Girl in Progress

Girl in Progress revolves around Ansiedad (Cierra Ramirez), a young adolescent with a mother too busy juggling two jobs and dozens of relationships to give her attention. One day at school, young Ansiedad - who goes by Ann, most of the time - learns about "coming of age" stories from her teacher. She becomes instantly inspired, researching anything and everything about them, and finally memorizes the formula well enough to make an attempt to have her life follow the basic route of one of those stories. She posts all the clichés like "excel at something geeky," "become the bad girl," and "dump best friend," who in this case happens to be the overweight Tavita (Raini Rodriguez).

Ann's mother is Eva Mendez's Grace, a very conceded, uninvolved woman of many low qualities. She got pregnant at seventeen, was kicked out of the house by her strict mother, never got married, and spends time dating numerous men. She is mostly absent while Ann embarks on this conquest, only turning up to vaguely question her daughter's recent behavior, before going back to doing what she was originally doing. But hey, this is a coming of age story, so I guess it's just following the rules. Right? Grace is also dating a married gynecologist (Matthew Modine), spending more time with him than her daughter, so I guess maybe it's best that Ann seek out other people to influence her besides her mother.

We've all seen this idea before. The only difference is we've seen it with more heart, energy, and self-awareness than this film has to offer. There are films like Easy A and Juno, that inject themselves with witticisms and insight into the teenage life, never mocking it or festering in clichés, but satirizing the clichés commonly utilized in modern-day coming of age stories. Then, there are those rare and unpleasant experiences like Girl in Progress that simplify the core story here; the complex relationship between the mother and the daughter. We see the daughter spend the entire movie going through this tireless phase of rebellion and we see her desperately try to win back her mother's attention away from her countless number of boyfriends.

The picture's main flaw is it lacks a single compelling character that we feel for and want to watch for more than just a few minutes. Ann is a spoiled brat who often goes undisciplined (and I simply can not forgive her for being an adolescent and being hormonal - maybe if she packed more of an urgency than just, "I want my mom to notice me" perhaps I could've), Grace is the kind of mother I'm blessed to not have, and her boyfriend is faceless and unimportant in every way.

This is what you call "a big screen sitcom." Instead of making a film centered truly depicting the lives of teenagers with interesting, redeemable qualities, the filmmakers of Girl in Progress seem to believe it would be more fun to make a film centered around depressingly bland teenage conventions set not for the big screen but more for a Television movie network. The first act is instantaneously stale, the second doesn't fair much better, and the third act concludes with a mechanical exit that feels over-plotted and under-executed. Perhaps if we had a character that was at least in some aspects likable, this wouldn't have happened.

NOTE: Girl in Progress was released on Mother's Day weekend and was marketed as a film for mothers and their daughters to see. I can only imagine the awkward, unprecedented bleakness such a well-meaning move probably played out. There are better films that tackle the same struggle of adolescent confusion. I'd start with Catherine Hardwicke's Thirteen and go from there.

Starring: Eva Mendes, Cierra Ramirez, Matthew Modine, Patricia Arquette, Eugenio Derbez, and Rani Rodriguez. Directed by: Patricia Riggen.

This comedy-drama about the Mexican family living in America talks about a girl who wants to be an adult in a short period of time. With the usual teen comedy, the story goes all around showcasing a girlie side of mischievous behavior. This was not a great teen movie, but acceptable. It's just letting us know what happen when teens are not supervised carefully by their parents. Clearly to say, it briefs the differences between maturity and the word opposite to that.

A struggling poor family of mother-daughter's life is not getting better, instead becomes worse everyday. Grace (Eva Mendis) has been busy all day between her two jobs and a relationship with a married which put her daughter, Annsiedad in a negligence state. Since Annsiedad's mother is not giving any attention towards her, she grows a rebellious character within. One day she decides to become an adult by discarding all the childish character in her once she had experienced them all. So she makes a list to encounter 'coming-of-age' and leave behind her childhood. The plan won't end, according to she arranged. Takes a diverted path and the conclusion of the story is what delivers a message for parents who is so careless of their children.

''So now I'm free to fly. And I hop on a bus to adult-ville. My coming of age story is complete. Roll end credits. Bring up the house light. I am not a kid anymore.''

The whole first half was like a silly teen movie with usual narration and there is nothing special about it to highlight. The humors that is not really funny kind of stuffs. Maybe we get used to it for seeing in every teen movie. The last quarter is what makes the sense, a lesson is to learn from it, for that you have to watch the whole movie. Teens want everything to be done so quickly, slow and steady is not meant for them. In such a concept this movie happens which reminds a proverb 'Rome was not built in a day'. The casting was good, both, the mother character played by Eva Mendis and her daughter's was shelved very well. After seeing a fair end scene I thought the script should have had a little stronger in the initial portions to balance its overall strength. Anyway, an average movie, but can be enjoyed if you are not too serious about what you want to watch.

Good lord, where is a Final Destination style Heath Robinson teen kill when you really need it? Generally I love meta movies in the form of "If this were an (insert genre) this would happen", in this case Bildungsroman, but this one contrived to be so utterly devoid of charm or wit that I just about wanted to slit my wrists. And the sad thing is that the ingredients available were so great - Eva Mendes + Patricia Arquette + Matthew Modine = YES PLEASE!!! The only problem was that the role given to the teen actress protagonist was absolutely unbearable. I don't mean any disrespect to the actress because she committed to the role 100% - it was the fault of the writer and director. What could have been heartwarming and cathartic (like Easy A for example) ended up being a great big nerve-grating, embarrassing snorefest. 3 out of 10 because I'm feeling generous.

Loved the idea of this movie and what it was mostly about, but must say this movie totally lost me with it's overuse of the word retarded. I really think society today knows better than to incorporate that derogatory word in the media. There is no purpose. Shouldn't we be eliminating that word from our vocabulary, nor encouraging the use of it? What talented writing; there is no reason for this! Beyond that, movie was great and different from anything I have watched in some time. Interesting story about a young girl trying to find her way without a true mother figure and the struggles she goes through. Very good depiction of a rough adolescence and makes you laugh cry and sympathize with the trials and roughness of this age.

Girl in _Progress is actually a very simple, straightforward story about a young girl doing her best to cope with her own adolescence as well as her not-much-older mother who, in actual fact, is doing almost the same thing. Due to her history (harsh, non-understanding mother), Grace (Eva Mendes), is desperately trying to find the love that she didn't get when she was Amiestad's age - and why shouldn't she?

I suspect that this movie is a lot closer to real life than a lot of viewers realise. Teenagers forget that their parents have given them the very best years of their lives form the time they were born right up to the time they think they know everything - and then some more! Fortunately Amiestad realises this a lot sooner than many kids her age but not before hurting her bet friend unforgivably (even though her best friend DOES forgive her!)

In this film, mother is only about 34 or 35 and still a beautiful woman who has the very same needs as her daughter - although her daughter (initially) totally fails to recognise that fact. Like many teenagers, she thinks that the world revolves around her - but it doesn't and, at least in this movie, she finds out before it's too late.

I would suggest that this should be compulsory viewing for all adolescent kids but I fear that, in a lot of cases, they would shrug their shoulders and just say, "Whatever!"

As Ned Kelly said when told he was to be hanged at ten o'clock the next morning, "Such is life!"