News

‘La Habitación de al Lado’ no logra la nominación a Mejor Película y sorprende la ausencia de Najwa Nimri como Mejor Actriz. © Goya |A Contracorriente Films | Beta Films| BTeamPictures | El Deseo

Hoy ha tenido lugar la lectura de nominados a los Premios Goya 2025, en la que las películas El 47, La Infiltrada y Segundo Premio han conseguido el mayor número de nominaciones. Los ganadores se conocerán el 8 de febrero en Granada. Aquí os dejamos con la lista completa de nominados:

Mejor PELÍCULA

Casa en flames

El 47

La estrella azul

La infiltrada

Segundo premio

Mejor DIRECCIÓN

Pedro almodóvar (La habitación de al lado)

Arantxa Echavarría (La infiltrada)

Paula Ortiz (La virgen roja)

Aitor Arregi y Jon Garaño (Marco)

Isaki Lacuesta y Pol Rodríguez (Segundo premio)

Mejor DIRECCIÓN Novel

Miguel Faus (Calladita)

Pedro Martín-Calero (El llanto)

Javier Macipe (La estrella azul)

Sandra Romero (Por donde pasa el silencio)

Paz Vega (Rita...

The Spanish film academy gave a surprise snub to its best-known director when Pedro Almodóvar’s The Room Next Door was not nominated for best film for the Goya Film Awards, Spain’s equivalent to the Oscars.

The Room Next Door picked up 13 Goya nominations, including best director for Almodóvar and best acting nominations for both of the film’s leads, Tilda Swinton and Julianne Moore, but the film was left out of the best picture category. Perhaps the language barrier — it’s Almodóvar’s first English-language feature — counted against it among Spanish academy voters.

Instead, the Goya’s best picture race will include five Spanish-language features: Casa en flames from director Dani de la Orden, Marcel Barrena’s El 47, La estrella azul from Javier Macipe, Arantxa Echevarría’s La infiltrada, and Segundo premio from director Isaki Lacuesta and Pol Rodríguez, which was Spain’s official Oscar submission this year.

The quiet, ominous dread that permeates The Wailing, Pedro Martn-Calero’s Spanish-language debut, is the kind of horror film that ingests you. The film, co-written with Isabel Peña, is a triptych of interwoven stories about three women hounded by a supernatural entity visible only through screens or cameras.

On the surface, it’s a psychological horror story with strong feminist implications. Still, it’s also a melancholy meditation on trauma—its endurance, invisibility, and how it reverberates across generations.

The notion portrays violence against women as a literal and symbolic curse that refuses to be forgotten by time or distance. Andrea, a young student in Madrid, establishes a connection with Camila, a film student in 1990s Argentina, and Marie, a French vagrant, via shared misery. Horror becomes a tool here, not just to scare but to interrogate and uncover.

The film’s broken structure reflects the characters’ bewilderment. Yet, at moments,...

The Valladolid International Film Festival, Seminci, will take place for the 69th time this fall, running Oct. 18-26.

To prepare, we’ve scanned the festival’s catalog for ten standout titles that attendees won’t want to miss at this year’s event. Below, we explain why each is a must-see proposition at this year’s Semicni.

“They Will Be Dust,” Carlos Marques-Marcet (Spain)

Opening this year’s festival is Carlos Marques-Marcet’s Toronto Platform winner, “They Will Be Dust.” In this tragicomic musical, a woman diagnosed with a terminal illness decides to go to Switzerland to end her life, accompanied by her partner of 40 years, Flavio. Seminci organizers praise the film as “an unexpected celebration of life itself and of the unconditional love of those who accompany us along the way.”

“Vermiglio,” Maura Delpero

Italy’s submission to the upcoming International Feature Oscar race, Maura Delpero’s intimate epic “Vermiglio,...

The Valladolid International Film Festival celebrates its 69th edition from Nov. 18, and according to fest director José Luis Cienfuegos, it’s one of the most modern and international editions the festival, known locally as Seminci, has ever hosted.

Nestled snuggly into an autumn lull after the breakneck run from Venice through Toronto and into San Sebastian, Seminci has long stood out as a bastion for independent cinema in Spain, while San Sebastian has often catered to more big-name, big-budget fare, especially in recent years.

Set in the capital city of the Spanish region Castilla-Leon, Valladolid’s 69th edition is the second under director Cienfuegos, who boasts an illustrious nearly 30-year career as a festival director at the Seville European Film Festival (2012-2023) and Gijon Intl. Film Festival (1995-2011).

“Valladolid is a city absolutely dedicated to the festival that demands and needs to open the doors to a new generation of filmmakers,...

La controvertida película sobre el mundo de la tauromaquia se llevó el máximo galardón en una gala que se cerró con el estreno europeo de ‘We Live in Time’. © Ssiff

La 72 edición del Festival de San Sebastián, celebrada entre el 20 y el 28 de septiembre, ha concluido este sábado con la ceremonia de entrega de premios, celebrada en el Auditorio Kursaal, en la que la película Tardes de soledad, el documental de Albert Serra que sigue la vida del torero Andrés Roca Rey durante un día de corrida, desde que se viste de luces hasta que se desviste, ha obtenido la Concha de Oro, el máximo galardón del festival.

Un galardón no exento de polémicas – ya Pacma, incluso antes de que se proyectara la película, pidió su retirada del festival – que fue entregado por la presidenta del jurado, Jaione Camborda, quien destacó su «poder artístico» y señalando, en nombre del jurado,...

Albert Serra with his Golden Shell for Afternoons Of Solitude Photo: Courtesy of San Sebastian Film Festival/Alex Abril Albert Serra's bullfighting documentary Afternoons Of Solitude won the Golden Shell as San Sebastian Film Festival's 72nd edition drew to a close last night.

The film considers the life of matador Andrés Roca Rey and Serra received the award from last year’s Golden Shell winner, Spanish filmmaker Jaione Camborda. The jury also included directors Ulrich Seidl, Christos Nikou and Fran Kranz, producer Carole Scotta and journalist Leila Guerriero.

The Silver Shell directing honours were shared ex-aequo by Edinburgh-based Portuguese filmmaker Laura Carreira for On Falling, a carefully crafted character study of a Portuguese migrant working as a warehouse picker and Spaniard Pedro Martín Calero, also making his debut, with ambitious female-centric horror film The Wailing.

Laura Carreira receives her Silver Shell from Carole Scotta for On Falling Photo: Courtesy of...

Gia Coppola’s The Last Showgirl took home the Special Jury Prize at the 2024 San Sebastián Film Festival, held in Spain’s Basque Country from Sept. 20 through 28.

“For the high quality of its acting, packed with truth and nuances, which with great subtlety and restraint, brings us closer to the feelings of a group of people who must confront a disappearing profession, a world that is coming to an end,” the jury’s verdict read, per the fete’s press release.

About a veteran Las Vegas showgirl who must switch up her life’s routine following the unexpected closure of her three-decade-long show, the drama features a star-studded cast in Pamela Anderson, Kiernan Shipka, Brenda Song, Billie Lourd, Dave Bautista and Jamie Lee Curtis. As Deadline exclusively reported yesterday, The Last Showgirl was just acquired by Roadside Attractions for its North American release.

The Golden Shell for Best Film was...

Spanish director Albert Serra’s bullfighting documentary Afternoons Of Solitude has won the Golden Shell for best film at the closing ceremony of the 72nd edition of the Spanish festival tonight (Saturday September 28).

The special jury prize was awarded to Gia Coppola’s The Last Showgirl which stars Pamela Anderson as a Vegas showgirl facing the end of her career.

’Afternoons Of Solitude’ review

The official competition jury, presided over by Spanish filmmaker Jaione Camborda – who was last year’s Golden Shell winner for The Rye Horn, also awarded top prizes to new filmmakers. The Silver Shell for best director...

The 72nd San Sebastian Film Festival’s Golden Shell for best film has gone to Albert Serra’s Afternoons of Solitude, a documentary on bullfighting, edging out strong competition from narrative features by Joshua Oppenheimer, Edward Berger and Mike Leigh.

The Spanish director’s film focuses on Peruvian-Spanish bullfighter Andrés Roca Rey. While noting that the doc’s graphic cruelty makes it a harrowing watch, The Hollywood Reporter‘s chief film critic David Rooney in his review called it “transfixing … a unique study of discipline, bravado, laser-focus and showmanship.” It beat out Leigh’s Hard Truths and Berger’s Conclave, as well as Oppenheimer’s dystopian musical The End.

Elsewhere, Pamela Anderson and the cast of Gia Coppola’s The Last Showgirl took home the Special Jury Prize for best ensemble cast. THR‘s review of the film said: “Even if The Last Showgirl feels slender overall, more consistently attentive...

Sometimes, in a closely contested festival competition, it pays to be the one thing that isn’t like the others. A starkly powerful, observational study of contemporary bullfighting, Spanish auteur Albert Serra’s “Afternoons of Solitude” was the only documentary in the main competition at this year’s San Sebastian Film Festival — and this evening won the Golden Shell for best film of the festival, beating some big-name narrative competition.

The award was presented by last year’s Golden Shell winner, Spanish filmmaker Jaione Camborda, heading a jury that also included directors Ulrich Seidl, Christos Nikou and Fran Kranz, producer Carole Scotta and Argentine journalist Leila Guerriero.

Centred on star Peruvian matador Andrés Rey Roca, “Afternoons of Solitude” is candid in its depiction of the violence of the sport, and has already proven controversial on home turf, with Spain’s animal-rights party Pacma calling for the film to be withdrawn from the festival.

San Sebastian — With its awards ceremony Saturday night, the San Sebastian Festival’s 72nd edition is heading into its final straits. Following, 10 takeaways from what looks like its biggest edition ever in star wattage, the caliber of Spanish filmmaking and the number of deals reported by Variety, set in the context of vertiginous change in international independent film and TV landscape.

San Sebastian 2024: The Stars Align

Johnny Depp visited kids in a San Sebastian hospital dressed as Jack Sparrow; Javier Bardem teared up remembering his mother, the exemplary Pilar Bardem; Pedro Almodóvar remembered back 44 years to his first San Sebastian, performing at disco Ku and ending up on the beach at 8 in the morning. Cate Blanchett, accepting her Donostia Award, praised the “uncertainty which drives me.”

Never before have so many stars descended on San Sebastian. Why? “I think two factors are at play,” San Sebastian Film Festival director José Luis Rebordinos told Variety.

Spain has a long and fruitful tradition of producing horror films that elevate the genre and become enduring classics domestically and abroad – think Jaume Balagueró and Paco Plaza’s “[Rec],” J.A. Bayona’s “El Orphanage” or Guillermo del Toro’s Oscar nominee “Pan’s Labyrinth.” This year’s San Sebastian Film Festival is debuting a new candidate to join that prestigious list of modern classics, Pedro Martín-Calero’s “The Wailing.”

In the film, three young women separated by decades and thousands of miles are terrorized by the same ethereal threat that nobody, not even they, can properly see. The entity manifests more like a trick of lighting than anything corporeal. In each case, when the women attempt to confront the presence, they hear the same horrific wailing.

During a mid-morning press conference ahead of the film’s Wednesday night world premiere in San Sebastian main competition, debut feature director Martín-Calero and his co-writer Isabel Peña,...

San Sebastian — Is this the San Sebastián Catalan Film Festival? Always boasting a sterling presence at San Sebastián, Catalonia has a massive 27 titles this year, counting five projects in doc forum Lau Haizetara and including four of the five Spanish movies in main Competition and 10 in Made in Spain. Following a break-down of major section titles:

Main Competition

“Afternoons of Solitude,” (Andergraun Films, Ideale Audience, Lacima Producciones)

Albert Serra’s not at all obvious follow-up to Cannes competition player “Pacifiction,” a portrait of star bullfighter Andrés Roca Rey at work. The results remain to be seen. Serra has shot the disc feature “with respect and innocence, without prejudice nor provocation,” he tells Spain’s ABC Cultural.

“Glimmers,” (Inicia Films, Mod Producciones, Misent Producciones)

The latest from Pilar Palomero. A top-notch Spanish cast led by Patricia López Arnaíz and Antonio de la Torre drive the tale of a woman asked by...

In terms of stars — Cate Blanchett, Johnny Depp, Javier Bardem, Tilda Swinton, Pamela Anderson — and auteur power — Pedro Almodóvar, Sean Baker, Costa Gavras, Edward Berger, Mike Leigh, Kiyoshi Kurosawa, Joshua Oppenheimer, François Ozon, Lupita Nyong’o, Mohammad Rasoulof, Walter Salles, Maite Alberdi — this year’s San Sebastián Festival promises one of its biggest editions ever.

Yet it’s the Spanish festival’s wealth of new talent and rising names in its industry competitions sets it apart. Here are 10 things to expect from the fest, which runs Sept. 20-28 at the stunning Basque seaside resort:

Blanchett, Almodóvar, Bardem, Depp, Swinton, Anderson

Blanchett, Almodóvar and Bardem will collect career achievement Donostia Awards, with Blanchett talking up Guy Maddin’s Cannes hit “Rumours,” set for U.S. theatrical release via Bleecker Street on Oct. 18; Almodóvar and Swinton will present Venice success “The Room Next Door.” Depp will unveil “Modi,” his second film as a...

For more than 70 years the San Sebastian International Film Festival has been considered the premiere hub for connecting Europe’s film industry to Latin American cinema and filmmaking talent. The festival has long supported the early works of famed Latin American filmmakers ranging from Brazilian filmmaker Walter Salles to Argentina’s Daniel Burman whose respective early works Foreign Land and A Chrysanthemum Bursts in Cincoesquinas both screened at the festival.

In more recent years, Spain’s most prominent festival has made strides in strengthening the special relationship between Europe and Latin America through the creation of sections such as Works in Progress Latam (established in 2002) and its Europe-Latin America Co-Production Forum (established in 2012). It was in the former that esteemed Chilean director Sebastián Lelio was given the Wip Latam Award in 2012 for his project Gloria.

“We have a very special relationship with the Latin American market,” says San Sebastian festival director José Luis Rebordinos.

This year’s San Sebastian International Film Festival will feature the most eye-catching list of international superstars it has ever hosted, including A-list actors such as Cate Blanchett and Javier Bardem – who will both receive Donostia career achievement awards, Andrew Garfield, Pamela Anderson, Tilda Swinton and Lupita Nyong’o and filmmakers like local legend Pedro Almodovar – another Donostia award recipient, Adam Elliot, Gia Coppola, Mike Leigh and Walter Salles.

Other international actors who have confirmed they will attend this year’s festival include Monica Bellucci, Jamie Campbell Bower, Johnny Depp, Isabelle Huppert, Noémie Merlant, Ángela Molina, Franco Nero, Charlotte Rampling and Will Sharpe, among others.

Normally, many directors attend San Sebastian with their latest films, but the number of titles from consecrated directors at this year’s festival has increased noticeably. Filmmakers bringing their latest to this year’s festival include Jacques Audiard, Sean Baker, Edward Berger, Leos Carax, Costa-Gavras, Audrey Diwan,...

The 68 th BFI London Film Festival has announced the full programme line-up, which will be presented in cinemas and online, across the UK.

The Lff will present a vibrant and diverse programme of 253 features, shorts, series and immersive works from 79 countries, featuring 63 languages playing across the 12 days of the festival. This includes 112 works made by female and non-binary filmmakers – 44% of the programme.

World Premieres

From filmmakers and artists include: Steve McQueen’s Blitz which opens the festival, Ben Taylor’s Cunard Gala Joy starring Thomasin McKenzie, James Norton and Bill Nighy, the BFI National Archive and The Film Foundation’s restoration Silent Sherlock, Darren Thornton’s Irish comedy film Four Mothers, spellbinding performance film from Iain Forsyth and Jane Pollard The Extraordinary Miss Flower, thriller series A Thousand Blows from Peaky Blinders creator Steven Knight, the latest documentary from Oscar®-winning directing duo Elizabeth Chai Vasarhelyi and Jimmy Chin Endurance,...

La sección oficial a competición del Ssiff se llena de grandes nombres. © 72Ssiff

Hace unas semanas se dieron a conocer los títulos españoles que competirán por la Concha de Oro en la 72ª edición del Festival de Cine de San Sebastián, que se celebrará del 20 al 28 de septiembre. Éstos son Soy Nevenka, de Icíar Bollaín, El llanto de Pedro Martín-Calero, Los destellos, de Pilar Palomero, y Tardes de soledad, de Albert Serra.

Hoy se han anunciado títulos restantes de la sección oficial a competición del festival, los cuales acompañarán a Bollaín, Martín-Calero, Palomero y Serra en la contienda por el prestigioso galardón. Entre los títulos más destacados encontramos Cónclave, The End, Hard Truths y The Last Showgirl.

Cónclave, de Edward Berger, director de Sin novedad en el frente, se presenta como un fuerte contendiente a la Concha de Oro. Este film tendrá su premiere mundial en el Festival de Cine...

Edward Berger, Mike Leigh and Joshua Oppenheimer titles have joined the competition line-up at the San Sebastian International Film Festival.

Berger heads to San Sebastian with Toronto premiere Conclave, starring Ralph Fiennes, about a cardinal who is tasked following the Pope’s sudden death with supervising the conclave from which his successor will be chosen.

Mike Leigh is appearing in official selection for the first time, with UK-Spain co-production Hard Truths, another Toronto world premiere, starring Marianne Jean-Baptiste and Michele Austin. Leigh portrays the everyday life of a London family, addressing such issues as family relations, mourning and mental health.

The San Sebastián Film Festival has revealed a bumper Official Selection for its latest edition, which will unfold from September 20 — 28.

The festival, which is celebrating its 72nd edition, will screen new films from established filmmakers such as Edward Berger, Gia Coppola, Costa-Gavras, Kiyoshi Kurosawa, Mike Leigh, Diego Lerman, Joshua Oppenheimer, and François Ozon alongside works from new filmmakers including Laura Carreira and Xin Huo.

Coppola’s The Last Showgirl heads to San Sebastián following a debut in Toronto. The film stars Pamela Anderson, Jamie Lee Curtis, and Dave Bautista. The film’s plot follows a seasoned showgirl who must plan for her future when her show closes after a 30-year run. Also heading to Spain from The Six is Mike Leigh’s Hard Truths, starring Marianne Jean-Baptiste and Michele Austin. The British-Spanish production is said to portray the everyday life of a London family, addressing such issues as family relations,...

¿Te atreves a escuchar el llanto? © Universal Pictures

Universal Pictures ha publicado el tráiler oficial de “El Llanto”, una película hispano-franco-argentina, que tendrá su estreno mundial en el Festival de Cine Internacional de San Sebastián, donde competirá por la Concha de Oro. La película es el retrato de tres mujeres que, en momentos distintos del tiempo y conectadas sin saberlo, se enfrentan a una amenaza que las trasciende.

En “El Llanto”, algo acecha a Andrea, pero nadie, ni siquiera ella misma, puede verlo a simple vista. Hace veinte años, a diez mil kilómetros, la misma presencia aterrorizaba a Marie. Camila fue la única persona que pudo entender lo que le ocurría, pero nadie las creyó. Al enfrentarse a esa amenaza opresiva, las tres escuchan el mismo sonido sobrecogedor. Un llanto.

“El Llanto” está protagonizada por Ester Expósito, Mathilde Ollivier y Malena Villa. Completan el reparto Àlex Monner, Sonia Almarcha y Tomás Del Estal.

Projects from Albert Serra and Iciar Bollain are among the 12 Spanish features selected for the 2024 San Sebastian International Film Festival (Ssiff), taking place from September 20-28.

Serra will compete for the first time in San Sebastian’s official section with bullfighting documentary Tardes De Soledad. His previous films include Locarno winner The Story Of My Death and 2022 Cannes premiere Pacifiction.

Competing in the main section for the fifth time is Iciar Bollain with I’m Nevenka, about a town councillor who reports abuse by the major. Mireia Oriol and Urko Olazabal star.

Also selected are Pedro Martín-Calero’s directorial debut The Wailing,...

Danis Tanović’s ‘My Late Summer’ To Open Sarajevo

Bosnian director Danis Tanović’s My Late Summer will open the 30th Sarajevo Film Festival this August. The film is billed as a comedy-drama about a young woman Maja who comes to a remote island to solve an issue of family inheritance. In a whirlwind of new emotions and through a series of unpredictable situations, she will finally face questions from her past. The search for inheritance becomes a search for her own identity, but also for forgiveness. Tanovic is one of Bosnia and Herzegovina most acclaimed directors. He broke out internationally with his Bosnia War inspired No Man’s Land which clinched the Oscar and Golden Globe for best foreign language film in 2002. He has also won the Berlinale’s Silver Bear for An Episode in the Life of an Iron Picker (2013) and Death in Sarajevo (2016). My Late Summer is produced...

Cuatro películas españolas en la competición.

Hoy se han dado a conocer las películas españolas que formarán parte de la programación de la 72ª edición del Festival de Cine de San Sebastián, que se celebrará del 20 al 28 de septiembre.

Cuatro películas españolas formarán parte de la competición por la Concha de Oro del Festival: “Soy Nevenka”, “El Llanto”, “Los Destellos” y “Tardes de Soledad”.

© 72Ssiff

Icíar Bollaín, conocida por su película “Maixabel”, presentará “Soy Nevenka”, que será su quinta participación en la Sección Oficial. Protagonizada por Mireia Oriol y Urko Olazabal, se basa en la historia real de Nevenka Fernández, una concejala que pagó un alto precio por atreverse a denunciar el acoso del alcalde de Ponferrada. Una historia que convirtió a su protagonista en una pionera del movimiento #metoo al llevar por primera vez a un político influyente ante los tribunales por acoso sexual y laboral.

© 72Ssiff

En su ópera prima,...

¿Te atreves a escuchar el llanto? © Universal Pictures

Universal Pictures ha publicado el primer teaser tráiler y póster oficial de “El Llanto”, una película hispano-franco-argentina. Rodada en Madrid, Buenos Aires y La Plata, la película es el retrato de tres mujeres que, en momentos distintos del tiempo y conectadas sin saberlo, se enfrentan a una amenaza que las trasciende.

En “El Llanto”, algo acecha a Andrea, pero nadie, ni siquiera ella misma, puede verlo a simple vista. Hace veinte años, a diez mil kilómetros, la misma presencia aterrorizaba a Marie. Camila fue la única persona que pudo entender lo que le ocurría, pero nadie las creyó. Al enfrentarse a esa amenaza opresiva, las tres escuchan el mismo sonido sobrecogedor. Un llanto.

“El Llanto” está protagonizada por Ester Expósito, Mathilde Ollivier y Malena Villa. Completan el reparto Àlex Monner, Sonia Almarcha y Tomás Del Estal.

La película marca la ópera prima de Pedro Martín-Calero,...

When Ester Expósito walked the red carpet in Cannes two years ago, she swore she’d be back.

“I was here for a brand, to show off some jewelry,” says the actress, who became a fashion trendsetter and online influencer — with 28 million followers on Instagram — after her turn as the cold, manipulative Carla Rosón Caleruega in Netflix’s Spanish teen drama hit Elite. “But when I was up there on those steps, I thought: ‘I’m going to come back soon, not with a brand with a movie.”

As good as her word, Expósito has returned to the Croisette this year as one of the stars of Lost in the Night, the new crime drama from Mexican director Amat Escalante, which premiered in Cannes’ Un Certain Regard and is being sold worldwide by The Match Factory.

Escalante seems a long way from the soapy prep school world of Elite. The Mexican helmer,...

El Estudio and Morbido are launching The Latin House of Horror, a hugely ambitious feature film slate channelling the voices of a powerful new generation of genre directors – and indeed writers – emerging in Spain and, most especially, Latin America.

The slate is designed to supercharge genre production in Latin America, in ambition, profile and exports, just as Filmax’s Fantastic Factory did a generation ago in Spain, El Estudio producer Enrique López Lavigne told Variety.

Mexico’s Sula Films, headed by Mexican producer Alejandro Sugich (“Los Hermanos Salvador”), will also produce the series. Vicente Canales’ Film Factory Entertainment is handling world sales.

Announced at Cannes, the House’s first slate of six movies features established talent such as Adrián García Bogliano, a founding figure of modern Argentine scarefare, now based out of Mexico; and Isaac Ezban, who rapidly established a reputation for films wrapped in hauntingly surreal scenarios: Think “The Incident” and “The Similars.

In a year when four Spanish titles made the shortlist for the Academy Award best live action short and illustrious short filmmakers have or are making the transition from to feature – think Estibaliz Urresola with “Cuerdas,· now Berlin winner “20,000 Species of Bees” and now Pedro Martín-Calero with “The Wailing,” starring Ester Expósito – Malaga’s Mafiz-Spanish Screenings has launched a Short Film Corner.

Following, five standout shorts from a dizzying selection of 58 titles, which are accompanied by round tables and presentations at an immediately fully-fledged major new section at the Malaga Festival and Spanish Screenings.

“Mourn,” (Marc Borràs)

Inspired by Johnna Adams’ play “Gideon’s Knot,” “Mourn” (“Duelo”) revolves around a classroom meeting between a troubled teacher (Àngels López) and an angry and mourning mother (Sandra Molins) who blames her for a seemingly avoidable tragedy. Molins and López’s intense and emotional performances result in a powerful and agonizing confrontation.

Ester Expósito, one of the stars of Netflix global hit “Elite,” is attached to star “The Wailing” (“El Llanto”), co-written by Rodrigo Sorogoyen’s regular co-scribe Isabel Peña (“The Beasts”) and directed by talent-to-track Pedro Martín-Calero (“Secrets”). It’s one of the most powerful Spanish-language packages being brought onto Berlin’s European Film Market.

The auteur genre movie has gone into production, shooting in Madrid, Buenos Aires and La Plata.

Film Factory Entertainment has acquired international rights. “The Wailing” is lead produced by on-the-rise Madrid production house Caballo Films, behind Rodrigo Sorogoyen’s films, including “The Beasts,” a best picture Goya on Feb. 11.

The feature debut of Spain’s Pedro Martín-Calero, “The Wailing” turns on a seemingly invisible evil. “No one can see it with the naked eye, but its presence has always been there. 20 years ago he stalked Camila and Marie. Now, 10,000 kilometers away, Andrea has begun to hear the wailing,...