Un agente assicurativo/ex poliziotto si trova coinvolto in un'associazione a delinquere mentre torna a casa dal lavoro.Un agente assicurativo/ex poliziotto si trova coinvolto in un'associazione a delinquere mentre torna a casa dal lavoro.Un agente assicurativo/ex poliziotto si trova coinvolto in un'associazione a delinquere mentre torna a casa dal lavoro.
- Premi
- 2 candidature
Trama
Lo sapevi?
- QuizNeeson revealed on a talk show that no scenes were filmed on board an actual train. Instead, all of these scenes were shot on a soundstage, with the same single mock-up train cabinet serving as all of them, only slightly redressed, and all the outside scenery added in post production with the help of green screens.
- BlooperNYPD has no authority to leave the city limits and take charge of any crime scene let alone a hostage situation in another county. The Westchester County Police and Metro North Police would handle the stand off.
- Citazioni
Michael MacCauley: Hey, Goldman Sachs. On behalf of the American middle class, fuck you.
- Curiosità sui creditiThe end credits are done in the style of a train map.
- ConnessioniFeatured in Chris Stuckmann Movie Reviews: The Commuter (2018)
- Colonne sonoreMelting Pot
Performed by Blue Mink
Written by Roger Greenaway and Roger Cook
Courtesy of Sanctuary Records Group, a BMG Company
Issued under licence from Universal/Dick James Music Ltd
Recensione in evidenza
The movie started off good, showing the daily routine, introducing the characters and setting up the mystery. The editing was interesting and even a little artsy, yet it got me hooked. I really enjoyed the first 30 minutes.
It was setting itself up to look like an intelligent mystery action. Having Neeson in this kind of movie spoils a lot, yet I thought this would be something different from his typical movies since he's getting older. I haven't seen the trailer though, just went to see the movie straight away.
After everything is set up, it just turns into a totally divorced from reality generic conspiracy action. The premise was indeed as silly as it gets. The ending was as unsurprising as possible. Omnipresent supervillains who can plan and predict everything by the smallest detail, control the situation without even being close yet fail at the most obvious things. The plot just plays itself, at times Neeson is not even doing anything to change the situation, it just changes by itself to adapt to his needs. This is not a well written movie. The ending had me saying "oh, no, you're not doing this...oh God".
Seeing Neeson perform ridiculous stunts was also a little confusing. No one should see an old man getting beaten like that. This just looks wrong.
Overall, next time I'll want to see a cop/witness drama routine, I'd better go re-watch 16 Blocks. At least it had characters instead of comic book villains.
It was setting itself up to look like an intelligent mystery action. Having Neeson in this kind of movie spoils a lot, yet I thought this would be something different from his typical movies since he's getting older. I haven't seen the trailer though, just went to see the movie straight away.
After everything is set up, it just turns into a totally divorced from reality generic conspiracy action. The premise was indeed as silly as it gets. The ending was as unsurprising as possible. Omnipresent supervillains who can plan and predict everything by the smallest detail, control the situation without even being close yet fail at the most obvious things. The plot just plays itself, at times Neeson is not even doing anything to change the situation, it just changes by itself to adapt to his needs. This is not a well written movie. The ending had me saying "oh, no, you're not doing this...oh God".
Seeing Neeson perform ridiculous stunts was also a little confusing. No one should see an old man getting beaten like that. This just looks wrong.
Overall, next time I'll want to see a cop/witness drama routine, I'd better go re-watch 16 Blocks. At least it had characters instead of comic book villains.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- El pasajero
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 36.343.858 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.701.452 USD
- 14 gen 2018
- Lordo in tutto il mondo
- 119.942.434 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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