VALUTAZIONE IMDb
3,7/10
3587
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA crazy love story full of lies, deceits and a complicated quadrangle where each one has to think quickly and dance around each other's emotions.A crazy love story full of lies, deceits and a complicated quadrangle where each one has to think quickly and dance around each other's emotions.A crazy love story full of lies, deceits and a complicated quadrangle where each one has to think quickly and dance around each other's emotions.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 candidature totali
Preity G Zinta
- Alvira Khan
- (as Preity Zinta)
Recensioni in evidenza
My 2 cents: This movie was highly recommended to me by a friend. He "sms'd" me the previous night and told me that it was an awesome movie... something that I should see the very next day. Taking his advice, another friend and I bought tickets at a "premium charge" (being newly released and all). Halfway through the movie, I wanted to tear my arm out and beat myself to death with it. The movie has an abysmal storyline. The intended "plot-twist" most moviegoers can predict when they are 30 mins into the movie. We stayed back after the intermission coz after all, a movie cannot be _that_ lame and boring.... Well, to our horror, it actually was. So USPs of the movie: 1) Lara Dutta looks hot 2) Nice song (only one... but after the 100 billionth repetition, it actually becomes really irritating) 3) Big B in a cool outfit.
Why you should not see this movie: 1) Extremely boring and slow. 2) Very lame jokes - courtesy small B. (Ash's man-toy) 3) Predictable storyline. 4) Big B needs to buy a ticket to Pluto and come back after a gazillion years... somebody needs to tell him about something called "OVER-EXPOSURE".
Conclusion: DO NOT SEE!
Why you should not see this movie: 1) Extremely boring and slow. 2) Very lame jokes - courtesy small B. (Ash's man-toy) 3) Predictable storyline. 4) Big B needs to buy a ticket to Pluto and come back after a gazillion years... somebody needs to tell him about something called "OVER-EXPOSURE".
Conclusion: DO NOT SEE!
I saw Jhoom Barabar Jhoom while travelling in Rajasthan, in the Raj Mundir in Jaipur, which is, with some justification, described as the best cinema in Asia (and it certainly beats watching a film in a 'Multiplex' on a screen the size of a large TV in London).
As the film ended and the huge audience of all ages rose, making its way into the grand, pretty foyer, I turned to an Indian man in his thirties next to me and asked him in Hindi if he liked it. He said he loved the songs, particularly the song of the title, which he thought would get even the most unlikely person in the cinema dancing in the aisles. Then he added,
'But the the rest of the film is nonsense'.
I certainly agree with him about the infectious song of the title, having badly hummed it often. However, I don't think the rest of the film is nonsense. What I believe many people mistake for nonsense is actually a playful, kitsch, knowingly referential film revolving around the desires and problems of self-mythology, and the power of Bollywood fantasy.
The film is set in Waterloo station where a young Indian man and woman of Pakistani origin bump into each other and form an acquaintance while waiting for infamously late English trains. But their talk about themselves, we come to see, may not quite be so credible and ingenuous. Not only this but there is something magical in the air at Waterloo Station, for a wondering busker, Amitabh Bachan, looking like a sixties drop out, is somehow mysteriously involved in the lively plot.
The two leads, Bachan's son Abishek, and Preity Zinta, make engaging leads and, alongside the wonderfully outrageous Laura Dutta and Bobby Deol handle the film's sense of fun and comedy vigorously (though perhaps the nods to the famous Bachan/Deol partnership in Sholay goes too far).
Another thing about Jhoon Barabar Jhoon is its sure sense of place, something few Indian films set in Britain can claim. Preity Zinta's Alvira is an NRI and the film makes a playful but genuine attempt to engage with the London Indian diaspora.
As the film ended and the huge audience of all ages rose, making its way into the grand, pretty foyer, I turned to an Indian man in his thirties next to me and asked him in Hindi if he liked it. He said he loved the songs, particularly the song of the title, which he thought would get even the most unlikely person in the cinema dancing in the aisles. Then he added,
'But the the rest of the film is nonsense'.
I certainly agree with him about the infectious song of the title, having badly hummed it often. However, I don't think the rest of the film is nonsense. What I believe many people mistake for nonsense is actually a playful, kitsch, knowingly referential film revolving around the desires and problems of self-mythology, and the power of Bollywood fantasy.
The film is set in Waterloo station where a young Indian man and woman of Pakistani origin bump into each other and form an acquaintance while waiting for infamously late English trains. But their talk about themselves, we come to see, may not quite be so credible and ingenuous. Not only this but there is something magical in the air at Waterloo Station, for a wondering busker, Amitabh Bachan, looking like a sixties drop out, is somehow mysteriously involved in the lively plot.
The two leads, Bachan's son Abishek, and Preity Zinta, make engaging leads and, alongside the wonderfully outrageous Laura Dutta and Bobby Deol handle the film's sense of fun and comedy vigorously (though perhaps the nods to the famous Bachan/Deol partnership in Sholay goes too far).
Another thing about Jhoon Barabar Jhoon is its sure sense of place, something few Indian films set in Britain can claim. Preity Zinta's Alvira is an NRI and the film makes a playful but genuine attempt to engage with the London Indian diaspora.
I read in an Abhishek interview that when he was initially presented with the JBJ story idea (while shooting Bunty babli) it was set in a Delhi train station platform......i can just about imagine the charming scene. Abhishek and his heroine chatting over a cup of chai next to the tea stall. How did that potentially charming romantic tale turn into this over the top Bollywood film based in London? Jhoom Barabar Jhoom was an utter disappointment to me considering the same banner and director came out with the thoroughly entertaining Bunty Aur Babli. The movie felt like a 2hr long music video/ fashion show. I felt the person who would get the most mileage out of the movie would be the fashion designer/stylist of the movie which had a lot of outlandish costumes none more so than the attire of the Big B in the title song.
The first half felt awkward although there were a few funny moments thanks to the Lara and Abhishek. The movie picks up in the 2nd half but it was more due to the performances of the actors rather than the progression of the story. The actors did a relatively good job considering the weak script. I felt Lara Dutta and Bobby Deol were the standout performers from the movie as they had the opportunity to portray characters that had different shades to it. Lara was especially cute with the French accent and the potty mouth of the 2nd half. Bobby had some excellent comic moments in the 2nd half. Abhishek took a bit of a risk by playing such a loud character...he does go a bit over the top at times but I still think he is a good actor and he has his moments. For me Preity Zinta has been repeating herself in all her movies recently (except maybe Lakshya)...ever since Kal Ho Na Ho, she seems to be playing the same character over and over again i.e. an Indian who is either born and brought up abroad or living abroad. She too improves only in the 2nd half when she is not trying to put on an accent. There was not enough chemistry between the lead pair although you could see that they are buddies.
The music was excellent although Shaad Ali managed to drag all life out of the catchy title song since it pops up all over the film. The slow romantic number was also good.
I feel that Yash Raj films are catering more to the NRI crowd with their movies and subsequently took the soul out of this movie by presenting on this enormous scale.. you cant really blame them as it is a business and they need to recoup their costs.
The film has its moments but it is in no way anything more than an average product.
The first half felt awkward although there were a few funny moments thanks to the Lara and Abhishek. The movie picks up in the 2nd half but it was more due to the performances of the actors rather than the progression of the story. The actors did a relatively good job considering the weak script. I felt Lara Dutta and Bobby Deol were the standout performers from the movie as they had the opportunity to portray characters that had different shades to it. Lara was especially cute with the French accent and the potty mouth of the 2nd half. Bobby had some excellent comic moments in the 2nd half. Abhishek took a bit of a risk by playing such a loud character...he does go a bit over the top at times but I still think he is a good actor and he has his moments. For me Preity Zinta has been repeating herself in all her movies recently (except maybe Lakshya)...ever since Kal Ho Na Ho, she seems to be playing the same character over and over again i.e. an Indian who is either born and brought up abroad or living abroad. She too improves only in the 2nd half when she is not trying to put on an accent. There was not enough chemistry between the lead pair although you could see that they are buddies.
The music was excellent although Shaad Ali managed to drag all life out of the catchy title song since it pops up all over the film. The slow romantic number was also good.
I feel that Yash Raj films are catering more to the NRI crowd with their movies and subsequently took the soul out of this movie by presenting on this enormous scale.. you cant really blame them as it is a business and they need to recoup their costs.
The film has its moments but it is in no way anything more than an average product.
I am so depressed. What the heck was that all about? Jhoom Babarbar Jhoom is a topper. It has made it all the way to number 1 in my list of "Movies I hate the most" overtaking the place of Yashraj's previous release Dhoom 2. What is the fuss all about? Who wants to sing, shout and dance with actors performing their most idiotic characters ever. There is no way anyone in any way can relate to this movie. Great sets, great locales, great actors - yet JBJ is a loser in every sense. If this is how Indian cinema is going global then it must stop, immediately.
Director Shaad Ali leaves everybody disappointed. His earlier movie Bunty aur Babli rocked the nation. He approached Jhoom.. is almost similar retrospective manner. Unfortunately, it does not work out this time because there is nothing Jhoom.. can be considered as decent cinema. Rikky and Alvira meet, erect a heap of lies, an idiotic nomad (Monsieur Amitabh Bachchan, the Great!) appears out of nowhere and does almost nothing, now the two are making up stories to conceal their lies and bingo - guess what, they're in love.
Why, why do they have to do it? They call it a rom-com, but let me tell you - it's neither romantic nor comic. It's not a movie that fits into comedy genre neither does it happen to be a love story (no, don't call it a love story. Idiots don't fall in love.) If there is anything in the movie, then it's the lush cinematography, great editing works, that breathtaking 360-degree rotated view of Taj Mahal, the dance sequence in front of the Eiffel Tower, the Superman falling sequence at Madame Taussad, Lara Dutta's French accent + the swearing and everything, and Preity Zinta (her Brit accent does not seem to work out for me.) Abhishek Bachchan needs to seriously think about his selection of roles and Bobby Doel, welcome back. A lot has changed while you were gone. They don't make those good movies anymore. But Bobby looks good, both as the hunk and the geek.
Kudos to Vaibhavi Merchant - she is the only person who does justice to her work. Shankar Ehsaan Loy fail to impress (Ticket to Hollywood.. is too Rahman style!) Gulzar is caught up with a bunch of people who don't know what they're doing. The casting director seems to have accomplished a hectic job. And finally Yashraj! (sigh) Least spoken is best. They're making money and that's good, perhaps they know Jhoom Barabar Jhoom is the substance that sells. And if films like Jhoom.. continue to sell, then Indian cinema wouldn't be very proud as the world's largest film industry.
Director Shaad Ali leaves everybody disappointed. His earlier movie Bunty aur Babli rocked the nation. He approached Jhoom.. is almost similar retrospective manner. Unfortunately, it does not work out this time because there is nothing Jhoom.. can be considered as decent cinema. Rikky and Alvira meet, erect a heap of lies, an idiotic nomad (Monsieur Amitabh Bachchan, the Great!) appears out of nowhere and does almost nothing, now the two are making up stories to conceal their lies and bingo - guess what, they're in love.
Why, why do they have to do it? They call it a rom-com, but let me tell you - it's neither romantic nor comic. It's not a movie that fits into comedy genre neither does it happen to be a love story (no, don't call it a love story. Idiots don't fall in love.) If there is anything in the movie, then it's the lush cinematography, great editing works, that breathtaking 360-degree rotated view of Taj Mahal, the dance sequence in front of the Eiffel Tower, the Superman falling sequence at Madame Taussad, Lara Dutta's French accent + the swearing and everything, and Preity Zinta (her Brit accent does not seem to work out for me.) Abhishek Bachchan needs to seriously think about his selection of roles and Bobby Doel, welcome back. A lot has changed while you were gone. They don't make those good movies anymore. But Bobby looks good, both as the hunk and the geek.
Kudos to Vaibhavi Merchant - she is the only person who does justice to her work. Shankar Ehsaan Loy fail to impress (Ticket to Hollywood.. is too Rahman style!) Gulzar is caught up with a bunch of people who don't know what they're doing. The casting director seems to have accomplished a hectic job. And finally Yashraj! (sigh) Least spoken is best. They're making money and that's good, perhaps they know Jhoom Barabar Jhoom is the substance that sells. And if films like Jhoom.. continue to sell, then Indian cinema wouldn't be very proud as the world's largest film industry.
I have never seen worst movie then this. Waste of time, energy and of course money. Why do people make such movies just for petty gains by robbing millions of anticipating audience. The crew involved in making the film and star-cast should be punished to watch the movie 10 times and I'm sure they'll also become unconscious.
All the stars have been wasted of their potential, no screenplay, poor direction and confusing all the way. Cinematography is good, nothing much to say about choreography, title track is good but when it appears in movie 5 times, you loose the interest from that also..What is the need for Amitabh to play a joker ? So, don't waste your weekend watching this movie, instead take your family to some garden, museum, restaurant or even zoo is better. However, if still you want to see zoo of human beings this movie is for you. I have wasted my Saturday evening watching it and me and my wife continue to repent even today morning.
All the stars have been wasted of their potential, no screenplay, poor direction and confusing all the way. Cinematography is good, nothing much to say about choreography, title track is good but when it appears in movie 5 times, you loose the interest from that also..What is the need for Amitabh to play a joker ? So, don't waste your weekend watching this movie, instead take your family to some garden, museum, restaurant or even zoo is better. However, if still you want to see zoo of human beings this movie is for you. I have wasted my Saturday evening watching it and me and my wife continue to repent even today morning.
Lo sapevi?
- QuizThe crew of this film kept running into the crew from Rush Hour - Missione Parigi (2007). In one instance, while director Shaad Ali was shooting a sequence, a stunt car from Rush Hour 3 entered the camera's frame and the shot had to be retaken. Later, when Abhishek Bachchan and Lara Dutta were shooting the song 'Ticket To Hollywood' at Place de la Concorde, 'Jackie Chan' could not resist dropped by on the movie's sets to see the shooting. Jackie loved the song, and even though JBJ and Rush Hour 3 were being shot in same locations, the shooting units of the two films co-operated with each other.
- BlooperDuring the scene where Abhishek is telling the story of him and Lara he mentions that she is a Pakistani and he met her in 1997 around the time when Princess Diana was in Paris, France. This was fifty years after an Independant India and Pakistan were created. In one scene with him Lara he says to himself "She will take revenge for the past 60 years" So he jumped ten years ahead.
- Citazioni
Rikki Thukral, Anaida Raza, Anaida Raza, Steve Singh: [singing] Jhoom barabar jhoom... Dance, baby, dance!
- ConnessioniReferenced in Bachna Ae Haseeno (2008)
- Colonne sonoreJhoom Barabar Jhoom
Written by Gulzar (as Sampooran Singh Gulzar)
Composed by Shankar Mahadevan, Ehsaan Noorani and Loy Mendonsa
Performed by Shankar Mahadevan, Sunidhi Chauhan and Zubeen Garg
Courtesy of Yash Raj Music
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 695.157 USD
- Fine settimana di apertura Stati Uniti e Canada
- 455.257 USD
- 17 giu 2007
- Lordo in tutto il mondo
- 11.905.018 USD
- Tempo di esecuzione2 ore 18 minuti
- Colore
- Mix di suoni
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By what name was Jhoom Barabar Jhoom (2007) officially released in Canada in English?
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