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Bleecker Street’s new comedy “The Fabulous Four” finds Bette Midler doing what she does best: broad comedy with a touch of poignancy peeking out from just beneath the surface.

It’s a quality that characterizes many of Midler’s most memorable performances in films like “The First Wives Club,” “Down and Out in Beverly Hills,” and “That Old Feeling,” and according to Midler, it’s been part of her approach since the beginning.

“When I worked live, starting from the time I was 19, I was very much aware of the melancholy underneath certain kinds of scenes,” Midler told IndieWire in a recent interview. “There’s a musical term for it: contrapuntal. ‘Miss M’ is loud and boisterous on the outside, but there’s an undercurrent of despair because it’s very hard to be a human being.”

In “The Fabulous Four,” Midler plays a widow who surprises her friends...

Anthea Sylbert, the two-time Oscar-nominated costume designer who worked on Rosemary’s Baby, Chinatown, Carnal Knowledge, Shampoo and Julia before becoming a studio executive and producer, has died. She was 84.

Sylbert died Tuesday in Skiathos, Greece, director Sakis Lalas told The Hollywood Reporter. Lalas just finished a documentary about Sylbert titled, My Life in 3 Acts.

Sylbert partnered with two-time Oscar-winning production Richard Sylbert on eight films and with his twin brother, Paul Sylbert — her first husband and another Oscar-winning production designer — on another three.

“Paul is the more bitter, more angry of the two,” she told Peter Biskind in 1993. “Someone once put it this way: Dick is more of a diplomat. He will put the ice pick somewhere in your back, you’re not quite sure, and you sort of feel tickled; Paul, while facing you, sticks it in your gut. I always used to think that if you put them together,...

James Caan is most popularly known for his scene-stealing role as Sonny Corleone in the first two Godfather films, a role that has earned him an Oscar nomination. He also earned an Emmy nomination for his incredible portrayal of famed American football player Brian Piccolo in the film Brian’s Song. The actor has played leading men in various acclaimed films in the 70s.

James Caan as Sonny Corleone in The Godfather | Paramount Pictures

His other hit films include Rollerball, A Bridge Too Far, Thief, and Cinderella Liberty. The latter was a romantic drama where he starred alongside Marsha Mason. Caan was very committed to his role and knew him inside and out. However, he felt that his final line in the film was a disservice to the character and also undermined the audience’s intelligence.

James Caan Was Pissed At Mark Rydell For The ‘Loudest Line’ in Cinderella Liberty One...

Over the course of his career, James Caan starred in some of the most influential films of all time, including the iconic The Godfather, in which he took on the role of Sonny Corleone and earned an Academy Award for his performance. The actor was also known for being highly discerning about his on-screen projects, prompting several rejections throughout his career.

James Caan as Sonny Corleone in The Godfather | Credit: IMDb

Renowned for his outspoken and opinionated nature, the actor also did not hesitate to voice his reservations when it came to a line in the 1973 drama, Cinderella Liberty, leading to a disagreement with his friend and director of the film, Mark Rydell.

James Caan Was Disappointed With One Line in Cinderella Liberty

The 1973 film Cinderella Liberty follows James Caan as a sailor, John, who falls for a prostitute Maggie (Marsha Mason). However, things get complicated after she goes back to her previous lifestyle.

Dianne Crittenden, the casting director whose impressive résumé included the first Star Wars film, The In-Laws and the Terrence Malick features Badlands, Days of Heaven and The Thin Red Line, has died. She was 82.

Crittenden died Wednesday at her home in Pacific Palisades after a battle with several cancers, fellow casting director Ilene Starger told The Hollywood Reporter.

“Dianne was my mentor, we’ve known each other for 44 years,” Starger said. “She was also my dear friend, more like an older sister, really. So generous, kind, brilliant, funny. A people magnet. Her knowledge of and insight into actors was extraordinary.”

A former head of casting at Warner Bros., Crittenden collaborated with Martin Ritt on Murphy’s Romance (1985) and Stanley & Iris (1990); with Roger Donaldson on Thirteen Days (2000) and The World’s Fastest Indian (2005); and with Peter Weir on Witness (1985), The Mosquito Coast (1986) and Green Card (1990).

Crittenden was born in Queens on Aug.

Shannon Wilcox, a character actress who appeared alongside Willie Nelson in Songwriter, with Dudley Moore in Six Weeks and opposite Al Pacino in Frankie and Johnny, has died. She was 80.

Wilcox died Sept. 2 in Los Angeles, her daughter, actress-director Kelli Williams — she played attorney Lindsay Dole on The Practice — told The Hollywood Reporter.

A life member of The Actors Studio, Wilcox also portrayed the mother of Elisabeth Shue’s Ali Mills in John G. Avildsen’s The Karate Kid (1994) and worked in many other notable films, among them Tony Richardson’s The Border (1982), Ivan Reitman’s Legal Eagles (1986), Mark Rydell’s For the Boys (1991) and David Fincher’s Seven (1995).

Wilcox was the resigned ex-wife of Nelson’s Doc Jenkins in Alan Rudolph’s Songwriter (1984) and the wife of a California politician (Moore) caught up with a woman (Mary Tyler Moore) and her sickly child (Katherine Healy) in Tony Bill’s...

For almost 50 years, John Williams' music has been virtually synonymous with the films of Steven Spielberg (and vice versa), and for nearly as long, Williams' compositions have formed the emotional backbone of the Skywalker Saga from "Star Wars." However, 20 years before the cinematic musical maestro become known for either of those things, Williams was merely a whipper-snapper fresh out of Julliard and eager to leave his mark on the worlds of concert and film music.

Williams' pre-Spielberg run would have made for an incredible career all by itself. It was an era that saw the composer collaborating with numerous giants among the old guard of Hollywood directors, including Robert Altman, Don Siegel, William Wyler, Irwin Allen, Frank Sinatra, and Norman Jewison. In 1974, Williams worked with Spielberg for the first time on the filmmaker's theatrical feature debut, "The Sugarland Express." Appearing with Williams at the American Cinematheque event "50 Years of...

Sharon Farrell, who starred as the mother of a murderous infant in It’s Alive and contributed strong supporting turns opposite James Garner and Steve McQueen, respectively, in the 1969 films Marlowe and The Reivers, has died. She was 82.

Farrell died unexpectedly May 15 of natural causes at a hospital in Orange County, her son, Chance Boyer, told The Hollywood Reporter.

Farrell also played a movie hairstylist in Richard Rush‘s The Stunt Man (1980), the ex-wife of Chuck Norris’ Texas Ranger in Lone Wolf McQuade (1983) and the mother of the cheerleader portrayed by Amanda Peterson in Can’t Buy Me Love (1987).

On television, Farrell recurred as Det. Lori Wilson on the final season (1979-80) of CBS’ Hawaii Five-o and was Florence Webster, mother of Tricia Cast’s Nina Webster, on the CBS soap opera The Young and the Restless from 1991-97.

In the horror thriller It’s Alive (1974), written and directed by Larry Cohen and...

Bo Goldman, the late-blooming guru of screenwriting who received Academy Awards for his work on One Flew Over the Cuckoo’s Nest and Melvin and Howard, has died. He was 90.

Goldman died Tuesday in Helendale, California, his son-in-law, director Todd Field, told The New York Times.

Goldman’s first screenplay was, years after he wrote it, directed by Alan Parker for Shoot the Moon (1982), which featured Diane Keaton and Albert Finney in a raw, seriocomic drama about a disintegrating marriage.

He also co-wrote the Mark Rydell-directed rock drama The Rose (1979), starring Bette Midler in an Oscar-nominated turn, and Martin Brest’s Scent of a Woman (1992), which netted him his third Academy Award nom (and Al Pacino the best actor Oscar, too).

Goldman was one of the handful of screenwriters — Paddy Chayefsky, Francis Ford Coppola, Horton Foote, William Goldman, Billy Wilder and Joel and Ethan Coen among them — to win Academy...

Katharine Hepburn’s film career endured an extraordinary six decades. A strong-willed feminist, she was a role model for generations of women and fashion icon who eschewed dresses for stylish wide-legged pants. She is still the only performer to receive four best actress Oscars. She stuck to her guns and never attended the Oscars when was nominated only showing up to give the Thalberg award to a producer with whom she worked with at MGM. Hepburn also made nine films with the great Spencer Tracy, though, their off-screen love affair may not have been exactly what it seemed.

It was the 20th anniversary of her death on June 29 at the age of 96. And over the years when I was on staff at the Los Angeles Times, I talked to several actors and directors who worked with her.

Such as Anthony Quinn with whom I chatted in 1994 when he starred with...

Movie star John Wayne had dedicated fans who hated seeing any deaths surrounding the characters he played. He held an image that represented America to many moviegoers, making it hard for some to stomach watching his characters die. Nevertheless, Wayne had 8 character deaths out of his large filmography totaling over 200 motion pictures, not including 1955’s The Sea Chase, which left his character’s fate unknown.

‘Reap the Wild Wind’ (1942) L-r: Paulette Goddard as Loxi Claiborne and John Wayne as Captain Jack Stuart | FilmPublicityArchive/United Archives via Getty Images

Cecil B. DeMille’s Reap the Wild Wind is set in the 1840s, when a group of salvagers go from profiting off shipwrecks to to causing them. All those in the American South consider King Cutler (Raymond Massey) the most dangerous, who sets his eyes on the ships of the wealthy Devereaux Company, Captain Jack Stuart (Wayne), and the company’s lawyer,...

John Williams is retiring after he finishes the score for the forthcoming Indiana Jones movie — right? Well, Steven Spielberg certainly thinks so. Or thought so. He was corrected on that notion at the very end of a 90-minute conversation between the two film giants Thursday night.

At the event, sponsored by the American Cinematheque and held at the Writers Guild Theater, moderator (and Variety film music writer) Jon Burlingame addressed the elephant that was gingerly lingering around the edges of the room: “A final question for each of you. John, are you really retiring from films? Are this” — “The Fabelmans,” the last film to come up for discussion — “and the Indiana Jones film to come your last work for the medium?”

“Well, Steven is a lot of things,” replied the composer. “He’s a director, he’s a producer, he’s a studio head, he’s a writer, he’s a philanthropist,...

It's something of a cliche and a bit of a lie when actors say they do their own stunts. If you want to know what that really looks like, watch the end credits of any film Jackie Chan made in his Hong Kong prime. You'll see him break various extremities and get carried out on a stretcher more than once. The only Hollywood star with that kind of daredevil spirit working today is Tom Cruise, who seems determined to keep making Mission: Impossible movies well into his autumn years or die trying.

John Wayne was an ornery, prideful cuss who wanted to look like an authentic badass on the big screen, but he knew when to defer to his longtime stunt double Chuck Roberson. This was a practical matter as much as anything. If The Duke took a nasty spill, production could be shut down for months, which was anathema...

"Is that you, John Wayne? Is this me?"

It's a recurring line in "Full Metal Jacket," Stanley Kubrick's intense 1987 war meditation as famous for its colorful language and memorable characters as it is for its scrutiny of the Vietnam conflict. The line is first uttered by Matthew Modine's J.T. Davis, a new Marine recruit at Parris Island. Delivered within a full-throated impersonation of the Golden Age movie star, the cheeky statement lands Davis on the radar of sadistic drill instructor Gunnery Sergeant Hartman (R. Lee Ermey), earning the quipster the nickname "Pvt. Joker" for the bulk of the movie. See the moment here, and enjoy the subsequent cornucopia of curses that flows from the D.I.'s lips.

Speaking to The Hollywood Reporter, the "Pacific Heights" star unearths the story behind Private Joker's drawling John Wayne impression which, it turns out, was cultivated three years before stepping onto Kubrick's set.

Hollywood in the early 1970s was unkind to many of the industry's surviving golden-age legends. The smartest of the bunch had either retired, moved to television, or segued to supporting roles in disaster films. Unlike our current era, there wasn't much nostalgia for the good old days. The '50s and '60s were a time of social upheaval during which Black Americans struggled mightily to fight and win basic civil rights. Meanwhile, the Vietnam War was only getting bloodier. People were not in the market for old-fashioned entertainment. They wanted edgier, angrier movies. Those who wanted more of the same could stay home and watch the same when it reran on the afternoon movie.

Where did this leave John Wayne, the Western icon who'd become the big-screen personification of everything that was right (morally and politically) about America at the time? After scoring his first Best Actor Oscar as the alcoholic U.

The year was 1976, and John Wayne was cheesed but good at King Kong.

The gargantuan ape with a fatal penchant for blonde starlets was all the rage at Paramount, and for good reason. The studio had sunk 24 million (equivalent to 124 million in 2022) into the John Guillermin-directed remake, and desperately needed it to hit the box-office jackpot when it opened in December. Though studios have huge marketing departments that, when professionally run, know how to manage multiple releases at once, Wayne felt the film that was to be his big-screen swan song, "The Shootist," was getting ignored by Paramount's advertising team. And it was all because of that big, stupid monkey.

The Duke Vs. King Kong

According to Scott Eyman's "John Wayne: The Life and the Legend," Wayne groused to his former secretary and then present companion Pat Stacy, "Those people are putting all their damn time into King Kong.

James Caan, whose indelible, Oscar-nominated performance as Sonny Corleone, the recklessly hotheaded son of Marlon Brando’s Mafia don in “The Godfather,” is sure to be remembered as long as there are gangster movies, died on Wednesday, his family announced on Twitter. He was 82.

“It is with great sadness that we inform you of the passing of Jimmy on the evening of July 6,” the tweet reads. “The family appreciates the outpouring of love and heartfelt condolences and asks that you continue to respect their privacy during this difficult time.”

It is with great sadness that we inform you of the passing of Jimmy on the evening of July 6.

The family appreciates the outpouring of love and heartfelt condolences and asks that you continue to respect their privacy during this difficult time.

End of tweet

— James Caan (@James_Caan) July 7, 2022

Caan also had notable roles in films including “Misery,” “Elf,” “Thief,...

Director Sidney J. Furie discusses his favorite films he’s watched and re-watched during quarantine with hosts Josh Olson and Joe Dante.

Show Notes: Movies Referenced In This Episode

Dr. Blood’s Coffin (1961)

The Ipcress File (1965) – Howard Rodman’s trailer commentary, Glenn Erickson’s Blu-ray review

The Appaloosa (1966)

The Naked Runner (1967)

Lady Sings The Blues (1972)

The Entity (1982) – Luca Gaudagnino’s trailer commentary

The Boys in Company C (1978)

2001: A Space Odyssey (1968) – John Landis’s trailer commentary, Dennis Cozzalio’s review

Full Metal Jacket (1987)

The Apartment (1960) – Dan Ireland’s trailer commentary, Glenn Erickson’s Blu-ray review, Randy Fuller’s wine pairing

The Best Years Of Our Lives (1946)

Twelve O’Clock High (1949)

A Place In The Sun (1951) – Glenn Erickson’s Blu-ray review

Out Of Africa (1985)

The Last Picture Show (1971) – Mark Pellington’s trailer commentary, Randy Fuller’s wine pairing

Annie Hall (1977)

The Bad And The Beautiful (1952)

Once Upon A Time In Hollywood (2019)

The Tender Bar...

What movie won Best Picture 40 years ago? It’s doubtful you can remember off the top of your head, but upon hearing its iconic electronic score, a vision of British Olympic athletes running on the beach would likely spring to mind and the answer would be obvious: “Chariots of Fire.”

Coming into the 54th ceremony on March 29, 1982, this British biopic had seven nominations compared to 12 for Warren Beatty‘s epic biopic “Reds.” Johnny Carson hosted as these two films slugged it out among stiff competition (it was a rare year in which all the Best Picture and Best Director nominees lined up), the older acting generation was honored, a “divine” presence put on quite the show and a new category was introduced.

This marked the second, and to date last, time three films were nominated for the “Big Five.” It looked to be a big night for Beatty, who was...

Is this show a hatchet job on Raymond Chandler’s confidential agent, or do Robert Altman and Leigh Brackett honestly find a place for Philip Marlowe in the laid-back 1970s? Vilmos Zsigmond’s even more laid-back ‘pushed and pre-flashed’ cinematography made industry news by shooting in places that normally needed three times more artificial light. The characters are vivid, as portrayed by Nina Van Pallandt, Sterling Hayden, and Mark Rydell. It’s also a terrific Los Angeles film, from Marlowe’s Hollywood apartment to the Malibu Colony, and a dangster’s Sunset Blvd. tower office suite. Elliott Gould’s mellow Marlowe may be unfocused and sloppy, but he still subscribes to the old ethics, particularly where friendship and betrayal are concerned. And darn it, he cares about his pet cat.

The Long Goodbye

Blu-ray

Kl Studio Classics

1973 / Color / 2:35 widescreen / 112 min. / Street Date December 14, 2021 / available through Kino Lorber / 29.95

Starring: Elliott Gould,...

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Rip Van Marlowe

By Raymond Benson

(Note: Portions of this review appeared on Cinema Retro in 2014 for an earlier Kino Lorber edition.)

Robert Altman was a very quirky director, sometimes missing the mark, but oftentimes brilliant. His 1973 take on Raymond Chandler’s 1953 novel The Long Goodbye is a case in point. It might take a second viewing to appreciate what’s really going on in the film. Updating what is essentially a 1940s film noir character to the swinging 70s was a risky and challenging prospect—and Altman and his star, Elliott Gould as Philip Marlowe (!), pull it off.

It’s one of those pictures that critics hated when it was first released; and yet, by the end of the year, it was being named on several Top Ten lists. I admit that when I first saw it in 1973, I didn’t much care for it.

The journalist and podcaster talks about some of her favorite cinematic grifters and losers with Josh and Joe.

Show Notes: Movies Referenced In This Episode

Nightmare Alley (1947) – Stuart Gordon’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review

The Third Man (1949) – George Hickenlooper’s trailer commentary, Randy Fuller’s wine pairings

All About Eve (1950)

The Hot Rock (1972) – Josh Olson’s trailer commentary

Die Hard (1988)

Sunset Boulevard (1950) – John Landis’s trailer commentary

The Producers (1967) – Charlie Largent’s Blu-ray review

Panic In The Streets (1950) – John Landis’s trailer commentary, Randy Fuller’s wine pairing

The Music Man (1962)

My Fair Lady (1964)

Seven Brides For Seven Brothers (1954) – John Landis’s trailer commentary, Glenn Erickson’s review

The Band Wagon (1953) – John Landis’s trailer commentary

The Wizard Of Oz (1939) – John Badham’s trailer commentary

A Night At The Opera (1935) – Allan Arkush’s trailer commentary, Charlie Largent’s Blu-ray review

The Cocoanuts (1929)

Animal Crackers (1930) – Robert Weide...

Joanne Linville, a prolific character actress best known for playing a Romulan commander in an episode of the original “Star Trek,” died Monday, CAA confirmed to TheWrap.

The character actress worked alongside Barbra Streisand in the 1976 “A Star is Born”

Born in Bakersfield and raised in Venice, CA, Linville established herself an actress in the mid-‘50s and ‘60s, gaining guest roles on “Studio One,” “Alfred Hitchcock Presents,” and “Kraft Theatre.”

While Linville never became a series regular, she continued to work steadily with guest appearances on “Charlie’s Angels,” “Dynasty,” and “L.A. Law.”

Linville is best remembered for her role as the first female actor to play a Romulan in the “Star Trek” franchise in 1968.

The character actress expanded into film, with supporting roles in “A Star Is Born” (1976), “Scorpio” (1973), and “The Seduction” (1982).

Shifting into a teaching role by the 1980s, Linville opened an acting conservancy with her teacher Stella Adler.

Joanne Linville, who was best known for playing a Romulan commander in “Star Trek,” died Sunday in Los Angeles, her agent confirmed to Variety. She was 93.

Born in Bakersfield, Calif. as Beverly Joanne Linville, she was the first female actor to play a Romulan in the “Star Trek” franchise. Linville was a fixture on television from the 1950s to the ’80s, appearing in over 100 film and TV shows, including anthology series such as “Studio One,” “Kraft Theatre” and “Alfred Hitchcock Presents.”

While she never held a regular recurring role on TV, Linville guest-starred on numerous shows, including Westerns, dramas and detective series. Linville starred in six episodes of “Studio One” and three episodes of “Gunsmoke.” Throughout her career, which spanned over six decades, she also appeared in “Hawaii Five-o,” “Barnaby Jones,” “Naked City,” “Adventures in Paradise” and “One Step Beyond.”

In 1961, Linville guest starred in an episode of “The Twilight Zone,...

Joanne Linville, who played the Romulan commander in a memorable 1968 Star Trek episode and had scores of other screen credits, died Sunday. She was 93. CAA made the announcement but did not disclose a cause of death.

Linville began racking up TV guest roles in the mid-1950s, appearing on such series of the era as Studio One, Alfred Hitchcock Presents, Kraft Theatre and Playhouse 90. She continued to guest on drama series throughout the ’60s, including such classics as Bonanza, Gunsmoke, The F.B.I., Route 66, Ben Casey, I Spy and a two-part Hawaii Five-0.

Of her work in that era, she might be most recognizable as Lavinia Gordon, the owner of a ruined Southern mansion in the Civil War-themed 1961 Twilight Zone episode titled “The Passersby,” which also starred James Gregory.

But despite her prolific active career from the mid-’50s to the late-’80s, and included a few latter-day roles, Linville...

Cynthia Erivo has set up a remake of the Bette Midler-starring film “The Rose,” signing on to produce and star in the new movie for Searchlight.

The Grammy, Tony, and Emmy winner and two-time Oscar nominee will take on the title role in the musical romantic drama, which follows a self-destructive female rock star who struggles to deal with the constant pressures of her career and the demands of those who surround her. But while the new production will pay homage to the classic film, Erivo’s take on the story is said to “put a contemporary lens on the high price of fame.”

Erivo will produce the project with Solome Williams under her newly launched production banner Edith’s Daughter. Williams serves as vice president of development at the label, which has a first-look deal with MRC Television and Civic Center Media.

Richard Ruiz, Searchlight’s director of development,...

Cynthia Erivo is set to star in and produce a remake of the 1979 film “The Rose,” a musical romance that starred Bette Midler and earned her an Oscar nomination for Best Actress.

Erivo’s “The Rose” remake is set up at Searchlight Pictures and is the story of a self-destructive rock star who struggles to deal with the constant pressures of her career and the demands of those around her.

While the new film will pay homage to the original, “The Rose” aims to put a contemporary lens on the high price of fame.

No director or writer is attached at this stage.

Erivo is producing with Solome Williams. “The Rose” will be overseen by Searchlight’s director of development Richard Ruiz and creative executive Cornelia Burleigh.

The original “The Rose” was released by Twentieth Century Fox and starred Midler alongside Alan Bates, Frederic Forrest and Harry Dean Stanton. Mark Rydell...

By Lee Pfeiffer

In days of old, there were precious few opportunities to see documentaries about the making of specific films. In 1960, John Wayne hosted "The Spirit of the Alamo", a one-hour publicity special for his epic film. In 1965, the James Bond film "Thunderball" was promoted with a one hour prime time TV special, a strategy that was repeated in 1967 for "You Only Live Twice". However, these were the exceptions. In most cases, "making of" documentaries were short featurettes lasting between five and ten minutes on average. Movie fans would only encounter them by accident. American viewers might catch one of them if a network needed something to fill some time gap, such as a rain delay in a live baseball game. The only way die-hard movie buffs could watch such films on demand required access to a 16mm film projector and the ability to know where to purchase them on the collector's circuit.

Legendary movie star, Last Call‘s Bruce Dern, joins Josh and Joe to discuss a few of his favorite movies and moments.

Show Notes: Movies Referenced In This Episode

The Cowboys (1972)

Last Call (2021)

Silent Running (1972)

The Long Goodbye (1973)

The Reivers (1969)

The War Wagon (1967)

Support Your Local Sheriff (1969)

The Shootist (1976)

Sands Of Iwo Jima (1949)

Wild River (1960)

Viva Zapata (1952)

Castle Keep (1969)

The Big Knife (1955)

Attack (1956)

What Ever Happened To Baby Jane? (1962)

Hush… Hush, Sweet Charlotte (1964)

Suspicion (1941)

Lawrence Of Arabia (1962)

The Great Gatsby (1974)

Something Wicked This Way Comes (1983)

Ben-Hur (1959)

The Trial (1962)

Great Expectations (1946)

The Sound Barrier (1952)

Oliver Twist (1948)

The Bridge On The River Kwai (1957)

Rko 281 (1999)

Citizen Kane (1941)

Mank (2020)

The Chase (1966)

The Formula (1980)

Shine (1996)

All That Jazz (1979)

A Decade Under The Influence (2003)

Shane (1953)

The Sons Of Katie Elder (1965)

The King Of Marvin Gardens (1972)

Deliverance (1972)

Nebraska (2013)

Twixt (2011)

The ’Burbs (1989)

About Schmidt (2002)

Sideways (2004)

The Descendants (2011)

The Manchurian Candidate (1962)

The Manchurian Candidate (2004)

Charade (1963)

The Truth About Charlie...

Israel Horovitz, a playwright, screenwriter and director whose career was tarnished by sexual assault allegations in the late 2010s, died from cancer on Monday at his Manhattan home, his wife told The New York Times. He was 81.

Horovitz’s best-known plays include “Line,” “Park Your Car in Harvard Yard,” “The Primary English Class,” “The Widow’s Blind Date,” “What Strong Fences Make” and “The Indian Wants the Bronx.”

In 2017, nine women accused Horovitz of sexual misconduct in a New York Times article. Some of the women were actresses in plays he had directed or employed. One woman alleged he had raped her and another alleged he assaulted her when she was 16.

Horovitz responded to the accusations in the Times and apologized, saying he had “a different memory of some of these events. I apologize with all my heart to any woman who has ever felt compromised by my actions, and...

Oscar-winning composer, Grammy-winning arranger, jazz pianist and bandleader, pioneer in the digital recording world: Dave Grusin could retire on his laurels. But at 86, he’s itching to get back on the road and perform again.

“Oh, if they ever let us,” he tells Variety from his Montana ranch. “Not to have anything to do, it’s disconcerting to say the least.” Adds Grusin’s longtime bandmate, guitarist Lee Ritenour: “He’s gotten used to it, traveling the world and being appreciated. I think he enjoys that.”

And yet, if the pandemic continues to torture artists throughout 2021, there are still all those Grusin soundtracks to appreciate: the fragile beauty of “The Heart Is a Lonely Hunter” (1968), the atmospheric colors of “Three Days of the Condor” (1975), the hymn-like simplicity of “On Golden Pond” (1981), the delightfully upbeat “Tootsie” (1982), the Mexican folk influences of “The Milagro Beanfield War” (1987), the late-night jazz of “The Fabulous Baker Boys...

Near the climax of the deliriously entertaining Birds of Prey, our heroines–winking wrecking ball Harley Quinn, crossbow-wielding vigilante Huntress, the tough but caring Black Canary, and sighing Gotham City detective Renee Montoya–are ensconced at the top of a grimy carnival funhouse. Sociopathic henchman Victor Zsasz, a monster with peroxide hair, is there and aiming to kill. So the main target, Cassandra Cain, a young girl and expert pickpocket who happened to steal the city’s most coveted diamond. And ate it. Meanwhile, wide-smiling, stylish crime lord Roman Sionis, a.k.a. Black Mask, is en route and accompanied by an army of similarly masked killers.

Got that? This collision of characters and crazed cacophony of violence, weaponry, and hair dye is a fine representation of the aesthetic delights of Birds of Prey–the full title is the appropriate absurd Birds of Prey (And the Fantabulous Emancipation of One...

Books and films have been joined at the hip ever since the earliest days of cinema, and adaptations of novels have regularly provided audiences with the classier end of the film spectrum. Here, the Guardian and Observer's critics pick the 10 best

• Top 10 family movies

• Top 10 war movies

• Top 10 teen movies

• Top 10 superhero movies

• Top 10 westerns

• Top 10 documentaries

• More Guardian and Observer critics' top 10s

10. Planet of the Apes

Although the source novel, La Planète des Singes, was written by Frenchman Pierre Boule and originally reached its futureshock climax in Paris, this enduring sci-fi fantasy is profoundly American, putting Charlton Heston's steel-jawed patriotism to incredible use. It also holds up surprisingly well as a jarring allegory for the population's fears over escalating cold war tensions.

Beginning with a spaceship crash-landing on an unknown planet after years of cryogenic sleep, Franklin J Schaffner's film soon gets into gear as Heston's upstanding...

The Long Goodbye

Directed by Robert Altman

Written by Leigh Brackett

USA, 1973

My introduction to classic film was through Humphrey Bogart. I would watch Casablanca (1942) and To Have and Have Not (1944) with my mother, but none of his films had as much of an effect on me as The Big Sleep (1946) and Bogart’s character, Philip Marlowe. Even though I loved the character, I hadn’t sought out Robert Altman’s adaptation of another Raymond Chandler Marlowe mystery, The Long Goodbye (1973), until now.

Updating the time period from the 1950s to the 1970s, The Long Goodbye sees Chandler’s classic private detective Philip Marlowe (Elliot Gould) try to clear his best friend, Terry Lennox, who is accused of brutally murdering his wife. Marlowe is himself implicated in the plot and accused of aiding a fugitive, having driven Lennox to the Mexican border the day before. Marlowe refuses to divulge any...

What defines a ‘gonzo’ character? Recklessness. Fly by the seat of your pants attitude. They are troublemakers and pranksters. When they enter frame things are ratcheted up on the crazy scale. And, maybe most importantly, they represent an element of danger (to themselves or those around them). However, to make this list, they cannot be mentally disturbed.

My list is definitely thin on women, but not for lack of trying. If you have some good ones that slipped through my cracks, let me know.

Tyler Durden – Fight Club Willy Wonka – Willy Wonka and the Chocolate Factory Al Czervik – Caddyshack Joker – Batman and The Dark Knight Walter Sobchak – Big Lebowski Alex DeLarge – A Clockwork Orange Johnny Boy – Mean Streets Borat – Borat Colonel Kilgore – Apocalypse Now Rick Vaughn – Major League

Rest of the Best

Doc Brown – Back to the Future Lil’ Ze – City of God Mark Brandon ‘Chopper’ Read – Chopper Ace Venture...