AVALIAÇÃO DA IMDb
6,4/10
14 mil
SUA AVALIAÇÃO
Uma cantora famosa e seu sobrecarregado assistente pessoal, recebem uma escolha que pode alterar o curso de suas respectivas profissões.Uma cantora famosa e seu sobrecarregado assistente pessoal, recebem uma escolha que pode alterar o curso de suas respectivas profissões.Uma cantora famosa e seu sobrecarregado assistente pessoal, recebem uma escolha que pode alterar o curso de suas respectivas profissões.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 vitória e 7 indicações no total
Kyndra Reevey
- Grace's Back-Up Singer #1
- (as Binkie Reevey)
Avaliações em destaque
This move suffered a little from too many ideas squeezed into a movie length production. Sometimes it feels a bit like Coyote Ugly, when it's not trying to be Devil Wears Pravda.
The overall arc would've felt better placed as a tv series with much more room to add the character development and little touches this moving story deserves.
That being said I completely enjoyed my time in this world with some very strong performances and touches of humour. Tracee Ellis Ross is simply brilliant and Dakota Johnson does a great job at keeping you routing for her character, even when she gets it wrong.
This film was so vastly underrated that it boggles the mind. I don't know what film those other people were watching, who are cynical and don't seem to have a clue about the value of good entertainment. The performances were great. Dakota Johnson was great as usual. Bill Pullman was wonderful. The gal, Ms. Ross, who played the star was excellent, and Calvin Harrison was amazing. This is really just a good tight production, a good story and very realistic from my point of view. I don't know the music industry. I'm not an insider, but it seemed like a well thought out script and I highly recommend the film. A bit cheesy at times, but overall very good.
The nominal first billing goes to Dakota Johnson who is 20-something Maggie Sherwoode, growing up in the music scene she now has what seemed like her dream job, as personal assistant to one of her favorite singers in the Los Angeles area. But her musical bones want more, she has a knack for producing and wants to move in that direction. But the establishment is a difficult wall.
The performer is 40-something Tracee Ellis Ross as popular singer 40-something Grace Davis. She is usually nice to Maggie but as a prima donna can go off on her here and there. Grace is getting pressure from her long-time manager to take a resident gig in Las Vegas, singing all her old popular songs every day, but she still enjoys touring. Plus she is writing again and wants to record new stuff. Will she ever agree to hire Maggie as her producer?
Of note the actress is the real-life daughter of the great Diana Ross of the Supremes. This is a good movie devoted to relationships and with some good music thrown in. My wife and I watched it on DVD from our public library.
The performer is 40-something Tracee Ellis Ross as popular singer 40-something Grace Davis. She is usually nice to Maggie but as a prima donna can go off on her here and there. Grace is getting pressure from her long-time manager to take a resident gig in Las Vegas, singing all her old popular songs every day, but she still enjoys touring. Plus she is writing again and wants to record new stuff. Will she ever agree to hire Maggie as her producer?
Of note the actress is the real-life daughter of the great Diana Ross of the Supremes. This is a good movie devoted to relationships and with some good music thrown in. My wife and I watched it on DVD from our public library.
There are almost too many movies that follow a character who works for someone famous, has dreams of becoming as famous as them, but the person they work for doesn't have that same belief in them. For that reason alone, I think it's sort of impressive when one works really well. Supposed to hit theatres, but now streaming on-demand to rent, The High Note is the prime example of a story that feels tired but works really well anyways. I enjoy underdog films, but I'm always worried I'll be able to predict everything. Well, this movie was an absolute catch-22 and here's why.
Maggie (Dakota Johnson), being overlooked by her superstar boss Grace Davis (Tracee Ellis Ross), works on the side, trying to make a name for herself after finding a very talented singer in David Cliff (Kelvin Harrison Jr.). The two of them find passion in their music together and eventually form a romance as well. Not only does this shine a light on the fact that her attention is being taken away from Davis, but it also may lead to a promising future for everyone involved. Through the many trials and tribulations that these films offer the audience, it can feel very formulaic, but I feel that it works very well, and that's due to the characters all being well-rounded.
It does help when your character is written well for you, but Dakota Johnson has been on a roll lately in terms of roles and performances. Before her work on Fifty Shades of Grey made her a household name as an actress, her small roles in The Social Network and Need for Speed always stood out to me more. Once she started broadening her career by appearing in smaller films like The Peanut Butter Falcon, The Friend, and now The High Note, I need to keep an eye out for all of her films. I believe she is becoming a great actress if she's not there already. On top of that, Kelvin Harrison Jr. through film like Monsters and Men and Waves has been on my radar as well. Their chemistry here was really enjoyable and it made the movie worthwhile in the end.
Now, here's where some viewers may take issue. Like many horror films, romantic comedies, and thrillers about kidnapping people these days, stories like this will always feel a little been-there-done-that now. Yes, The High Note plays out exactly as you think it would, but there's a nice emotional backbone to the story and it came to fruition by the end of the run time. I rolled my eyes at a few instances while watching, but this was ultimately a really satisfying and fun movie to watch. Especially right now, I think movies like this need to be watched.
In the end, The High Note is the type of film that's absolutely harmless in nature. A feel-good story about a likeable character trying to find their way. In times like the ones we are living in right now, you can't ask for a nicer story to watch. Is it perfect? Definitely not, but I honestly think most viewers can find enjoyment in this one. The subject matter of music may not entice everyone, but there's more to the story than that. I recommend giving this one a rent if you're looking to smile and have a good time.
Maggie (Dakota Johnson), being overlooked by her superstar boss Grace Davis (Tracee Ellis Ross), works on the side, trying to make a name for herself after finding a very talented singer in David Cliff (Kelvin Harrison Jr.). The two of them find passion in their music together and eventually form a romance as well. Not only does this shine a light on the fact that her attention is being taken away from Davis, but it also may lead to a promising future for everyone involved. Through the many trials and tribulations that these films offer the audience, it can feel very formulaic, but I feel that it works very well, and that's due to the characters all being well-rounded.
It does help when your character is written well for you, but Dakota Johnson has been on a roll lately in terms of roles and performances. Before her work on Fifty Shades of Grey made her a household name as an actress, her small roles in The Social Network and Need for Speed always stood out to me more. Once she started broadening her career by appearing in smaller films like The Peanut Butter Falcon, The Friend, and now The High Note, I need to keep an eye out for all of her films. I believe she is becoming a great actress if she's not there already. On top of that, Kelvin Harrison Jr. through film like Monsters and Men and Waves has been on my radar as well. Their chemistry here was really enjoyable and it made the movie worthwhile in the end.
Now, here's where some viewers may take issue. Like many horror films, romantic comedies, and thrillers about kidnapping people these days, stories like this will always feel a little been-there-done-that now. Yes, The High Note plays out exactly as you think it would, but there's a nice emotional backbone to the story and it came to fruition by the end of the run time. I rolled my eyes at a few instances while watching, but this was ultimately a really satisfying and fun movie to watch. Especially right now, I think movies like this need to be watched.
In the end, The High Note is the type of film that's absolutely harmless in nature. A feel-good story about a likeable character trying to find their way. In times like the ones we are living in right now, you can't ask for a nicer story to watch. Is it perfect? Definitely not, but I honestly think most viewers can find enjoyment in this one. The subject matter of music may not entice everyone, but there's more to the story than that. I recommend giving this one a rent if you're looking to smile and have a good time.
This movie is pure fun!!!
The Music is great, the plot has some unique original elements, yet the movie gives pure unadulterated older Hollywood vibes. What I mean by "pure unadulterated old school Hollywood vibes" is the movie is fun, filled with actual talent, not pushing a political agenda down our throats, and lets us just escape in the pure joy of a good film... something we haven't seen in a long, long time from Hollywood.
Bill Pullman was a wonderful surprise on the film! Those who were 90's rom com fans will remember him with genuine fondness. He's classic, and contributes to "the High Note" as only Bill Pullman can; He was a "high note" in "the high note" for me and my friends! Perfection!
Dakota Johnson was perfectly cast. She's subtle but not dull. Very well suited the roll well. She needs more rolls like this!
Tracee and Kelvin - wow. Just wow! Their performance was outstanding. Keep singing! Make more music... please!!!
Hollywood - make more movies like this! This is the fun we need! This is the escape we need! My friends and I greatly appreciate this film And the soundtrack!!
The Music is great, the plot has some unique original elements, yet the movie gives pure unadulterated older Hollywood vibes. What I mean by "pure unadulterated old school Hollywood vibes" is the movie is fun, filled with actual talent, not pushing a political agenda down our throats, and lets us just escape in the pure joy of a good film... something we haven't seen in a long, long time from Hollywood.
Bill Pullman was a wonderful surprise on the film! Those who were 90's rom com fans will remember him with genuine fondness. He's classic, and contributes to "the High Note" as only Bill Pullman can; He was a "high note" in "the high note" for me and my friends! Perfection!
Dakota Johnson was perfectly cast. She's subtle but not dull. Very well suited the roll well. She needs more rolls like this!
Tracee and Kelvin - wow. Just wow! Their performance was outstanding. Keep singing! Make more music... please!!!
Hollywood - make more movies like this! This is the fun we need! This is the escape we need! My friends and I greatly appreciate this film And the soundtrack!!
Você sabia?
- CuriosidadesGrace states only five women over 40 have had number one singles, and only one who is African American: at the time of filming these were Sia (aged 40), Madonna (42), Bette Midler (43), Cher (52), and Tina Turner (44). However, Aretha Franklin (45) also hit number one, albeit on a duet with George Michael, meaning technically two African American singers had achieved the feat. By the time the film was released Mariah Carey (49) had also added to this number. In addition, at the time of filming Sia was the most recent artist to achieve a number one aged over 40. She has worked extensively with both Greg Kurstin, who wrote and produced songs for the soundtrack of this movie, and Diplo, who has a small role in the film as producer R Dubs.
- Erros de gravaçãoWhen Maggie & her father are talking in his radio station shack, the album he is holding changes from Fleetwood Mac's "Rumours" to Nina Simone's "I Put a Spell on You".
- Citações
Jack Robertson: Maggie. Maggie! Come here. I don't know what planet you come from where rattling off every little opinion that's rolling around in that brain of yours is considered a skill.
- Cenas durante ou pós-créditosWhen the end credits have almost finished, you can hear some additional dialogue.
- ConexõesReferences The Oprah Winfrey Show (1986)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is The High Note?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Música, glamour y fama
- Locações de filme
- Capitol Records Building - 1750 Vine Street, Los Angeles, Califórnia, EUA(recording studio - exterior)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 2.217.874
- Tempo de duração1 hora 53 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente