Un truffatore di nome Ripley che vive a New York negli anni '60 viene assunto da un uomo ricco per iniziare una vita complessa di inganni, frodi e omicidi.Un truffatore di nome Ripley che vive a New York negli anni '60 viene assunto da un uomo ricco per iniziare una vita complessa di inganni, frodi e omicidi.Un truffatore di nome Ripley che vive a New York negli anni '60 viene assunto da un uomo ricco per iniziare una vita complessa di inganni, frodi e omicidi.
- Vincitore di 4 Primetime Emmy
- 20 vittorie e 57 candidature totali
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Recensioni in evidenza
The cat saw it all, the looks exchanged between him and Ripley were unbelievable. Such Cinema Noir. 'Ripley" is a masterclass in tension, intrigue, and psychological depth. From its captivating performances to its meticulously crafted plot twists, each episode leaves you craving more. With lush cinematography and a haunting score, it's a mesmerizing journey into the complexities of identity.
I just loved it all, the B&W, the acting, the adaptation, directing and soundtracks.
I will watch some more work of the director for sure. Well done to all especially Lucio .
I definitely recommend this to everyone.
I just loved it all, the B&W, the acting, the adaptation, directing and soundtracks.
I will watch some more work of the director for sure. Well done to all especially Lucio .
I definitely recommend this to everyone.
Although an utterly engrossing and fascinating story, what is so memorable about this is how it looks. Over the years films and TV shows have often tried to be arty, frequently resulting in pompous and cringy pretentiousness. Without wanting to sound pretentious myself, this is the truest most beautiful piece of art I've seen for many a year. It gives you that same awe inspiring feeling of amazement as when you walk into St Vitus Cathedral or see the Taj Mahal for the first time.
This is as close to perfection as you can get but to be critical and needlessly picky, I suppose it could be said that it feels a little slow at times. Audiences used to fast moving, all-action dramas might not appreciate this as much as some of us. That pace which gradually ramps up is necessary. It allows you not just to get to know Ripley (played brilliantly by Andrew Scott) but to get to know exactly how he feels and what he's thinking. The genius of this production is that we find ourselves rooting for Ripley, a thoroughly detestable human being. He's got no redeeming features whatsoever yet as much as we grow to passionately detest him, we find ourselves hoping against hope that he's going to get away with it all. It's so exceptionally well written that we're taken on the journey with him and all of his emotional experiences and anxieties.
Is it right to enjoy such unpleasantness?
This is as close to perfection as you can get but to be critical and needlessly picky, I suppose it could be said that it feels a little slow at times. Audiences used to fast moving, all-action dramas might not appreciate this as much as some of us. That pace which gradually ramps up is necessary. It allows you not just to get to know Ripley (played brilliantly by Andrew Scott) but to get to know exactly how he feels and what he's thinking. The genius of this production is that we find ourselves rooting for Ripley, a thoroughly detestable human being. He's got no redeeming features whatsoever yet as much as we grow to passionately detest him, we find ourselves hoping against hope that he's going to get away with it all. It's so exceptionally well written that we're taken on the journey with him and all of his emotional experiences and anxieties.
Is it right to enjoy such unpleasantness?
Be warned, once you start, this series will keep you hooked.
Ripley is depicted very differently to the charming person from the film.
Awkward. Calculating. Desperate.
That's how I'd sum him up.
And this is not only filmed beautifully in crisp 4K with visual finesse and a Hitchcock feel.
It has just the right attention to sound design with a beautiful composition.
The character reactions, where more is said with less words kept me intrigued.
It is a mini series but you'll feel like you're watching one great movie after the next as you go from episode to episode.
And one I'd be happy to watch more than once.
Ripley is depicted very differently to the charming person from the film.
Awkward. Calculating. Desperate.
That's how I'd sum him up.
And this is not only filmed beautifully in crisp 4K with visual finesse and a Hitchcock feel.
It has just the right attention to sound design with a beautiful composition.
The character reactions, where more is said with less words kept me intrigued.
It is a mini series but you'll feel like you're watching one great movie after the next as you go from episode to episode.
And one I'd be happy to watch more than once.
Andrew Scott gives a deeply neurotic and disturbing impression of one of the most beloved psychopaths in movie history. He's a great actor and he knows exactly what he's doing, sharp, precise, intense, on top of his acting skills.
Zaillian stretches the story out here, (sometimes a little bit too much in the last three episodes), taking 8 hours, compared to shorter former versions. I must say I like all versions, because Highsmith's original story is of genius quality, and it allows to open a lot of doors to different interpretations. I loved Alain Delon in the Rene Clement classic, as well as Matt Damon in the luscious Minghella version, but comparing the different interpretations in detail would take to long.
About this one: Yes, I loved that it was shot in atmospheric black and white (fantastic cinematography, every frame a piece of art!), I loved that this version was slow, I loved that it was so dark, I loved the sardonic humour.
I could have easily given this version 10 stars, but, I am sorry to say, the characterization of Freddie Miles didn't work for me here.
Zaillian stretches the story out here, (sometimes a little bit too much in the last three episodes), taking 8 hours, compared to shorter former versions. I must say I like all versions, because Highsmith's original story is of genius quality, and it allows to open a lot of doors to different interpretations. I loved Alain Delon in the Rene Clement classic, as well as Matt Damon in the luscious Minghella version, but comparing the different interpretations in detail would take to long.
About this one: Yes, I loved that it was shot in atmospheric black and white (fantastic cinematography, every frame a piece of art!), I loved that this version was slow, I loved that it was so dark, I loved the sardonic humour.
I could have easily given this version 10 stars, but, I am sorry to say, the characterization of Freddie Miles didn't work for me here.
Black and white never looked so beautiful. I doubt even early 1960s Italy was this beautiful. This was the most visually stunning project I have seen in decades.
The performances were excellent as well as the direction. The writing was a bit drawn out. This really could have been two hours shorter, but you really don't mind it.
If Netflix could come up with something half this good on a semi monthly basis they'd be in the black again. This wasn't just visually appealing it was actually mature and reasonably cerebral. Miles above their usual offerings.
Warning: If you watch this, you will become addicted.
The performances were excellent as well as the direction. The writing was a bit drawn out. This really could have been two hours shorter, but you really don't mind it.
If Netflix could come up with something half this good on a semi monthly basis they'd be in the black again. This wasn't just visually appealing it was actually mature and reasonably cerebral. Miles above their usual offerings.
Warning: If you watch this, you will become addicted.
Lo sapevi?
- QuizAndrew Scott is the sixth actor to portray Tom Ripley on film, after
- Curiosità sui crediti"The Equilizer 3" was also filmed in Atrani (film name there: Altamonte). In this movie Dakota Fanning was also participating.
- ConnessioniFeatured in WatchMojo: Top 10 TV Shows of 2024 (So Far) (2024)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Ріплі
- Luoghi delle riprese
- Pio Monte della Misericordia, Via dei Tribunali, 253, 80139 Napoli NA, Italia(Home of Caravaggio's 'The Seven Works of Mercy'.)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora
- Colore
- Mix di suoni
- Proporzioni
- 1.78 : 1
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