Shutter Island

Martin Scorsese has done it again. He pays attention to every detail in this film, making "Shutter Island" one of the best suspense thrillers of all time.

Visually intriguing, simplistic and absolutely phenomenal. The story is kept simplistic enough so it doesn't get absurd, but allows for an ending which you probably won't see coming. The film doesn't go for cheap thrills, so although you will be on the edge of your seat you won't get needlessly scared.

The film uses everything at its disposal from breathtaking scenery, to detailed laid-out shots, and to actors at their finest to completely engross you in the film. I loved every minute of it and highly recommend it to everyone. Even if you're not a usual fan of the genre, this film has so much more to it.

There's an island where unstable people go, are they prisoners or patients, we just don't know, some kept in cages, some are free, surrounded by a fierce sea, but the doctors have a plan, a manifesto. Two Marshalls make the trip, investigate, when an inmate disappears from the estate, vanishing, into thin air, no one knows quite how or where, then a storm arrives, events then bifurcate.

Wonderful performances all round in a tale that may leave more questions than answers at the end as it twists and turns, writhes and squirms, revealing an iceberg of a story that has a lot more going on beneath the surface than you originally anticipated.

I just saw Shutter Island this evening, just prior to its American release. I have to say this film was full of intrigue. Prior to viewing this film I had built a preconceived notion of what this thriller was going to be like because I was fooled yet again by good marketing when watching the trailer. This is probably not the movie for your average film-goer who wants an easy plot line to follow and little thought required. This movie does challenge the viewer physchologically and definitely holds your attention all the way through. For someone who was never much of a Leonardo fan, his performance is brilliant, so much range to his character. In fact all of the acting in this film is excellent. The directing is probably the best quality to this film. I always enjoy watching a film that is as unpredicatable as this film and where the director has turned the plot line on to his viewer.

There is one line of dialogue, right at the end of Shutter Island before the credits roll, that elevates the emotion of the film and makes it much more powerful. For those of you, like me, who read and enjoyed the novel before seeing the film and felt that the trailers and advertisements for this film were leading you to believe there wouldn't be any narrative surprises in store, think again! Scorsese's film features that one brief piece of dialogue at the films conclusion that results in an entirely different perception of the final act. The rest of the film, however, is very faithful to Dennis Lehane's already great story.

Shutter Island represents exactly what one should hope for when seeing a novel being interpreted to film. While it certainly does the source material justice, it also adds small changes that make for a distinctive experience. Even if you've read the novel multiple times, you'll feel like you're reading the book for the first time again while watching. Scorsese perfectly recreates the menacing atmosphere of the island on film. Every location is foreboding and drenched with hints of unseen danger in dark corners. The lighthouse, the caves, the civil war fort housing "the most dangerous patients," and the island itself--every locale seems large yet claustrophobic and isolated at the same time.

I often experience claustrophobia myself and there are certain films that really capitalize on that personal fear and make it more relevant and eerie to me. Neil Marshall's The Descent was one such picture, and this is another. An confined island is a terrific horror location and it comes with its own type of fear. The utter desperation to escape from a persistent and confined nightmare is something Teddy (Dicaprio) is receiving in high doses, and so does the audience.

As with Scorsese and DiCaprio's previous collaborations, this is a movie that must be seen. Here they explore the horror/thriller genre with gravitas, with no small part played by Laeta Kalogridis in supplying the screenplay. While most modern pictures of its kind lack character or any real sense of suspense, Shutter Island doesn't go for cheap gags. I concur with Ebert when he says one of the key elements to this film is that it releases its tension through suspense instead of mindless action sequences. That's not to knock a well-deserved frenetic scene of violence every once in awhile--it works to the advantage of some films like Evil Dead II and Planet Terror--but had Teddy and Chuck gone running and gunning through the facility's faculty, the mood this movie keeps in check so well would have been lost.

However, that mood isn't sacrificed and "spooky" is punched up to full force. A considerable amount of that spooky is generated by a "best of" collection of actors that have mastered the art of creepy: Ben Kingsley, Jackie Earle Haley, Ted Levine, and Max Von Sydow just to name a few. Had Tom Noonan been thrown in the cast as well, my "Top Five People I Would Not Want to Be Left in the Dark with, Especially in a Room with No Doors or Windows" list would have been completely exhausted. On that note, is it just me or has Sydow mysteriously not aged since The Exorcist? Was there a secret pact made between Lucifer and Father Merrin? Whether he sold his soul or not, he's quite ominous in every single scene he is present in. All of this great talent in front of the camera doesn't mean anything though if you don't have a faithful orchestrator behind it. Luckily you have Scorsese leading the lens and he points the movie in the right direction, even if this isn't among his very best works. His style works amazingly with suspense laden projects and at times he even seems to channel Hitchcock and Kubrick, though there's always something distinctively Scorsese about the presentation. I found the editing in the opening scene, with Chuck and Teddy approaching Shutter Island, to be very odd and frantic, though I think the audience will know why Scorsese displayed the scene the way he did after completing the film.

With a body of work so impressive, Shutter Island is among captivating company. The good news is that Shutter Island carves out a place of its own in his resume. While no Goodfellas or Raging Bull or Taxi Driver, I have no problem placing Shutter side by side The Last Temptation of Christ and Bringing Out the Dead. The cinematography is bright and gorgeous. Scorsese doesn't rely on the over-grainy, ugly presentation that most modern horror or suspense-riddled thrillers rely on. He uses lush, bright color during daytime and dream sequences to flush out a distinct feeling of terror.

Shutter Island isn't just a pretty face, its also got a great story to boot and this is why I've been anticipating the film for so long. As mentioned earlier, I've been exposed and digested the source material myself before seeing the movie. I was worried the trailers for the film were giving away too much through their spots on television and on the silver screen, but Scorsese has added enough to the film for the story to feel fresh even for those "in the know." You are transferred in the films paranoia and phobia once the camera pans through the mental facilities open doors. Lehane is one of the luckiest authors on the planet to have his work adapted to the big screen by talents such as Eastwood and Scorsese, but his work is brilliant and deserving of such treatment.

At the risk of spoiling plot points for potential viewers who have not read the book, I'll leave a Related Recommendations section concealed in "Spoiler" tags. Discussing this story at any length can be quite revealing.

I saw this and I knew what to expect going in to the film as I had already read about half of the book but never got the chance to finish it. But I was surprised at how faithful the film was to the original material.The directing was also masterfully done and pretty cool I saw some cool camera tricks I hadn't seen since Martin Scorsese directed Bringing Out The Dead, Martin Scorsese did one great job and everyone was top notch especially Ben Kingsley and DiCaprio and I never though I would jump out of fright especially in a Scorsese film but I did. All in all a solid thriller with a good story and some great performances and for me it's the best film I've seen in 2010 so far.