VALUTAZIONE IMDb
6,0/10
5358
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaYang travels to Chen Village to learn a powerful form of Tai Chi. Though villagers are forbidden from teaching outsiders, Yang becomes their best hope for survival when a man arrives with a ... Leggi tuttoYang travels to Chen Village to learn a powerful form of Tai Chi. Though villagers are forbidden from teaching outsiders, Yang becomes their best hope for survival when a man arrives with a plan to build a railroad through the village.Yang travels to Chen Village to learn a powerful form of Tai Chi. Though villagers are forbidden from teaching outsiders, Yang becomes their best hope for survival when a man arrives with a plan to build a railroad through the village.
- Regia
- Sceneggiatura
- Star
- Premi
- 8 candidature totali
Fung Hak-On
- Lao Zhao
- (as Hark-On Fung)
Xiaochao Yuan
- The Freak
- (as Jayden Yuan)
Eddie Peng
- Fang Zi Jing
- (as Eddie Peng Yu-Yen)
Shaofeng Feng
- Chen Zai Yang
- (as Feng Shao Feng)
Stanley Sui-Fan Fung
- Grand Uncle
- (as Tsui-Fan Fung)
Sicheng Chen
- Chen Geng Yun
- (as Chen Si Cheng)
Xiong Xinxin
- Uncle Qin
- (as Xin Xin Xiong)
Wai Keung Lau
- Father Yang
- (as Andrew Lau Wai Keung)
Recensioni in evidenza
this movie is another coffin nail of how Chinese movies have already past the point of no return unsalvageable terminal disease. this movie has wasted lot of money on nothing but messy childish soul-less hollow gimmicks. the screenplay was also a milestone of the worst of worst Chinese screenplay writers who got the incurable brain damage from reading too many absurd comic books and playing too many ridiculous video games. viewers who praised this movie as an epic masterpiece should also have their heads thoroughly checked, but i doubt MRI could find how their brains were damaged since those comic books and video games are like untraceable virus. this movie also proved that the failure of the Chinese education system which only created copycatting self-claimed geniuses like guys eating too much American junk food after endless garbage-in, garbage-out digestion. all kinds of crap to these people are like most tasteful cuisines.
oh my god, what a mess of this movie has created. i don't even have appropriate words to describe how disgusting this movie is. i always wonder why those rich people would invest money on such pure garbage. by ridiculing one of the legendary Chinese martial arts masters is on the par of the Chinese communist party who claimed itself was the sole party fighting the Japanese invasion. this movie is so disgusting that i don't even know how to review it with proper words. god forgive me.
oh my god, what a mess of this movie has created. i don't even have appropriate words to describe how disgusting this movie is. i always wonder why those rich people would invest money on such pure garbage. by ridiculing one of the legendary Chinese martial arts masters is on the par of the Chinese communist party who claimed itself was the sole party fighting the Japanese invasion. this movie is so disgusting that i don't even know how to review it with proper words. god forgive me.
China is changing. Because film is a major force for shaping the national character, among the most interesting things these days, is watching the Chinese scramble to reinvent (post Mao) who they are and how they fit in the modern world.
Their newly-emerging documentary school chronicling the industrial rise of China is one aspect of this, and seems to have produced some pretty good pieces.
Their tried and tested practice though, meant both for internal consumption and abroad, is manufactured postcards of harmony (moral, spiritual), usually anchored in fabled history, usually in martial arts.
We saw that with the faddish promotion of qigong in the 90's, the Wong Fei Hung films and Zhang's Hero. We saw it again a few years ago with Yip Man. This juvenile mishmash is a tai chi showreel for the twitter generation reared on blockbuster steroids.
It is another 'origins' story of martial arts, that of Yang-style taijichuan. And because the filmmaker probably felt that to his teenage audience the mid-1800's would seem like forever ago, he goes crazy on myth and movie nonsense, but careful not to upset state officials.
This leads to a pretty boneheaded product. Once more, Chinese 'purity' is contrasted with encroaching Western civilization. Westerners standing in for capitalism and technology are portrayed as evil and corrupting, while the actual film is made by copying what is currently trending in the capitalist blockbuster market.
The steampunk revisionism of a huge metallic beast threatening the old way of life is from Wild Wild West. The notion of a small community where everyone is a martial arts expert is from Kung Fu Hustle (and of course the story of Chen Jia Gou). The obvious video game humor is from Scott Pilgrim. The wire-fu is Sammo Hung's and a longtime staple of cinematic wushu via HK. The speed-ramps of the opening battle are from 300, with other perspectives borrowed from Scott and recent John Woo.
This is all echoed inside the film as the young boxer learning taijichuan by imitating the moves.
As someone who practices in the Yang-style, I advise you to steer clear of this. It has no sincerity or soul. What is of some interest, is noting the irony of this film in the current climate of aggressively expansive Chinese capitalism. Or how the Kung Fu Panda franchise is widely celebrated there.
Meanwhile, Chinese martial arts have gone from their original mix and match roots of outlaw boxing, to collective standardization in the communist years, to government-promoted sport, to exhibition and health therapy. Having proved inadequate in the modern mixed martial arts world, the current move is away from the forced harmony of (usually fabricated) tradition and towards the practical cross-training system of sanda/sanshou, which in turn emulates several foreign styles.
Their newly-emerging documentary school chronicling the industrial rise of China is one aspect of this, and seems to have produced some pretty good pieces.
Their tried and tested practice though, meant both for internal consumption and abroad, is manufactured postcards of harmony (moral, spiritual), usually anchored in fabled history, usually in martial arts.
We saw that with the faddish promotion of qigong in the 90's, the Wong Fei Hung films and Zhang's Hero. We saw it again a few years ago with Yip Man. This juvenile mishmash is a tai chi showreel for the twitter generation reared on blockbuster steroids.
It is another 'origins' story of martial arts, that of Yang-style taijichuan. And because the filmmaker probably felt that to his teenage audience the mid-1800's would seem like forever ago, he goes crazy on myth and movie nonsense, but careful not to upset state officials.
This leads to a pretty boneheaded product. Once more, Chinese 'purity' is contrasted with encroaching Western civilization. Westerners standing in for capitalism and technology are portrayed as evil and corrupting, while the actual film is made by copying what is currently trending in the capitalist blockbuster market.
The steampunk revisionism of a huge metallic beast threatening the old way of life is from Wild Wild West. The notion of a small community where everyone is a martial arts expert is from Kung Fu Hustle (and of course the story of Chen Jia Gou). The obvious video game humor is from Scott Pilgrim. The wire-fu is Sammo Hung's and a longtime staple of cinematic wushu via HK. The speed-ramps of the opening battle are from 300, with other perspectives borrowed from Scott and recent John Woo.
This is all echoed inside the film as the young boxer learning taijichuan by imitating the moves.
As someone who practices in the Yang-style, I advise you to steer clear of this. It has no sincerity or soul. What is of some interest, is noting the irony of this film in the current climate of aggressively expansive Chinese capitalism. Or how the Kung Fu Panda franchise is widely celebrated there.
Meanwhile, Chinese martial arts have gone from their original mix and match roots of outlaw boxing, to collective standardization in the communist years, to government-promoted sport, to exhibition and health therapy. Having proved inadequate in the modern mixed martial arts world, the current move is away from the forced harmony of (usually fabricated) tradition and towards the practical cross-training system of sanda/sanshou, which in turn emulates several foreign styles.
Watching this movie reminded me to Bunraku, or Scott Pilgrim where there are comic elements fused in, but better. After a while I lost interest in watching Bunraku or Scott Pilgrim, they became boring and dull while Tai Chi 0 still has lots of things to offer till the end.
This is the 1st Stephen Fung's movie that I watched and he surely does a good jobs. The fight choreography by Sammo Hung, visual (and comical)& sound effects, scores, some camera works, the acting from Tony Leung and Angelababy (gosh, she's so fresh n pretty) are the good part of this movie.
However, the acting of both leading male and that British woman are wooden, even the village people give better performance. While Angelababy delivers decent acting but her moves as a fighter is not convincing. The pace drags a bit in the middle of the movie, the camera work inside that giant machine are dull/not creative, the story is quite thin - without any elements add in, it may only make half of a movie. I should give '8' to this movie, but considering these lacks, I can only give 6.
Kudos especially to Stephen Fung and Sammo Hung, which from this poor script and resources still can make an enjoyable flick. And I still want to see the sequel "Tai Chi Hero", hopefully it will be better.
This is the 1st Stephen Fung's movie that I watched and he surely does a good jobs. The fight choreography by Sammo Hung, visual (and comical)& sound effects, scores, some camera works, the acting from Tony Leung and Angelababy (gosh, she's so fresh n pretty) are the good part of this movie.
However, the acting of both leading male and that British woman are wooden, even the village people give better performance. While Angelababy delivers decent acting but her moves as a fighter is not convincing. The pace drags a bit in the middle of the movie, the camera work inside that giant machine are dull/not creative, the story is quite thin - without any elements add in, it may only make half of a movie. I should give '8' to this movie, but considering these lacks, I can only give 6.
Kudos especially to Stephen Fung and Sammo Hung, which from this poor script and resources still can make an enjoyable flick. And I still want to see the sequel "Tai Chi Hero", hopefully it will be better.
The boy Yang Lu Chan (Jayden Yuan) was born with a little fleshy horn on his forehead and is called The Freak and is humiliated and rejected by the other boys in his village. However, when the horn is touched, he turns into an eminent kung fu warrior. When his beloved mother dies, he follows his Master Lao Zhao (Hark-On Fung) that is the leader of the Divine Truth army that fights the emperor army. However, every time that Yang fight, his horn gets darker and Master Dong (Siu-Lung Leung) tells that if it gets black, he will die. When the emperor army attacks the Divine Truth, Dong is deadly injured and he advises Yang to travel to the Chen Village to seek out Master Chen Chang Xing (Tony Leung Ka Fai) and learn the martial art Tai Chi that would provide energy to him to survive. However, the Master Chen is in a retreat and the Chen villagers refuse to teach the technique to outsiders. Yang meets Chen's daughter Chen Yu Niang (Angelababy) and she successively beats up on him trying to force Yang to give up. But a laborer suggests Yang to learn the Tai Chi movements while she beats him.
Meanwhile, Yu Niang's former boyfriend Fang Zi Jing (Eddie Peng), who was born in the village but has studied in Europe, returns to Chen Village expecting to convince the locals to allow building a railroad across their land. His proposal is rejected and he returns with the railroad representative Claire Heathrow (Mandy Lieu) in a lethal machine with British soldiers to destroy the Chen Village. Yang believes that if he becomes a hero saving the village, the locals will teach him Tai Chi.
"Tai Chi 0" is a funny adventure that uses the ancient Chinese tradition in the format of a video game. The good thing is that despite the difference of cultures, the story is highly entertaining and is worthwhile watching this movie. The bad thing is that the movie is to be continued. My vote is seven.
Title (Brazil): "O Mestre da Guerra" ("The Master of the War")
Meanwhile, Yu Niang's former boyfriend Fang Zi Jing (Eddie Peng), who was born in the village but has studied in Europe, returns to Chen Village expecting to convince the locals to allow building a railroad across their land. His proposal is rejected and he returns with the railroad representative Claire Heathrow (Mandy Lieu) in a lethal machine with British soldiers to destroy the Chen Village. Yang believes that if he becomes a hero saving the village, the locals will teach him Tai Chi.
"Tai Chi 0" is a funny adventure that uses the ancient Chinese tradition in the format of a video game. The good thing is that despite the difference of cultures, the story is highly entertaining and is worthwhile watching this movie. The bad thing is that the movie is to be continued. My vote is seven.
Title (Brazil): "O Mestre da Guerra" ("The Master of the War")
The above just about sums it up: if you dig the film's sense of humour, you'll enjoy it so much more. Alas, most western viewers probably won't, so will brand its uniqueness simply as a "mess".
To be fair, this is a very "seen it all before" story, but with warp-speed cuts, great use of SFX, above par wire-fu and superb cinematography, the flick is elevated way beyond its humble plot. I think that when film fans talk about "vision", they mean something like what the director managed to convey on screen in this very film.
So, what's it all about?
A kid with the mark of a born kung fu legend is exploited into fighting for a cult, until a doctor warns how such violence will lead to his death and that he needs to learn the passive art of tai chi in order to live a happy life... as opposed to plain dying. Naturally then, our somewhat dim-witted lead ventures off to Chen village to learn, only to be constantly turned away, as the art isn't taught to outsiders. And on it goes...
With eye-candy galore, this film truly caters for men! I mean: a fast-paced kung fu flick full of gorgeous women? Yep, Tai Chi Zero ticks all the boxes, but again, it's that sense of humour that'll make or break the film for you, and for me, despite all its positives, there was only so much enjoyment from this that I could get.
It seems obvious, but I'll nutshell anyway: others will call Tai Chi Zero "dumb" or "awesome", but the only real way to determine if you'll enjoy this film for yourself, is to watch it.
To be fair, this is a very "seen it all before" story, but with warp-speed cuts, great use of SFX, above par wire-fu and superb cinematography, the flick is elevated way beyond its humble plot. I think that when film fans talk about "vision", they mean something like what the director managed to convey on screen in this very film.
So, what's it all about?
A kid with the mark of a born kung fu legend is exploited into fighting for a cult, until a doctor warns how such violence will lead to his death and that he needs to learn the passive art of tai chi in order to live a happy life... as opposed to plain dying. Naturally then, our somewhat dim-witted lead ventures off to Chen village to learn, only to be constantly turned away, as the art isn't taught to outsiders. And on it goes...
With eye-candy galore, this film truly caters for men! I mean: a fast-paced kung fu flick full of gorgeous women? Yep, Tai Chi Zero ticks all the boxes, but again, it's that sense of humour that'll make or break the film for you, and for me, despite all its positives, there was only so much enjoyment from this that I could get.
It seems obvious, but I'll nutshell anyway: others will call Tai Chi Zero "dumb" or "awesome", but the only real way to determine if you'll enjoy this film for yourself, is to watch it.
Lo sapevi?
- ConnessioniFeatured in WatchMojo: Top 10 Best Steam Punk Movies (2017)
- Colonne sonoreSymphony No. 9 in E minor Op. 95 'From the New World'
Written by Antonín Dvorák
Performed by The New World Symphony Orchestra
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 212.094 USD
- Fine settimana di apertura Stati Uniti e Canada
- 85.094 USD
- 21 ott 2012
- Lordo in tutto il mondo
- 1.317.376 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Tai ji 1: Cong ling kai shi (2012) officially released in Canada in English?
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