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Movies and television have been competing for the same audience's time and money since TV was invented, but they've also formed a strange symbiosis. There have been a heck of a lot of movies based on TV shows, and a heck of a lot of TV shows based on movies.

Some of those shows based on movies have been major pop culture milestones, like "Buffy the Vampire Slayer," "The Karate Kid," and "Friday Night Lights." And of course a whole lot of been almost completely forgotten, like the sitcoms based on "Dirty Dancing," "Working Girl," and "Animal House."

But one thing these TV shows usually have in common is that they're almost always based on a hit movie. It's not surprising when a blockbuster like "M*A*S*H" or "Honey, I Shrunk the Kids" gets turned into a television series. It's even common for smaller, but critically acclaimed films...

It’s been over 70 years since “I Love Lucy’ premiered on CBS. Sixty-two years since its stars Lucille Ball and Desi Arnaz divorced. And over 30 years since they died. But the decades haven’t diminished fans’ love affair with the remarkable couple who changed the face of sitcoms. And two vastly differently projects currently streaming on Amazon further add fuel to the current Lucy and Desi-aissance.

Aaron Sorkin’s bio-drama “Being the Ricardos” looks at a pivotal week in the production of “I Love Lucy in 1953. Nicole Kidman and Javier Bardem have earned Oscar nominations for their turns as Lucy and Desi. And “Lucy and Desi,” funny lady Amy Poehler’s thoughtful valentine of a documentary recently began streaming on Amazon after a successful premiere at Sundance.

If you are a “I Love Lucy’ aficionado — and just who isn’t? — you may want to check out these film and TV projects,...

Veteran actor and frequent scene stealer Bruce Davison joins Josh Olson and Joe Dante to discuss a few of his favorite films.

Show Notes: Movies Referenced In This Episode

Extra School (2017)

Gone With The Wind (1939)

Willard (1971) – Joe Dante’s review, Lee Broughton’s Blu-ray review

Fortune And Men’s Eyes (1971)

Short Cuts (1993) – Glenn Erickson’s Blu-ray review

Longtime Companion (1989)

Last Summer (1969) – Larry Karaszewski’s trailer commentary

Short Eyes (1977)

The Manor (2021)

Ulzana’s Raid (1972) – John Landis’s trailer commentary, Glenn Erickson’s Blu-ray review and All-Region Blu-ray review

King Solomon’s Mines (1950) – John Landis’s trailer commentary

Snow White and the Seven Dwarves (1937)

Them! (1954) – Joe Dante’s trailer commentary

Tarantula (1955) – Joe Dante’s trailer commentary, Glenn Erickson’s Blu-ray review

20,000 Leagues Under The Sea (1954) – Mick Garris’s trailer commentary, Glenn Erickson’s Blu-ray review

Spartacus (1960) – Larry Cohen’s trailer commentary, Glenn Erickson’s Blu-ray review

Ben-Hur (1959) – John Landis’s trailer commentary

Psycho (1960) – John Landis’s trailer commentary,...

I don’t know if Garland fans still go around chanting ‘Judy Judy Judy’ at her every appearance, but they do have a timeless song ‘n’ dance number to celebrate here. Her last MGM movie is only a so-so vehicle but Gene Kelly and the studio’s top music & dance talent work hard to put it over the top. Garland’s lack of stability is still an issue. For much of the movie she looks visibly overweight, yet in the showstopper ‘Get Happy’ she suddenly slims down to the best — maybe not the healthiest — look of her career.

Summer Stock

Blu-ray

Warner Archive Collection

1950 / Color / 1:37 flat Academy / 109 min. / Street Date April 30, 2019 / available through the WBshop / 21.99

Starring: Judy Garland, Gene Kelly, Eddie Bracken, Gloria DeHaven, Marjorie Main, Phil Silvers, Ray Collins, Nita Bieber, Carleton Carpenter, Hans Conried, Jeanne Coyne, Carol Haney, Almira Sessions.

Cinematography: Robert H. Planck

Film Editor: Albert Akst...

Blithely thumbing his nose at the Hays office, Preston Sturges’s wartime farce concerns a virginal young woman who goes a little too far in her support for the troops – the fact that her name, Trudy Kockenlocker, is not the movie’s most outrageous element should tell you all you need to know. Starring Eddie Bracken and Betty Hutton at the top of their games and the explosively funny William Demarest as Trudy’s pratfall-prone pop.

The post The Miracle of Morgan’s Creek appeared first on Trailers From Hell.

Turner Classic Movies continues with its Gay Hollywood presentations tonight and tomorrow morning, June 8–9. Seven movies will be shown about, featuring, directed, or produced by the following: Cole Porter, Lorenz Hart, Farley Granger, John Dall, Edmund Goulding, W. Somerset Maughan, Clifton Webb, Montgomery Clift, Raymond Burr, Charles Walters, DeWitt Bodeen, and Harriet Parsons. (One assumes that it's a mere coincidence that gay rumor subjects Cary Grant and Tyrone Power are also featured.) Night and Day (1946), which could also be considered part of TCM's homage to birthday girl Alexis Smith, who would have turned 96 today, is a Cole Porter biopic starring Cary Grant as a posh, heterosexualized version of Porter. As the warning goes, any similaries to real-life people and/or events found in Night and Day are a mere coincidence. The same goes for Words and Music (1948), a highly fictionalized version of the Richard Rodgers-Lorenz Hart musical partnership.

In 'Judy by the Numbers' Anne Marie looks back at Garland's career through key songs

By the time Judy Garland turned 28, her entire adult life and her entire star persona had been a product of MGM. In 1950, Judy Garland's image - as cultivated by MGM and the Freed Unit - was of an exuberant talent, small in stature but big in heart and voice; a buoyant box office sensation. However, the reality was different. In the 13 months between the release of In The Good Old Summertime and Summer Stock, Judy Garland fought drug addiction, rehab, an increasingly strained marriage, an unsympathetic studio, and a suicide attempt that made headlines worldwide. Filmed before her attempt but released two months after it, Summer Stock is a record of the conflict between the image of Judy Garland and the reality of Frances Gumm.

The Movie: Summer Stock (1950)

The Songwriters: Harold Arlen (music...

Kristen Stewart, 'Camp X-Ray' star, to join cast of 'Billy Lynn's Long Halftime Walk' Kristen Stewart to join 'Billy Lynn's Long Halftime Walk' movie After putting away her Bella Swan wig and red (formerly brown) contact lenses, Kristen Stewart has been making a number of interesting career choices. Here are three examples: Stewart was a U.S. soldier who befriends an inmate (Peyman Moaadi) at the American Gulag, Guantanamo, in Peter Sattler's little-seen (at least in theaters) Camp X-Ray. She was one of Best Actress Oscar winner Julianne Moore's daughters in Wash Westmoreland and the recently deceased Richard Glatzer's Alzheimer's drama Still Alice. She was the personal assistant to troubled, aging actress Juliette Binoche in Olivier Assayas' Clouds of Sils Maria, which earned her a history-making Best Supporting Actress César. (Stewart became the first American actress to take home the French Academy Award.

"Holiday Ro-o-o-o-o-o-o-o-o-oad, Holiday Ro-o-o-o-o-o-oad..."

Hard to believe it's been 30 years since the Griswold family first took to the road in "National Lampoon's Vacation." Ever since its release on July 29, 1983, the landmark comedy seems a permanent fixture of pop culture, having created the signature roles of Chevy Chase, Beverly D'Angelo, and Randy Quaid's careers, having helped make stars out of Anthony Michael Hall and Jane Krakowski, and having helped launch the filmmaking career of John Hughes. The movie seems to play on an endless loop on TV, like the neighbors' slideshow of a nightmarish trip you were grateful not to have taken yourself. (Except, let's face it, you probably have a family road trip this disastrous in your past.)

Still, as many times as you've seen the film, there are some details you may have missed. Read on to learn about the in-jokes you haven't spotted, the scenes you didn't get to see,...

Innovative animator whose credits include Lady and the Tramp, Petroushka and Grease

The pioneering animator John David Wilson, who has died aged 93, launched his studio, Fine Arts Films, in 1955 and found success with his first short subject, an adaptation of a Japanese folk tale, Tara the Stonecutter, which was screened in America with Teinosuke Kinugasa's Oscar-winning samurai drama Jigokumon (Gate of Hell, 1953). Next came Petroushka (1956), for which Igor Stravinsky (despite negative feelings towards animation following Disney's Fantasia) was persuaded by Wilson to prepare a shortened score for the film and conduct the Los Angeles Philharmonic for the soundtrack. Petroushka won several festival awards and was the first animated film to be accepted by the Venice film festival.

Wilson's diverse productions ranged from innovative TV commercials for Instant Butter-Nut Coffee, made with the actor and humorist Stan Freberg, to a groundbreaking 15-minute film, Journey to the Stars, for the United...

Betty Hutton movies (photo: Betty Hutton in The Miracle of Morgan’s Creek, with Eddie Bracken) [See previous post: "Betty Hutton Bio: The Blonde Bombshell."] Buddy DeSylva did as promised. Betty Hutton was given a key supporting role in Victor Schertzinger’s 1942 musical comedy The Fleet’s In, starring Dorothy Lamour, William Holden, and Eddie Bracken. “Her facial grimaces, body twists and man-pummeling gymnastics take wonderfully to the screen,” enthused Pm magazine. (Hutton would have a cameo, as Hetty Button, in the 1952 remake Sailor Beware, starring Dean Martin, Jerry Lewis, and Corinne Calvet.) The following year, Betty Hutton landed the second female lead in Happy Go Lucky (1943), singing Jimmy McHugh and Frank Loesser’s "Murder, He Says," and stealing the show from fellow Broadway import Mary Martin and former Warner Bros. crooner Dick Powell. She also got co-star billing opposite Bob Hope in Sidney Lanfield’s musical comedy Let’s Face It. Additionally, Paramount’s hugely successful all-star war-effort...

The year National Lampoon's Vacation came out, my family took a very similar vacation, to some of the same places (Grand Canyon included). I saw the movie later, after we returned home, and it really struck me. Of course, we did not strap my dead auntie to the top of the family truckster, but there were other, subtler commonalities. I have many fond memories of that trip, but I would never want to take the same ride again. But all the disasters aside, the thing that I love best about Chevy Chase's vacation is the general hopefulness of it, the notion that things could get better at any time. Clark W. Griswold is almost always cheerful, no matter what's going wrong, and he's always open to the idea of fantasy as the sexy dreamgirl (Christie Brinkley) keeps turning up in his rear view mirror.

As for a scene I love,...

For longtime co-directors Shari Springer Berman and Robert Pulcini, having all their ducks in a row for their fourth feature film means great source material, the acclaimed 1998 comic novel “The Extra Man”, the best co-writer for the job, “Extra Man” author Jonathan Ames and a splashy cast featuring vet Kevin Kline and young talent Paul Dano and Katie Holmes. Yet, aside from short bursts of comic sparkle thanks to supporting players John C. Reilly, Dan Hedaya and Patti D’Arbanville. “Extra Man” dissolves into a sloppy mess half as fun as Ames’ enjoyable book. Much of the problem rests on Paul Dano who’s terribly miscast as the film’s screwball leading man Louis Ives. Still, the majority of blame sticks to Berman and Pulcini who lack the slapstick skills to make good use out of Ames’ funny book. Out of all the high-profile films debuting in the Premieres section of the 2010 Sundance Film Festival,...