Dynamo Dream
- Serie TV
- 2021–
Josephine Simon cerca di cavarsela nell'ultima città della Terra. Dopo salvare un affiliato del suo capo e le viene data la possibilità di riunirsi con una persona cara. Sulla strada di casa... Leggi tuttoJosephine Simon cerca di cavarsela nell'ultima città della Terra. Dopo salvare un affiliato del suo capo e le viene data la possibilità di riunirsi con una persona cara. Sulla strada di casa, però, il mondo sprofonda nel caos.Josephine Simon cerca di cavarsela nell'ultima città della Terra. Dopo salvare un affiliato del suo capo e le viene data la possibilità di riunirsi con una persona cara. Sulla strada di casa, però, il mondo sprofonda nel caos.
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Recensioni in evidenza
If you like cyberpunk, or you hate cyberpunk, you should watch this.
Not only is not mired in technophobic or racist Asian aesthetic that the mainstream presents the sub genre as, it's actually a great actualization of living punk values, post-punk. It's legitimately excellent.
There are tracking shots with slice of life moments remincient of Ghost in the Shell that are gorgeous. The CGi and design is top notch.
This is so good. Please go watch it! It is free on YouTube, you have no excuse.
Not only is not mired in technophobic or racist Asian aesthetic that the mainstream presents the sub genre as, it's actually a great actualization of living punk values, post-punk. It's legitimately excellent.
There are tracking shots with slice of life moments remincient of Ghost in the Shell that are gorgeous. The CGi and design is top notch.
This is so good. Please go watch it! It is free on YouTube, you have no excuse.
I watched this having looked forward to it since discovering Ian Hubert's YouTube channel a year ago, and oh boy was it incredible. A bafflingly small group of artists, mainly just this one guy, have created a world that's expansive in the way that an explosion is expansive, like there's a concussive amount of rad shtuff battering your brain at an information density level that's so impressive you wonder how even three years was enough to pack all of this in.
Not to mention how Ian Hubert's technical achievements, using free open-source software, have themselves been enough to galvanise the entire Blender community into collectively shoving their heads right up into the clouds and keeping them there until no doubt something else wonderful falls back down. Which is not to say that anyone could hold a candle to this level of aptitude at-present - this filmmaking is really a cut above - but it sets a standard for what can be done with these tools, and that standard is certainly a lofty one.
And yeah some might say that these kinds of masterstrokes of worldbuilding tend to kind of fall flat on the storytelling, like with Blade Runner or Star Wars I-III. I thought this was excellent; it's a big step up, in my opinion, from the previous Dynamo shorts (or Tears of Steel, Hubert's short with the Blender Foundation in 2012) in terms of pacing, investment, and just general polish. Yeah sure it sounds pompous to say that about a 20-minute short, but that's because it would sound pompous saying it about anything, and it's really worth charting the progress of Hubert's filmmaking in the past 10 years, as it's pretty much all up there on YouTube to see, and man alive it engenders a lot of respect for him.
Kaitlin Romig is great, and it nearly goes without saying that her greenscreen acting skills are top notch - her performance really makes the world all that more immersive, or maybe intimate is the right word, with her body language playing off of what are often claustrophobic and unnerving cyberpunk 'cagescapes', if that's a word, which it isn't. It certainly feels like a dream, is what I mean, like the title might imply, where the environment is on one level, kind of nice and cosy, and on another, just on the verge of doing... something I'm not sure about.
Watch the film! Do it! It's great! Then hire these folks to do a Star War, Hollywood, or adapt an old science-fiction classic, like a James Tiptree Jr story or something, or, infinitely better yet, upon their cool woodland indie studio dump a truckload of money and young peppy vfx grads to make as many of these as they ever want.
Not to mention how Ian Hubert's technical achievements, using free open-source software, have themselves been enough to galvanise the entire Blender community into collectively shoving their heads right up into the clouds and keeping them there until no doubt something else wonderful falls back down. Which is not to say that anyone could hold a candle to this level of aptitude at-present - this filmmaking is really a cut above - but it sets a standard for what can be done with these tools, and that standard is certainly a lofty one.
And yeah some might say that these kinds of masterstrokes of worldbuilding tend to kind of fall flat on the storytelling, like with Blade Runner or Star Wars I-III. I thought this was excellent; it's a big step up, in my opinion, from the previous Dynamo shorts (or Tears of Steel, Hubert's short with the Blender Foundation in 2012) in terms of pacing, investment, and just general polish. Yeah sure it sounds pompous to say that about a 20-minute short, but that's because it would sound pompous saying it about anything, and it's really worth charting the progress of Hubert's filmmaking in the past 10 years, as it's pretty much all up there on YouTube to see, and man alive it engenders a lot of respect for him.
Kaitlin Romig is great, and it nearly goes without saying that her greenscreen acting skills are top notch - her performance really makes the world all that more immersive, or maybe intimate is the right word, with her body language playing off of what are often claustrophobic and unnerving cyberpunk 'cagescapes', if that's a word, which it isn't. It certainly feels like a dream, is what I mean, like the title might imply, where the environment is on one level, kind of nice and cosy, and on another, just on the verge of doing... something I'm not sure about.
Watch the film! Do it! It's great! Then hire these folks to do a Star War, Hollywood, or adapt an old science-fiction classic, like a James Tiptree Jr story or something, or, infinitely better yet, upon their cool woodland indie studio dump a truckload of money and young peppy vfx grads to make as many of these as they ever want.
The visuals alone are enough to make this enormously enjoyable, but the plot is interesting, quirky, fun and intriguing. Makes me think of 'City of Lost Children'.
That this was produced almost entirely by a single person using predominantly free open-source software is mind blowing.
Fantastic job Ian, I hope this shoots you to stardom.
That this was produced almost entirely by a single person using predominantly free open-source software is mind blowing.
Fantastic job Ian, I hope this shoots you to stardom.
It´s been a long time since I´ve been so immersed in a ficitonal world, everyhting, down to the small details, is perfectly worked out with a level of quality you would expect from a blockbuster budget.
10/10, an incredible piece of passion and filmmaking.
10/10, an incredible piece of passion and filmmaking.
Wonderfully immersive world building that manages to set the story in a world that feels utterly real and compelling. It shows a lot of complexity and setup for the future without having to resort to narration or exposition in a beautiful way. The plot itself is simple, introducing the world taking centre stage here, but what story there is is told simply, effectively, and feels like the start of a much larger narrative.
10/10, a beautiful piece of film making.
My only concern is if we have to wait another three years for episode two!
10/10, a beautiful piece of film making.
My only concern is if we have to wait another three years for episode two!
Lo sapevi?
- QuizThe flying TERD unit that helps Josephine with the phone call is voiced by Alan Melikdjanian, better known as Captain Disillusion on YouTube.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Luoghi delle riprese
- Seattle, Washington, Stati Uniti(various streets and houses)
- Azienda produttrice
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