AVALIAÇÃO DA IMDb
6,3/10
251
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaHigh school students band together to dispense vigilante justice against a vicious gangland boss.High school students band together to dispense vigilante justice against a vicious gangland boss.High school students band together to dispense vigilante justice against a vicious gangland boss.
Edward J. Nugent
- Don Merrick
- (as Eddie Nugent)
Charles Middleton
- District Attorney
- (as Charles B. Middleton)
Enredo
Você sabia?
- CuriosidadesThe only film in which John Carradine was billed under the name John Peter Richmond, which he used from 1932 until 1935. He received no on-screen credit in any of his other features during that period.
- Erros de gravaçãoTodas as entradas contêm spoilers
- Citações
Herman Farbstein: For the Italian boys I sometimes make chicken cacciatore, for the Chinese boys I make chop suey, and for the O'Brien boy I even made eggs with ham. For me, that's something. I tell you, Mr. Webber, the stomach is the last thing to get patriotic.
- ConexõesReferences M, o Vampiro de Dusseldorf (1931)
Avaliação em destaque
Admittedly, as you'd expect from the maestro, it's well made, it looks good and compelling enough to keep you watching until the very end....you will however curse the great man for making you waste your time on this nonsense.
If you can imagine one of Zanuck's campaigning early thirties Warner Brothers movies remade as a Scooby Doo episode you'll have half an idea what this is like. Then to get an even better impression, imagine that Scooby Doo episode made not as a cartoon but by a bunch of precocious theatre school students saying 'Gee that's swell' every couple of minutes in an attempt to sound authentic.
Just as DeMille was one of the greatest directors of the era, Bartlett Cormack was one of the era's great screenwriters. Although they'd work very successfully together in the future their combined efforts here didn't quite click. It all seems too far fetched. Perhaps if the story had been set in Ancient Rome or on a surreal remote island it might have worked but because this was meant to be "now" in the actual real world, it comes across as theatrical, contrived and unrealistic.
Writer, Bartlett Cormack made his name exposing corruption and organised crime and for about ten minutes we're tantalised that we're going to get something special. After the tailor is murdered, we learn that because of 'the system' justice can't always be done, we think we're about to see a hard-hitting "we need to fix our society" picture. You think it's going to be a provocative indictment of a corrupt legal system, something to make your blood boil. Unfortunately what unfolds just makes you cringe.
Cagney's MAYOR OF HELL had a kind of similar simplistic theme but that didn't take itself too seriously so was fun. This tried to be too earnest which was a shame because deMille usually showed quite a sense of humour in most of his pictures.
It's not a bad film, it's actually quite entertaining, it's just that you'd expect more from Mr deMille (and it is of course better than the pompous, sanctimonious sexual frustration-drenched nonsense known as SIGN OF THE CROSS.) Everyone has an off-day - even Led Zeppelin made In Thru The Outdoor!
If you can imagine one of Zanuck's campaigning early thirties Warner Brothers movies remade as a Scooby Doo episode you'll have half an idea what this is like. Then to get an even better impression, imagine that Scooby Doo episode made not as a cartoon but by a bunch of precocious theatre school students saying 'Gee that's swell' every couple of minutes in an attempt to sound authentic.
Just as DeMille was one of the greatest directors of the era, Bartlett Cormack was one of the era's great screenwriters. Although they'd work very successfully together in the future their combined efforts here didn't quite click. It all seems too far fetched. Perhaps if the story had been set in Ancient Rome or on a surreal remote island it might have worked but because this was meant to be "now" in the actual real world, it comes across as theatrical, contrived and unrealistic.
Writer, Bartlett Cormack made his name exposing corruption and organised crime and for about ten minutes we're tantalised that we're going to get something special. After the tailor is murdered, we learn that because of 'the system' justice can't always be done, we think we're about to see a hard-hitting "we need to fix our society" picture. You think it's going to be a provocative indictment of a corrupt legal system, something to make your blood boil. Unfortunately what unfolds just makes you cringe.
Cagney's MAYOR OF HELL had a kind of similar simplistic theme but that didn't take itself too seriously so was fun. This tried to be too earnest which was a shame because deMille usually showed quite a sense of humour in most of his pictures.
It's not a bad film, it's actually quite entertaining, it's just that you'd expect more from Mr deMille (and it is of course better than the pompous, sanctimonious sexual frustration-drenched nonsense known as SIGN OF THE CROSS.) Everyone has an off-day - even Led Zeppelin made In Thru The Outdoor!
- 1930s_Time_Machine
- 19 de out. de 2024
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- Também conhecido como
- This Day and Age
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- Tempo de duração1 hora 26 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was A Juventude Manda (1933) officially released in India in English?
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