Stoic

It's very rare for me to watch a movie rated below 5 stars on IMDb. But I have only watched one of Uwe Boll's films; Rampage. Which I loved. So I thought I would give this one a shot, and I was extremely surprised. This movie triumphs movies I've watched with a 7 star rating.

The movie has a way a putting you in with those cell mates on that night when a poker game goes awry, seriously awry. You see the struggle for power, and how far they will actually go to maintain their stature in the hierarchy. It's interesting to see the confessions play linearly to it, and how their story changes as the movie progresses. And I loved the acting, it was fantastic.

So all I have to say, is if you wanna see a horrific and heart wrenching night in a prison cell, watch this film.

The events in this movie happened a few years ago in a German youth-prison, exactly like director/writer Uwe Boll tells. I researched and found accurate reports from that time on some German online newspapers. The only fiction in the movie may be the interviews with the offenders, but their's and the victim's character's have many similarities with the real ones.

People may detest this unusual movie, because it's really merciless with the audience, and the audience here may not be the same like in some other Boll movies. But in this case brutality is not shown to entertain, entertaining graphic violence has mostly a fictional aspect, which is not present here, it is shown to make the audience uncomfortable, to disturb.

To watch this movie means to participate with, to be in a small room together with three young men who are torturing and killing another one, who is too weak to help himself. And we can't help him.

Boll did his homework for this movie. The story follows exactly the real events, the young actors are very believable - for me Furlong does the most convincing part - the dissecting camera is always where it should (not) be, and the cut is well-made to give the audience some air to breathe; at least we get some insights about what drives such twisted minds.

Stoic is not a big movie, it's not for a big audience at all. It's not even an artwork. But it's a good, honest documentary horror movie about what people are able to do if civilization is only a few steps away.

I don't really get all the Uwe Boll bashers out there. I don't watch his video game films because, quite frankly, I think if you want to have a video game experience you should PLAY a video game. Call me crazy.

I watched "Stoic" because I loved "Rampage"---I loved the originality of it, I admired it's clarity of vision, and I liked the outlandishness of the piece. Boll's "I-don't-give-a-f***" attitude definitely did show through in that hyper-violent orgasm and it does so again with "Stoic."

What's odd about "Stoic" is that it would almost play better as a stage production. It's based on a real event that occurred in a German prison, where a harmless dare escalated into deadly consequence. It's really pretty simple, as Sam Levinson states in the preamble: "This system doesn't work!" And why should it? You put four guys in one small room, with varying degrees of maladaptive personalities, subject them to endless tedium and little activity---what do you think would happen? There is a reason why most US prisons don't do four-to-a-cell, after all.

The acting is very good for the most part (Levinson gets a bit melodramatic, but it's passable). Furlong is creepily chilling in his passive-aggressiveness. It's not the type of movie that generates a lot of tension (probably why few people like it). It does generate DREAD however and it isn't pleasant to watch even in a sicko-torture-porn type of way...there are no "oh wow" EFX...it's just...degrading. Would I watch it again? Probably not. Would I recommend it to my parents? Hell no.

Yet, I find myself giving it a relatively high-score. For those interested in how group dynamics tend to obliterate the ability or desire to think for one's self, "Stoic" is an relatively bold statement. One wonders if Boll was thinking of his rubber-stamping detractors when he made it.

Tl;dr: Ignore the spammed rating, we all know Uwe Boll is a reliably terrible director, but he pulled off this one good film in his life. Good acting, good premise, believable characters who's motives are understandable given the context. It's pretty bleak, but if that's what you're into, it's a great way to spend an hour and half.

If I have any complaints about the movie, it's in the editing and (lack of) script. First of all, the movie is frequently intercut with interviews/interrogations of the surviving inmates. However, there is nobody in the movie actually questioning them. Often they'll answer a question and the audience doesn't have any context. It's my understanding that much of this film was improvised, which really helped the conversational madness of the scenes in the cell. But occasionally, you could tell an actor was stuck trying to think of something to say, which leaves a few awkward pauses and strange phrasing.

Other than that, for a movie that mostly takes place in a single room, it's quite entertaining. The pacing is great; you'll never be bored. There's some great acting, especially from Sam Levinson who you truly believe is traumatized. In his interview segments, he gives a very emotional performance. He acted with his hands a bit too much, but other than that, I'm shocked he hasn't done more serious mainstream dramatic roles.

The worst performance comes from John Connor from Terminator 2 (once I realized who he was, that's all I could think of him as). He's not terrible, but he plays the most remorseless character, so it seems like he's trying too hard to be a generic sociopath. The German dude was pretty good too.

Obviously the movie is dark and depressing, but if that's the kind of thing you're into, I highly recommend it.

I speak only in terms of atmosphere, so realistic and unbearable, disgusting but so awfully true atmosphere behind bars. Because the plot itself is certainly closer to BULLY than SCUM, which was more focused on another scheme. Well, this movie is the best of Uwe Boll, a film maker too long underrated, despised, who shows here his real talent, his skills. He is a very gifted film maker, he proves it here in the best way. But, as you can guess, it is not destined to wide audiences. It is such a shame that all Uwe Boll's films did not look like this one, not in terms of story but directing. It belongs, for me, to the best behind bars films ever made, the most underrated too.