men's magazines brought to life (with much less sex and violence, considering the censors). And while it lasts, it's a fun watch.
There are a couple things that make this one notable, though.
One is the casting of Charlie Chan's Number One Son and Asian American acting pioneer Key Luke as one of the good guys working undercover in a hotel. As usual, he gives a good performance and it's just nice to see him acting, especially in a time where most non-white faces were just background characters. Here Luke plays a role and is involved in the plot, not just a servant or something similar.
The second is that this production had to overcome the sudden death of Lionel Atwill, one of its named stars, during production.
Some clever editing and reshoots were done, lessening Atwill's role, installing his character's secretary as main villain, and using stock footage and disguises to finish the story. It is an inventive way to overcome the death of one of your main actors, but the seems do show occasionally, and it also shows how callous studios were at the time.
The film also makes use of stock footage a lot to overcome budget limitations, but it's edited into everything well enough that you'll only notice if you look for it.
As a science fiction adventure writer who loves pulp novels and writes them himself, this is a grand bit of research into an era of silly cinema that we just don't really get anymore.
Well worth a watch if you find a decent copy!
This was the pulpy fiction of men's magazines brought to life (with much less sex and violence, considering the censors). And while it lasts, it's a fun watch.
There are a couple things that make this one notable, though.
One is the casting of Charlie Chan's Number One Son and Asian American acting pioneer Key Luke as one of the good guys working undercover in a hotel. As usual, he gives a good performance and it's just nice to see him acting, especially in a time where most non-white faces were just background characters. Here Luke plays a role and is involved in the plot, not just a servant or something similar.
The second is that this production had to overcome the sudden death of Lionel Atwill, one of its named stars, during production.
Some clever editing and reshoots were done, lessening Atwill's role, installing his character's secretary as main villain, and using stock footage and disguises to finish the story. It is an inventive way to overcome the death of one of your main actors, but the seems do show occasionally, and it also shows how callous studios were at the time.
The film also makes use of stock footage a lot to overcome budget limitations, but it's edited into everything well enough that you'll only notice if you look for it.
As a science fiction adventure writer who loves pulp novels and writes them himself, this is a grand bit of research into an era of silly cinema that we just don't really get anymore.
Well worth a watch if you find a decent copy!
I will no doubt get slammed for writing this because there is still a dedicated group of fans who just love these old movie serials. I'm aghast that these things back in the day passed for entertainment. Lost City In The Jungle is a perfect example.
This serial was made at a moment in time when at the end of World War II and before the Cold War really went into deep freeze it was thought that the United Nations could develop into a world government with a chance for world peace. The good guys in this film are the United Peace Foundation and while they have no troops they do have agent/operatives like Russell Hayden dedicated to tracking down those who would bring about war for their own profit.
One of those is Lionel Atwill who faked his own death and is now in the remote country of Pendrang somewhere in the Himalayas. Under an alias he's financing archaeologist John Eldredge's expedition to uncover a lost city. What Atwill looking for is something called Meteorium, a radioactive substance from which he can construct a defense against the atomic bomb. He gets and develops his counter weapon any country he does business with will rule the world. I've got to say the man dreams big.
But not if Hayden and the United Peace Foundation have anything to say about it. The Foundation has a man on the ground in Keye Luke in Pendrang's capital of Zalabar. The capital has an unofficial ruler in Helen Bennett who runs a the gambling action and even controls the local law enforcement. Imagine if the folks in Shangri-La had brought in casino gambling and this is what you have. What I couldn't figure out is that if Pendrang is as remote as the serial makes it out to be, just where does the fresh money come in which is necessary for casinos to survive?
That was one of many things that had me puzzled throughout all 13 chapters of Lost City Of The Jungle. Of course the good guys win they always do.
I felt sorry for Lionel Atwill though. Dying of cancer and having problems getting roles after the sex party scandal in his home came to light, it's a shame that this was what he had to go out on. Not as bad as his colleague Errol Flynn whom he supported in Captain Blood with Cuban Rebel Girl, but not worthy of his talents.
Serials themselves are thank God, a lost art form, Lost City Of The Jungle is no better or worse than others that I've seen.
This serial was made at a moment in time when at the end of World War II and before the Cold War really went into deep freeze it was thought that the United Nations could develop into a world government with a chance for world peace. The good guys in this film are the United Peace Foundation and while they have no troops they do have agent/operatives like Russell Hayden dedicated to tracking down those who would bring about war for their own profit.
One of those is Lionel Atwill who faked his own death and is now in the remote country of Pendrang somewhere in the Himalayas. Under an alias he's financing archaeologist John Eldredge's expedition to uncover a lost city. What Atwill looking for is something called Meteorium, a radioactive substance from which he can construct a defense against the atomic bomb. He gets and develops his counter weapon any country he does business with will rule the world. I've got to say the man dreams big.
But not if Hayden and the United Peace Foundation have anything to say about it. The Foundation has a man on the ground in Keye Luke in Pendrang's capital of Zalabar. The capital has an unofficial ruler in Helen Bennett who runs a the gambling action and even controls the local law enforcement. Imagine if the folks in Shangri-La had brought in casino gambling and this is what you have. What I couldn't figure out is that if Pendrang is as remote as the serial makes it out to be, just where does the fresh money come in which is necessary for casinos to survive?
That was one of many things that had me puzzled throughout all 13 chapters of Lost City Of The Jungle. Of course the good guys win they always do.
I felt sorry for Lionel Atwill though. Dying of cancer and having problems getting roles after the sex party scandal in his home came to light, it's a shame that this was what he had to go out on. Not as bad as his colleague Errol Flynn whom he supported in Captain Blood with Cuban Rebel Girl, but not worthy of his talents.
Serials themselves are thank God, a lost art form, Lost City Of The Jungle is no better or worse than others that I've seen.
I have a peculiar fondness for bad movies of this era. This is less credible than "Flash Gordon Conquers the Universe." Lionel Atwill is a lesser villain than Charles Middleton's "Ming of Mongo." Still audiences thrilled to Himalayan avalanches and other exotic locales. If you want authentic high adventure, this is not for you. If you want to be a pre-teen waiting for "Destry Rides Again" to come on the screen while you're wolfing down a 10¢ box of popcorn, you'll love it. Hokeyness personified.
Você sabia?
- CuriosidadesLionel Atwill was dying from bronchial cancer when he began filming his scenes in January 1946. His fatal illness prevented him from working beyond February 4, so George Sorel filled in for him in all remaining scenes, usually with his back to the camera.
- Erros de gravaçãoIn chapter 4 "The Pit Of Pendrang", Rod Stanton is left on a pole in a lion pit. There are over 10 cuts to shots of the lions beneath him showing them to all be female lionesses without manes. When Tal Shan throws him a rope to escape, but then he starts to slip from the rope, the cut to the lions now shows 3 male lions with manes.
- Cenas durante ou pós-créditosThe MPPDA seal appears on the right bottom corner of the Universal logo instead of in the credits.
- ConexõesEdited from O Filho de Frankenstein (1939)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- A Cidade Perdida
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração4 horas 25 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was Lost City of the Jungle (1946) officially released in India in English?
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