AVALIAÇÃO DA IMDb
6,5/10
1,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDespite his efforts to go straight, a young gangster keeps falling back into crime.Despite his efforts to go straight, a young gangster keeps falling back into crime.Despite his efforts to go straight, a young gangster keeps falling back into crime.
- Indicado a 1 Oscar
- 1 indicação no total
Charles Judels
- Florist
- (cenas deletadas)
Fred Argus
- Machine Gunner
- (não creditado)
Marie Astaire
- Kitty - Fortune Teller
- (não creditado)
Elmer Ballard
- Tommy - Louie's Chauffeur
- (não creditado)
Joe Bordeaux
- Joe - a Gangster
- (não creditado)
Clark Burroughs
- Nigger Mike
- (não creditado)
Enredo
Você sabia?
- CuriosidadesNo information about the publication of Rowland Brown's story, "A Handful of Clouds," has been found. The story may not have been published.
- Erros de gravaçãoWhat appears to be a typo in the gangland slaughter headline of the newspaper Louie reads in the boarding house - it reads 'grewsome' instead of 'gruesome' - is in fact an acceptable variant that was more popular at the time the film was released.
- Citações
Title Card: [closing title] The "Doorway to Hell" is a one-way door. There is no retribution - no plea for further clemency. The little boy walked through it with his head up and a smile on his lips. They gave him a funeral - a swell funeral that stopped traffic - and then they forgot him before the roses had a chance to wilt.
- Cenas durante ou pós-créditosThe opening scene shows a newspaper printing press in motion and then presents the opening credits like a real newspaper advertisement.
Avaliação em destaque
This pre-Code gangster movie is interesting primarily because of James Cagney, who is in a supporting role, that of a gangster's right-hand man. His boss is played somewhat improbably by 21- year-old Lew Ayres, who is hard to believe as he threatens rival gang members to fall in line under his authority. However, fall in line they do, that is, until Ayres decides he's had enough and decides to retire. (Yes, the pretty boy baby-face had had enough of the game, when it looks like he hasn't started shaving) When he's gone, all hell breaks loose for reasons we can't really fathom, prompting them to attempt to reel him back in by kidnapping his kid brother, who is away at a military school.
Ayres is one of the casting issues; the other is the policeman played by Robert Elliott, who is far too lethargic as he delivers his lines. The script is actually pretty good, and there are some lines that are wry and just perfect for the genre and time period. The ending is drawn out, however, and it's too bad the story surrounding the love interest (played well by Dorothy Matthews) who marries Ayres but secretly loves Cagney isn't expanded on, though the scene where she coyly slips off her wedding ring to encourage him is nice. The movie hits you over the head with an anti-crime message, but as you think about the actions of the police officer, coercing statements and selectively deciding who to protect, you have to wonder how effective this message was. Anyway, the net of all of this is a reasonably entertaining movie, but nothing to write home about.
This was only Cagney's 2nd movie, just before a string of movies the following year which would cement him as a star, most notably, The Public Enemy, and he's such a natural with great screen presence. As a footnote, I found it ironic that while Ayres in the movie lauds Napoleon, his brother's military training, and war in general, Ayres in real life was a conscientious objector during WWII, making him very unpopular at the time, though he served with honor in the medical corps instead.
Ayres is one of the casting issues; the other is the policeman played by Robert Elliott, who is far too lethargic as he delivers his lines. The script is actually pretty good, and there are some lines that are wry and just perfect for the genre and time period. The ending is drawn out, however, and it's too bad the story surrounding the love interest (played well by Dorothy Matthews) who marries Ayres but secretly loves Cagney isn't expanded on, though the scene where she coyly slips off her wedding ring to encourage him is nice. The movie hits you over the head with an anti-crime message, but as you think about the actions of the police officer, coercing statements and selectively deciding who to protect, you have to wonder how effective this message was. Anyway, the net of all of this is a reasonably entertaining movie, but nothing to write home about.
This was only Cagney's 2nd movie, just before a string of movies the following year which would cement him as a star, most notably, The Public Enemy, and he's such a natural with great screen presence. As a footnote, I found it ironic that while Ayres in the movie lauds Napoleon, his brother's military training, and war in general, Ayres in real life was a conscientious objector during WWII, making him very unpopular at the time, though he served with honor in the medical corps instead.
- gbill-74877
- 15 de jun. de 2016
- Link permanente
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- How long is The Doorway to Hell?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- A Caminho do Inferno
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 240.000 (estimativa)
- Tempo de duração1 hora 18 minutos
- Cor
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By what name was Caminhos do Inferno (1930) officially released in Canada in English?
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