- Prêmios
- 11 indicações no total
Eiza González
- Cam Thompson
- (as Eiza Gonzalez)
Devan Chandler Long
- Mel Gibson
- (as Devan Long)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Remake of a Danish comedy in an attempt to make an action movie where the only good thing is the performance of all its actors.
The director in his terrible line of not allowing the film to breathe without any break. The camera totally crazy shaking everywhere and getting to produce serious dizziness.
The director in his terrible line of not allowing the film to breathe without any break. The camera totally crazy shaking everywhere and getting to produce serious dizziness.
Stylishly directed, jam-packed with chases and keeping the fun aspect alive for the most part if not all the way, Ambulance moves into top gear relatively quick and never takes the foot off the pedal once it gets going but the road it takes to reach its destination ends up being longer than what the gas in the tank can handle, thus resulting in a ride that's running on fumes way before the end is in sight.
Directed by Michael Bay, the premise is simple, setup is quick & thrills are endless even if much of the narrative elements seem underdeveloped. Bay utilises his usual unabashed over-the-top approach that provide his standard blockbuster fares an explosive, extravagant flavour and he amplifies the nonstop action some more with kinetic camerawork, chaotic vibe, frenetic editing and wicked character interplay.
The energy & passion is evident in execution and the use of drones to film the chase sequences is undoubtedly inspiring but this would've been an even better action-thriller if it was trimmed to a tight & tense 90 mins ride. Jake Gyllenhaal, Yahya Abdul-Mateen II & Eiza González remain in sync with the craziness on display. And while the interest & momentum isn't lost, one does start to feel its 136 mins runtime in the remaining half.
Overall, Ambulance is amusing, entertaining & preposterous in all the ways a Michael Bay film is expected to be but it is also a whole lot of fast fun & furious frivolity that manages to get plenty of mileage out of its barebone premise. The lack of restraint isn't an issue since it is one of the fine qualities of a Bayhem production but its overlong length does leave you feeling more exhausted than exhilarated in the end. In short, a gleeful & enjoyable delight.
Directed by Michael Bay, the premise is simple, setup is quick & thrills are endless even if much of the narrative elements seem underdeveloped. Bay utilises his usual unabashed over-the-top approach that provide his standard blockbuster fares an explosive, extravagant flavour and he amplifies the nonstop action some more with kinetic camerawork, chaotic vibe, frenetic editing and wicked character interplay.
The energy & passion is evident in execution and the use of drones to film the chase sequences is undoubtedly inspiring but this would've been an even better action-thriller if it was trimmed to a tight & tense 90 mins ride. Jake Gyllenhaal, Yahya Abdul-Mateen II & Eiza González remain in sync with the craziness on display. And while the interest & momentum isn't lost, one does start to feel its 136 mins runtime in the remaining half.
Overall, Ambulance is amusing, entertaining & preposterous in all the ways a Michael Bay film is expected to be but it is also a whole lot of fast fun & furious frivolity that manages to get plenty of mileage out of its barebone premise. The lack of restraint isn't an issue since it is one of the fine qualities of a Bayhem production but its overlong length does leave you feeling more exhausted than exhilarated in the end. In short, a gleeful & enjoyable delight.
The action scenes on this movie are awesome. They are intense, fast faced and fun.
But the dialog, oh the dialog is dreadful. The script makes no sense et all. The arguments and actions taken by both cops and thieves are so weak, like if they were leaving in fantasy land. I will not mention any particular situation here cause I don't want to be flagged as spoilers, but just keep in mind that if you are going to watch this movie the script is bonkers.
Also, what is this thing with Michael Bay that the camera viewfinder is always moving like crazy in different directions? Is that his personal directing style?
I did not give this movie a 4/10 star review because of the action scenes. So 6/10 seems fair enough to me.
But the dialog, oh the dialog is dreadful. The script makes no sense et all. The arguments and actions taken by both cops and thieves are so weak, like if they were leaving in fantasy land. I will not mention any particular situation here cause I don't want to be flagged as spoilers, but just keep in mind that if you are going to watch this movie the script is bonkers.
Also, what is this thing with Michael Bay that the camera viewfinder is always moving like crazy in different directions? Is that his personal directing style?
I did not give this movie a 4/10 star review because of the action scenes. So 6/10 seems fair enough to me.
I truly don't understand why people watch action movies when they don't even like them? So that they can put 1 star "trash" review on IMDB? This movie is exactly what you expect when you read its description. Also - it's a Bay movie. I really enjoyed the "weird" angles of the camera that everyone's hating here, the cast is really good, it's tense the whole way until the very end. Predictable ending, yes, but it's defo a match for every action-movie lover. The dialogues could have been better, as at times it got a bit cringy and I agree with the fellow haters that at times also a bit stupid. But hey ho, who says action needs too many words? If you want some deep psychological analysis of characters, perhaps better watch something from Trier.
Michael Bay is back to his old ways. This is an extremely enjoyable popcorn movie. It can be characterized as a mindless action flick. But as I always say, I don't mind mindless if it entertains me. And I was fully entertained. I found myself smiling for most of the movie, constantly at the edge of my seat.
When I say nonstop thrill ride, I mean that to the fullest extent of the phrase. There is about 10 minutes of setup, followed by 2 hours of action and/or suspense. Thirty minutes into the movie I felt like I just watched the climax action scene. I was wondering where the movie could possibly go from there, but there was no need to worry. It took me for a ride. (This is why I love avoiding trailers, I knew nothing going in and had no idea what to expect.)
Everything in this movie is turned up to the max. This is especially the case with the sound effects and musical score. I watched it in IMAX with the giant screen and amazing speakers... it was ecstasy. I could feel the gunshots and explosions. And everything is intensified by the bombastic musical score by beast composer Lorne Balfe.
And this movie has a surprising amount of emotion. It's not subtle, I know it wants me to feel this way with the setup and music. But I still feel it and still enjoy it.
Downsides include some sloppiness with a few of the action moments as well as the editing. And like with any mindless action flick, you have to turn your brain off in some parts. You can't question medical plausibility or why certain drivers seem to really like crashing into stuff. Also, only about half the comedy hit, but the other half wasn't cringe-worthy.
In the end, I had a blast with this movie and will definitely watch it again. My theater was almost empty which is sad. If you like mindless action flicks, go see this in IMAX. It's worth it for this movie more than most.
Side note: this movie has possibly the fastest end credits I've ever seen. I think it might have been 60 or 70 seconds which is ridiculously short for such a big movie. I'm not sure why, maybe they were worried about reaching the 2 hour 20 minute mark and dissuading viewers. But I found it amusing that the credits were as fast-paced as the rest of the movie. (1 viewing, opening Thursday 4/7/2022)
When I say nonstop thrill ride, I mean that to the fullest extent of the phrase. There is about 10 minutes of setup, followed by 2 hours of action and/or suspense. Thirty minutes into the movie I felt like I just watched the climax action scene. I was wondering where the movie could possibly go from there, but there was no need to worry. It took me for a ride. (This is why I love avoiding trailers, I knew nothing going in and had no idea what to expect.)
Everything in this movie is turned up to the max. This is especially the case with the sound effects and musical score. I watched it in IMAX with the giant screen and amazing speakers... it was ecstasy. I could feel the gunshots and explosions. And everything is intensified by the bombastic musical score by beast composer Lorne Balfe.
And this movie has a surprising amount of emotion. It's not subtle, I know it wants me to feel this way with the setup and music. But I still feel it and still enjoy it.
Downsides include some sloppiness with a few of the action moments as well as the editing. And like with any mindless action flick, you have to turn your brain off in some parts. You can't question medical plausibility or why certain drivers seem to really like crashing into stuff. Also, only about half the comedy hit, but the other half wasn't cringe-worthy.
In the end, I had a blast with this movie and will definitely watch it again. My theater was almost empty which is sad. If you like mindless action flicks, go see this in IMAX. It's worth it for this movie more than most.
Side note: this movie has possibly the fastest end credits I've ever seen. I think it might have been 60 or 70 seconds which is ridiculously short for such a big movie. I'm not sure why, maybe they were worried about reaching the 2 hour 20 minute mark and dissuading viewers. But I found it amusing that the credits were as fast-paced as the rest of the movie. (1 viewing, opening Thursday 4/7/2022)
Você sabia?
- CuriosidadesThe limited space inside of the ambulance required Jake Gyllenhaal to hold the camera for a couple of takes.
- Erros de gravaçãoThe ambulances are supposed to have their number painted on their roof. The helicopters never mention it and they chase ambulances with different numbers without thinking about this.
- Citações
Danny Sharp: We're not the bad guys, we're just the guys trying to get home!
Will Sharp: Well, we don't get to walk off into the sunset!
- Cenas durante ou pós-créditosAt the end of the end credits not only director Michael Bay and producer Bradley Fisher get to say their special thanks but also the dog: "NITRO THE DOG WOULD LIKE TO THANK THE SPCA" (Society for the Prevention of Cruelty to Animals)
- ConexõesFeatured in Teletrece: Episode dated 24 March 2022 (2022)
- Trilhas sonorasSailing
Written by Christopher Cross
Performed by Christopher Cross
Produced by Michael Omartian
Courtesy of Christopher Cross Records
Principais escolhas
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- How long is Ambulance?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Ambulancia
- Locações de filme
- Grand Central Market - 317 S. Broadway, Downtown, Los Angeles, Califórnia, EUA(Where Cam Thompson and EMT Scott stop for enchiladas and sushi, market signs and Kobe Bryant mural can be seen behind them)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 40.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 22.781.115
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.699.630
- 10 de abr. de 2022
- Faturamento bruto mundial
- US$ 52.303.589
- Tempo de duração2 horas 16 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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What was the official certification given to Ambulância: Um Dia de Crime (2022) in Japan?
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