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6,3/10
4509
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA Chinese emissary is sent to the Gobi desert to execute a renegade soldier. When a caravan transporting a Buddhist monk and a valuable treasure is threatened by thieves, however, the two wa... Leggi tuttoA Chinese emissary is sent to the Gobi desert to execute a renegade soldier. When a caravan transporting a Buddhist monk and a valuable treasure is threatened by thieves, however, the two warriors might unite to protect the travelers.A Chinese emissary is sent to the Gobi desert to execute a renegade soldier. When a caravan transporting a Buddhist monk and a valuable treasure is threatened by thieves, however, the two warriors might unite to protect the travelers.
- Regia
- Sceneggiatura
- Star
- Premi
- 8 vittorie e 13 candidature totali
Recensioni in evidenza
This is not a Kung Fu action movie, so those looking for fight scenes will be disappointed. It is a thrilling story of two warrior knights acting under their own sense of honor and called to action in circumstances beyond their control, against the backdrop of the turbulent and multi-cultural Silk Road. China being the vast country it is has birthed many such thrilling adventures of wandering warriors, itinerant mercenaries, Buddhist monks and pretty maidens. Think of romance or adventure novels based on the Middle Ages! The thrill of the story is to watch the two warriors meeting, one supposedly as the imperial agent sent to eliminate the renegade and intent on his mission, the other as the free agent warrior trying to live a life according to his own personal code of honor. When the two of them unite to fight hordes of greedy bandits, we see hand to hand combat, pursuits on horseback and sieges of a fort.
The unusual angles in this movie, for most movie goers, comes from the time and place: the warriors are from 700 A.D, a T'ang Dynasty era. The location is in the far western reaches of China and the locales are not traditionally "Chinese". The landscapes change from mountainous to woodsy to desert. There are thrilling scenes of camel caravans and desert towns and forts. The protagonists wear battle gear and the long hair of that period, which remind me vividly of French and English knights and crusaders of that era! The final siege of the desert fort reminds of the male warrior bonding in desperado scenes like in "Butch Cassidy and the Sundance Kid"; or the "Alamo"; or the "Three Musketeers".
The Buddhist relic transported by the caravan reminds me of the Catholic relics from dead saints found in many mystery or adventure stories based on the Middle Ages. The finale reminds me of the movie "Raiders of the Lost Ark" when the bad guys seem to be on the edge of acquiring the treasure, only to be annihilated, leaving some of the good guys to move on...
It is great entertainment and gives one yet another view of the Chinese culture about warriors of its complex past.
The unusual angles in this movie, for most movie goers, comes from the time and place: the warriors are from 700 A.D, a T'ang Dynasty era. The location is in the far western reaches of China and the locales are not traditionally "Chinese". The landscapes change from mountainous to woodsy to desert. There are thrilling scenes of camel caravans and desert towns and forts. The protagonists wear battle gear and the long hair of that period, which remind me vividly of French and English knights and crusaders of that era! The final siege of the desert fort reminds of the male warrior bonding in desperado scenes like in "Butch Cassidy and the Sundance Kid"; or the "Alamo"; or the "Three Musketeers".
The Buddhist relic transported by the caravan reminds me of the Catholic relics from dead saints found in many mystery or adventure stories based on the Middle Ages. The finale reminds me of the movie "Raiders of the Lost Ark" when the bad guys seem to be on the edge of acquiring the treasure, only to be annihilated, leaving some of the good guys to move on...
It is great entertainment and gives one yet another view of the Chinese culture about warriors of its complex past.
Warriors of heaven and earth
This is an excellent film. While I do not personally think it is as good as Hero I can see why the film commission in China choose this film as it's official selection. This film is somewhere in between the magic and fantasy of Hero and brutal realism of MUSA. The Wire-fu is kept to a minimum only used to slightly punctuate certain scenes. There is a element of fantasy but it does not make it'self apparent in every frame of the film.
The acting was good, the battles were pretty good. Personally however if you had not seen either and were thinking about a film to buy I would suggest MUSA. The most major complaint I had with this film was the costumes some times looked a little corny.
One last thing While the marketing department tried to sell the lead female role as a woman warrior empowered much like the characters of Crouching tiger or Hero don't buy it. She is window dressing and while her characters has awesome dramatic and story potential is mostly wasted.
This is an excellent film. While I do not personally think it is as good as Hero I can see why the film commission in China choose this film as it's official selection. This film is somewhere in between the magic and fantasy of Hero and brutal realism of MUSA. The Wire-fu is kept to a minimum only used to slightly punctuate certain scenes. There is a element of fantasy but it does not make it'self apparent in every frame of the film.
The acting was good, the battles were pretty good. Personally however if you had not seen either and were thinking about a film to buy I would suggest MUSA. The most major complaint I had with this film was the costumes some times looked a little corny.
One last thing While the marketing department tried to sell the lead female role as a woman warrior empowered much like the characters of Crouching tiger or Hero don't buy it. She is window dressing and while her characters has awesome dramatic and story potential is mostly wasted.
Warriors of Heaven and Earth is an interesting film due to the fact that it had so many great elements that just didn't come together. The cast was fine, the setting and backdrop were fine, the outline of the story was interesting, but the ingredients of this picture did not mix.
The problem with the film was timing, budget, and the script.
Excellent Cast including Jiang Wen, Kiichi Nakai, and Vicki Zhao. Beautiful Scenery of the Gobi Desert and the far reaches of China.
The problem was the script. It was clichéd and most of all boring. There was nothing unique, in fact the dialog seemed taken from other films. You have the two guys that are suppose to be opponents who become buddies (aka 48 Hours)who take on an evil warlord and his thugs and defeat them in Battle. The supporting cast (the other warriors) get picked off one by one like (The Magnificent Seven).
Vicki Zhao has a meaningless role in the film. It is pretty much just stand around and look pretty and helpless and do a little narration work while you are at it. If you have Vicki Zhao in a film, you should use her. They made her character as clichéd and one dimensional as possible.
This film can't compare to "Crouching Tiger, Hidden Dragon", "Musa", or "House of Flying Daggers". It is what you call a big budget B movie. The fight scenes look uncoordinated as well. After watching the "How the Film was made", I was a little more sympathetic towards the director. The Director Ping He had a daunting task of getting the film made due to weather and the timeline. I think he did not have enough time or money to do this film right. It was just too massive of an undertaking given the time constraints. It looked very rushed and disorganized.
The scenery and the backdrops are breathtaking, actually the highlight of the movie, the script itself was weak. The most memorable moment in the film is the scenery and Vicki Zhao in the bathtub. Now that was some nice scenery too.
The problem with the film was timing, budget, and the script.
Excellent Cast including Jiang Wen, Kiichi Nakai, and Vicki Zhao. Beautiful Scenery of the Gobi Desert and the far reaches of China.
The problem was the script. It was clichéd and most of all boring. There was nothing unique, in fact the dialog seemed taken from other films. You have the two guys that are suppose to be opponents who become buddies (aka 48 Hours)who take on an evil warlord and his thugs and defeat them in Battle. The supporting cast (the other warriors) get picked off one by one like (The Magnificent Seven).
Vicki Zhao has a meaningless role in the film. It is pretty much just stand around and look pretty and helpless and do a little narration work while you are at it. If you have Vicki Zhao in a film, you should use her. They made her character as clichéd and one dimensional as possible.
This film can't compare to "Crouching Tiger, Hidden Dragon", "Musa", or "House of Flying Daggers". It is what you call a big budget B movie. The fight scenes look uncoordinated as well. After watching the "How the Film was made", I was a little more sympathetic towards the director. The Director Ping He had a daunting task of getting the film made due to weather and the timeline. I think he did not have enough time or money to do this film right. It was just too massive of an undertaking given the time constraints. It looked very rushed and disorganized.
The scenery and the backdrops are breathtaking, actually the highlight of the movie, the script itself was weak. The most memorable moment in the film is the scenery and Vicki Zhao in the bathtub. Now that was some nice scenery too.
I liked this movie but I was not awestruck by it. It has some excellent characters and a very engaging plot. There are a few lines that will make all but the most jaded filmwatchers smile.
But this movie has a couple of drawbacks which mark it as a notch below other films like "Crouching Tiger" and the infinitely superior "Hero." Both of these films also had excellent characters and stories but were visually far a cut above. A BIG cut.
"Warriors" uses jump-cuts and too-tight camera angles in an effort to hide the fact that many of its stars are not actually martial artists. The resulting fight scenes are very frustrating to watch. Like I said, the plot carries the movie along and it is indeed a good film, but I hate getting snookered by creative editing.
Compare any fight scene in "Warriors" with, say, the extended battle scene between the two women warriors in "Crouching Tiger," most of which is filmed in medium shots that allow your eye to follow the line of action. IMHO this is a lot more impressive. Even the goofy wire work doesn't take away from that.
But "Warriors" is worth a rent. You will care what happens to the characters. And you will see a very nice meditation on the question of what, as people of honor, we must do.
But this movie has a couple of drawbacks which mark it as a notch below other films like "Crouching Tiger" and the infinitely superior "Hero." Both of these films also had excellent characters and stories but were visually far a cut above. A BIG cut.
"Warriors" uses jump-cuts and too-tight camera angles in an effort to hide the fact that many of its stars are not actually martial artists. The resulting fight scenes are very frustrating to watch. Like I said, the plot carries the movie along and it is indeed a good film, but I hate getting snookered by creative editing.
Compare any fight scene in "Warriors" with, say, the extended battle scene between the two women warriors in "Crouching Tiger," most of which is filmed in medium shots that allow your eye to follow the line of action. IMHO this is a lot more impressive. Even the goofy wire work doesn't take away from that.
But "Warriors" is worth a rent. You will care what happens to the characters. And you will see a very nice meditation on the question of what, as people of honor, we must do.
10gnosis1
This movie is the story of an Imperial Agent sent to bring to justice a murderer, his final mission before he is allowed to go home to his family in Japan. The murderer, a former army officer accused of mutiny when he refused to kill a group of women and children. The movie is the tale of their trek across the desert fighting against each other and with each other. The dialog was great, short and delivered impeccably by an incredible cast of characters. It has been a long while since I have seen such thoughtful, dramatic acting. The movie is shot mostly in the desert but it is all done beautifully and with exactly the right tone and feel. I enjoyed the period costumes and the fight scenes were extremely well choreographed. It is seldom that I watch a hollywood movie and come away feeling satisfied, I can only hope that Asia continues to pump out incredible movies like this one and that Hollywood will wise up and stop trying to feed me drivel like the Last Samurai.
Lo sapevi?
- BlooperRockets are used in the final battle at the fort. They did not exist in Tang times: gunpowder weapons were developed by the later Sung Dynasty.
- ConnessioniReferenced in The Making of 'Warriors of Heaven and Earth' (2003)
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Warriors of Heaven and Earth
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 82.936 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.721 USD
- 5 set 2004
- Lordo in tutto il mondo
- 6.106.178 USD
- Tempo di esecuzione2 ore
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was I guerrieri del cielo e della terra (2003) officially released in India in English?
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