Starve Acre

This movie is well done in most regards, but it'll test your patience right up to your breaking point. I don't need or want a horror movie to be action-packed, but there needs to be a progression of things actually happening. This movie is around 60% slow, moody shots of people or things sitting still (think like in a Yorgos Lanthimos film). These kind of shots can work very well when used in moderation, and when that kind of gravity is earned by the plot, but neither is the case here. There are only a handful of times in this movie when something actually happens, and really only two that are relevant to the overall plot. I love atmospheric and creepy horror, but I had a very hard time focusing on this. By the time it finally ramped up a bit at the end (which is the only good part of the movie), I only had a rough idea of what was happening because my mind had drifted so many times during the tedious, slow dialogue that accounts for around 30% of the runtime. This needed to be at least half an hour shorter. The unearned slow parts just make it feel like a half-baked (although very cool) concept with filler to make it a normal runtime.

When their young son dies a couple's lives are thrown into turmoil and things at their rural home start to get very weird. Some reviewers insist that this is not a horror movie but they are mistaken, Starve Acre is a British folk horror movie. Unfortunately it is not a good one. I will start with the positives - Matt Smith is a very versatile actor and again delivers a good performance. In fact the whole cast are good. I liked the 1970's period setting, the clothes, the old vehicles etc. And I thought that the rural Yorkshire location at times gave off a strong feeling of isolation and bleakness at times. What I did not like was the fact that it felt so slow. There are a couple of small jump scares and the odd feeling of dread but I am not lying when I say that I found my eyes closing numerous times when i saw this last night at my local independent cinema. The struggle to stay awake got harder and harder as it went on, if you suffer from insomnia then watching this at home may well cure you. Then there is a very fake looking hare that becomes central to the plot. I will not give away the ending but there were people laughing out loudly (which I found to be quite disrespectful) in the audience. Britain has produced some fine folk horror movies but this entry is sadly near the bottom of the barrel n terms of quality, quite disappointing.

I think this movie deserve more love. As many reviews pointed out already, it is a slow, beautiful, and well-acted movie.

I agree that the pace and lack of visual horrific elements can be problematic for many viewers. Same thing with the mood, which fluctuate between gloomy and very gloomy.

On the other hand it was almost a comforting movie on my side, and for this I think ambiance is the key. There are no shouts or noisy arguments despite the traumas of the characters. The actors quiet and brilliant acting is in tune with the soft unsettling strangeness feeling that looms over the moor.

Give it a try!

"Richard" (Matt Smith), his wife "Jules" (Morfydd Clark) and their young son "Owen" (Arthur Shaw) have moved back to his late father's remote hill farm. Not long after they arrive the young, asthmatic, lad starts to hear a voice that seems to be compelling him to become erratic, even violent. Before his parents get to the bottom of this, though, there's a tragedy that upends their marriage and sees him spend an increasing amount of time doing what he likes to do best - archeology. He is out in all weathers and one day discovers the skeleton of an animal. Meticulously boxing it up, he takes into his study to examine it further. Boy is he in for a surprise and what now ensues takes us all back into his unhappy childhood with a brutish and unloving father and lots of standing about in his underpants. It's starting to look like the folklore surrounding an ancient oak tree that might have been an entrance to the underworld and maybe even the legendary "Dandelion Jack" might be influencing their behaviour as their lives take a turn for the distinctly bizarre. It does fall into place a little at the end, but for the most part this all centres around a jigsaw puzzle of a story with too many bits missing. Even if you do know a little about the underpinning mythology, the narrative still has too many gaps. It might make for a solid enough short film but extending this to ninety minutes puts too much pressure on the underwhelming Smith (and his hair) and the presence of her sister "Harrie" (Erin Richards) for much of their process of grief just doesn't help to create an atmosphere of menace, pity nor, really, of mystery either. There are a couple of wonderfully "Arcati" style performances from local medium "Mrs. Forde" (Melanie Kilburn) but the rest of the drama relies too heavily on it's bleak weather and heavily over-scoring. It's watchable enough, but it reminded me a little of "Enys Men" (2022) - a quirky story that provided us with some bones of the bones of an intriguing story but where near enough meat to sustain much interest.

Yes it was slow but for me I enjoyed the premise, Jack in the Green, Wicker Man stylee.

Atmospheric setting with good acting, I hope the Hare was not unsettled by the nipple scene !

Suspenion of disbelief was easy with the quality of the actors, Matt Smith held his poise and the countryside provided a suffocating atmosphere that caught and held me to the conclusion.

Whenever I watch a film described as horror it's difficult to discern the nature of that type of horror as there are so many different genres but for me this reminds of Hammer films, typically British in its style and delivery.

If you are enjoy atmospheric chillers I would recommend this.