Un giovane sbandato viene coinvolto nelle vite di un gruppo di amici intimi nella benestante cittadina di Newport Beach, Orange County, CaliforniaUn giovane sbandato viene coinvolto nelle vite di un gruppo di amici intimi nella benestante cittadina di Newport Beach, Orange County, CaliforniaUn giovane sbandato viene coinvolto nelle vite di un gruppo di amici intimi nella benestante cittadina di Newport Beach, Orange County, California
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OK this show is without a doubt hilarious. The user who said it was boring, i can simply not fathom. Okay, so the storyline may be a little bit of a cliché, a kid from the wrong side of the tracks, posh galas every week and people who are too pretty to exist in the real world. But isn't that what T.V is? An escape from the real world? This is the only show the me and my family actually agree on. Why? Because the story lines, although they may seem obvious, are interweaving. (E.G Caleb is kirsten's dad, who is marrying Julie Cooper, the ex-wife of Jimmy Cooper, who was kirsten's high school sweetheart.-OK, when i put it like that it sounds like a sunset beach episode.*shudder-twitch*)
But the point is this, The O.C is different from all those other "Ooh it's sunny, we're rich and pretty but our lives are so hard" shows because it makes fun of itself. Its is not afraid to make fun of itself. It knows that it's a show about a group of beautiful people with loadsa cash but not so much happiness. Bottom line, It's a cliché and there are too many black-tie events, but at the end of the day, it's easy going and will make you laugh out loud. Give it a go.
But the point is this, The O.C is different from all those other "Ooh it's sunny, we're rich and pretty but our lives are so hard" shows because it makes fun of itself. Its is not afraid to make fun of itself. It knows that it's a show about a group of beautiful people with loadsa cash but not so much happiness. Bottom line, It's a cliché and there are too many black-tie events, but at the end of the day, it's easy going and will make you laugh out loud. Give it a go.
Having watched this entire series twice. Once when it aired back in 2003 and now in 2021, I can honestly say that they don't make shows like this anymore. The plot line is simple and at times predictable with high volumes of unnecessary drama. But it has a deep honestly rooted in realism. The characters and plot line actually feels real. This is one of those teen drama's that even after almost 20 years feels fresh.
When my girlfriend told me she was going to start watching this show, I figured it would give me 60 minutes a week to myself. But when I actually watched part of the first or second episode, I was surprised to find myself starting to get drawn in.
Here's what I like about this show: First, the kids talk like kids (even if some of them look like adults!). I don't know about anyone else, but after Dawson's Creek and The Gilmore Girls, I find it refreshing to see a show about teenagers who have trouble expressing themselves instead of speaking in pithy, self-aware sound bites.
Second, this show does a believeable job of presenting the class issues involved in having a "poor kid" move in with a "rich family". Others have pointed out that it avoided the initial cliche by having the two teenage boys become friends, but later episodes have shown that in spite of their friendship and common interests (e.g. comic books), there are still deeper issues of class and sexuality that show how different their "worlds" really are.
And finally, I was surprised to see that the writers were actually able to make me care about the problems of the rich characters! (The adults, anyway). For too many nighttime soap operas, portraying the "problems of the rich" are just a way to get us "unwashed" types to sneer at the "problems" that money brings ("I wish I had those problems!"). In "The O.C.", the writers actually explore questions of money, class (again) and love in the various adult couples in a way that brings Jane Austen to mind; we can relate to the struggles the characters are going through even if their day-to-day lives are completely foreign from our own.
All in all, a surprisingly enjoyable TV soap opera that doesn't require you to check your entire brain at the door.
Here's what I like about this show: First, the kids talk like kids (even if some of them look like adults!). I don't know about anyone else, but after Dawson's Creek and The Gilmore Girls, I find it refreshing to see a show about teenagers who have trouble expressing themselves instead of speaking in pithy, self-aware sound bites.
Second, this show does a believeable job of presenting the class issues involved in having a "poor kid" move in with a "rich family". Others have pointed out that it avoided the initial cliche by having the two teenage boys become friends, but later episodes have shown that in spite of their friendship and common interests (e.g. comic books), there are still deeper issues of class and sexuality that show how different their "worlds" really are.
And finally, I was surprised to see that the writers were actually able to make me care about the problems of the rich characters! (The adults, anyway). For too many nighttime soap operas, portraying the "problems of the rich" are just a way to get us "unwashed" types to sneer at the "problems" that money brings ("I wish I had those problems!"). In "The O.C.", the writers actually explore questions of money, class (again) and love in the various adult couples in a way that brings Jane Austen to mind; we can relate to the struggles the characters are going through even if their day-to-day lives are completely foreign from our own.
All in all, a surprisingly enjoyable TV soap opera that doesn't require you to check your entire brain at the door.
I come from a part of Australia called the Sunshine Coast where most people come to escape city life and live by the sea. Most of the people who live along the coastlines here are just as beautiful-looking in that sun-drenched, California way, but not only that: this is a place where people come to avoid their problems, only to end up taking them with them. For all the glitz, glamour and romance of this place, I have never come across a more dysfunctional group of self-absorbed people in my life.
That's what immediately drew me to "The O.C.". I noticed the obvious plot lines that have been faithful to Soap Operas for decades, but this show has such a pungent wit about the nature of these people. They may look like they have a life that people aspire to, but they really don't and in some ways the nature of their environment only enhances these problems. I found that this show perfectly captured the reality of this sort of lifestyle, albeit modified for T.V.. A movie version of this would be much more vicious, if made by the right people, but please don't talk to me about the corniness of this show and how it doesn't reflect real life. I know these people. They exist. And they really are contemptible.
That's what immediately drew me to "The O.C.". I noticed the obvious plot lines that have been faithful to Soap Operas for decades, but this show has such a pungent wit about the nature of these people. They may look like they have a life that people aspire to, but they really don't and in some ways the nature of their environment only enhances these problems. I found that this show perfectly captured the reality of this sort of lifestyle, albeit modified for T.V.. A movie version of this would be much more vicious, if made by the right people, but please don't talk to me about the corniness of this show and how it doesn't reflect real life. I know these people. They exist. And they really are contemptible.
It is at times corny, melodramatic, predictable, unbelievable as hell and sugar-coated. And yet? It works.
This show, which by all accounts should have been written off as a redo of good ole' Bev Niners, is funny, quirky and absolutely delightful. Somehow, over the first few episodes, it turned from being a guilty pleasure to just a genuine pleasure. This is largely due to the combined talents of Peter Gallagher, Kelly Rowan, Adam Brody and Ben McKenzie. They work as a family. They're funny. They're sweet. And somehow, Peter Gallagher is hot!
Adam Brody's ad-libs, Ben McK's baleful glances, Kelly Rowan's endearing nature and Peter Gallagher's eyebrows all add up to a fantastic hour of television that I await all week. The writing is quick, the acting (for the most part) is great and the in-jokes crack me up. Despite its silly premise, this show is pretty smart. And endearing. And really, really funny.
Would a public defender ever adopt his young client? No. Would ador(k)able, funny, smart Seth Cohen ever be considered unpopular? Probably not. Does Tate Donovan even look old enough to drink, let alone have a teenage daughter? Nah. My advice? Get over all that, sit back, and enjoy being entertained.
Cause this is how we do it in Orange County.
This show, which by all accounts should have been written off as a redo of good ole' Bev Niners, is funny, quirky and absolutely delightful. Somehow, over the first few episodes, it turned from being a guilty pleasure to just a genuine pleasure. This is largely due to the combined talents of Peter Gallagher, Kelly Rowan, Adam Brody and Ben McKenzie. They work as a family. They're funny. They're sweet. And somehow, Peter Gallagher is hot!
Adam Brody's ad-libs, Ben McK's baleful glances, Kelly Rowan's endearing nature and Peter Gallagher's eyebrows all add up to a fantastic hour of television that I await all week. The writing is quick, the acting (for the most part) is great and the in-jokes crack me up. Despite its silly premise, this show is pretty smart. And endearing. And really, really funny.
Would a public defender ever adopt his young client? No. Would ador(k)able, funny, smart Seth Cohen ever be considered unpopular? Probably not. Does Tate Donovan even look old enough to drink, let alone have a teenage daughter? Nah. My advice? Get over all that, sit back, and enjoy being entertained.
Cause this is how we do it in Orange County.
Lo sapevi?
- QuizAdam Brody and Rachel Bilson dated for almost the entire run of the show (2003-2006). Additionally, several inside jokes are written into the show about this.
- BlooperIn the pilot episode Ryan says he is 17. Each season was a year because of a Chrismukkah episode per season. Ryan doesn't turn 18 until late season 3 meaning he was either 17 for 3 years or he was retconned to be 15 in the pilot.
- Curiosità sui creditiFor the first half of season one, Rachel Bilson (Summer) and Melinda Clarke (Julie) were credited as guest stars, even though Rachel Bilson appeared in each episode. From the fourteenth episode on, they were credited on the theme song as regulars.
- ConnessioniAlternate-language version of Medcezir (2013)
- Colonne sonoreCalifornia
(main title)
Performed by Phantom Planet
Written by Jason Schwartzman, Jacques Brautbar, Sam Farrar, Alex Greenwald,
Darren Robinson (uncredited)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Orange County
- Luoghi delle riprese
- Redondo Beach, California, Stati Uniti(beach/pier scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione44 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
- 1.78 : 1
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