Le vite di tre vecchi amici d'infanzia sono sconvolte quando uno di essi è vittima di una terribile tragedia familiare.Le vite di tre vecchi amici d'infanzia sono sconvolte quando uno di essi è vittima di una terribile tragedia familiare.Le vite di tre vecchi amici d'infanzia sono sconvolte quando uno di essi è vittima di una terribile tragedia familiare.
- Vincitore di 2 Oscar
- 57 vittorie e 144 candidature totali
Tom Guiry
- Brendan Harris
- (as Thomas Guiry)
Recensioni in evidenza
This movie is a kick in the gut. Rarely is such a brilliant cast assembled, and even when it happens, rarely do they act like this. Tom Guiry (very impressive), Tim Robbins and Sean Penn show emotion that directors don't often stick in. And it comes off flawlessly. During a scene with Marcia Gay-Harden and Tim Robbins crying in their kitchen, there is an energy coming off of the screen that strikes you right in the chest. Which is really the way the whole movie works. It grabs you and shakes you, and makes you watch even when it can be painful to do so. The only reason that this film didn't win best picture is Return of the King. Any other year, and Mystic River has it. Eastwood's finest moment. Check it out--you won't be disappointed.
I must admit that when i watched this movie for the first time i didn't really think that much of it. Sure the acting was amazing, but that was expected. But then something happened. I got a chance to read the book by Dennis Lehane and suddenly all the pieces fell into place. I watched the movie again and this time it was amazing.
I don't know how i should interpret how my feelings toward this movie changed after reading the book. Is it a good adaptation if i like it more after reading the book? Should a movie stand so well on it's own merits that the book is not necessary? I don't know myself, all i know is that it all became so much clearer after reading the book.
First of all the acting was amazing even the first time around. But still, after reading the book it was as if the characters gained one more level of depth. I have always felt that Tim Robbins is the true gem in this movie. His pained portrayal of the lost soul Dave Boyle is pure magic, seldom has an Oscar been so well deserved. Sean Penn is predictably great in his portrayal of Jimmy Markum. It's a difficult character, a person you really don't know what to think about. In one respect he is a worried father, in another respect he is a cold-blooded man with few things to like about him. The rest of the cast is solid, with Kevin Bacon the brightest star among them.
When it comes to the plot itself this was where much was changed from reading the book. The trick is not to watch this as a crime-drama. Rather it's a movie about behavioral patterns, about humans. What they are capable of and what dictates their actions. There are huge amounts of sadness and melancholy to this story. Of people unable to break out of the path it seems life has chosen for them. This i think didn't really break through to me that well when i watched the movie for the first time. But the book is much more clear on this and when i watched the movie again i saw it there as well.
In the end this is a triumph of two things really. First the great acting of some of the finest actors in Hollywood today, second the sensitive and thoughtful directing of Clint Eastwood. He manages to bring out Dennis Lehanes story in a way that is so understated and minimalistic at times i didn't even catch on the first time around. But if i look closely all the elements are there and it is truly a great adaptation as well as a great movie.
I don't know how i should interpret how my feelings toward this movie changed after reading the book. Is it a good adaptation if i like it more after reading the book? Should a movie stand so well on it's own merits that the book is not necessary? I don't know myself, all i know is that it all became so much clearer after reading the book.
First of all the acting was amazing even the first time around. But still, after reading the book it was as if the characters gained one more level of depth. I have always felt that Tim Robbins is the true gem in this movie. His pained portrayal of the lost soul Dave Boyle is pure magic, seldom has an Oscar been so well deserved. Sean Penn is predictably great in his portrayal of Jimmy Markum. It's a difficult character, a person you really don't know what to think about. In one respect he is a worried father, in another respect he is a cold-blooded man with few things to like about him. The rest of the cast is solid, with Kevin Bacon the brightest star among them.
When it comes to the plot itself this was where much was changed from reading the book. The trick is not to watch this as a crime-drama. Rather it's a movie about behavioral patterns, about humans. What they are capable of and what dictates their actions. There are huge amounts of sadness and melancholy to this story. Of people unable to break out of the path it seems life has chosen for them. This i think didn't really break through to me that well when i watched the movie for the first time. But the book is much more clear on this and when i watched the movie again i saw it there as well.
In the end this is a triumph of two things really. First the great acting of some of the finest actors in Hollywood today, second the sensitive and thoughtful directing of Clint Eastwood. He manages to bring out Dennis Lehanes story in a way that is so understated and minimalistic at times i didn't even catch on the first time around. But if i look closely all the elements are there and it is truly a great adaptation as well as a great movie.
Eastwood's expert direction and wonderful performances from the three leads make MYSTIC RIVER a drama worth watching. The film is made up of three interlocking sections, each represented by one of the leads. Kevin Bacon supplies the lesser police procedural aspects of the movie, Tim Robbins lends plenty of mystery to a whodunit plot, and Sean Penn is at the heart of the family drama-cum-tragedy.
The film is unpredictable throughout and slowly paced, taking its time to get to grips with the storyline instead of rushing through the plot. Never once does it feel boring. The attention to technical detail is spot on as you'd expect, and the mood finely judged throughout. It takes actors and a director of rare talent to make a movie this compelling, but in the case of MYSTIC RIVER everything comes together in a film that never disappoints.
The film is unpredictable throughout and slowly paced, taking its time to get to grips with the storyline instead of rushing through the plot. Never once does it feel boring. The attention to technical detail is spot on as you'd expect, and the mood finely judged throughout. It takes actors and a director of rare talent to make a movie this compelling, but in the case of MYSTIC RIVER everything comes together in a film that never disappoints.
When I finally got to watch Mystic River, I was mesmerized by the acting of the ensemble cast. I watched this movie twice, alone and again with my husband. The content of the movie is relevant in any time frame. Upon watching it the second time I noticed "small" things that tied the movie and its characters together. Forgiveness, no I would not classify any of the characters as forgiving. It is very clear that Dave probably never receive counseling for the unspeakable crime done to him as a boy, Jimmy never really let go of his "on edge nerve" and Sean remains the responsible friend but not afraid to face life's messes. To watch a human drama unfold with such sad consequences and heavy retribution on one hand and little to no retribution on the other hand is a depiction that life is not always fair and some of us receive the bounty of life, while others get the smaller piece of pie.
This movie was well acted and well directed. I will never forget Sean Penn's portrayal of Jimmy in this star ensemble cast.
This movie was well acted and well directed. I will never forget Sean Penn's portrayal of Jimmy in this star ensemble cast.
Mystic River deals with three men, once boyhood friends, who all estrange the people closest to them. Their characters become flawed because of events, of how they choose to be, or their calling. It doesn't really say anything profound, but the acting and screenplay in the first half are quite good. Brian Helgeland, whose script writing seems to veer between brilliant (L.A. Confidential) and fairly abysmal (The Sin Eater), provides three quarters of sheer maestro, a story that unfolds with a growing sense of unease; characters that, as in real life, feel no need to state the obvious but let us piece together clues. But a gripping story of childhood bonds gone bad, murder, the frailty of human certainty and belief in flawed values all wonderful elements that should offer a filmmaker so much are stymied by flimsy resolutions and ultimately unlovable characters. An edge of the seat mystery builds to a limp climax that rather suggests they ran out of money, or film or ideas. There is no great moral dilemma as some critics have tried to suggest all the characters try to do good in their own screwed up way, some with better intentions than others, and most of them fail.
Mystic River has a stellar cast Tim Robbins, Sean Penn and Kevin Bacon to name a few and there are some excellent performances. Penn, in the lead role, is sadly perhaps the weakest of these three as he is seems far too conscious of those Oscar worthy moments', with the camera closing in for yet another close-up of his lingering, tortured, seemingly over-rehearsed expressions. Actors who go through this phase need a rapid infusion of French Cinema to correct their hyperbaric egos if they wish to ascend loftily and gracefully through stardom. Robbins and Bacon seem far more comfortable with their roles, without the need to be centre stage quite so much, and Marcia Gay Harden, who has already collected one Oscar for her role in Pollock, is quite superb, playing a long suffering wife with what seems like suppressed hysteria growing into panic. Mystic River is a good film and worth going to see - but such a shame it isn't another cinematic masterpiece we feel we can still hope for from director Clint Eastwood.
Mystic River has a stellar cast Tim Robbins, Sean Penn and Kevin Bacon to name a few and there are some excellent performances. Penn, in the lead role, is sadly perhaps the weakest of these three as he is seems far too conscious of those Oscar worthy moments', with the camera closing in for yet another close-up of his lingering, tortured, seemingly over-rehearsed expressions. Actors who go through this phase need a rapid infusion of French Cinema to correct their hyperbaric egos if they wish to ascend loftily and gracefully through stardom. Robbins and Bacon seem far more comfortable with their roles, without the need to be centre stage quite so much, and Marcia Gay Harden, who has already collected one Oscar for her role in Pollock, is quite superb, playing a long suffering wife with what seems like suppressed hysteria growing into panic. Mystic River is a good film and worth going to see - but such a shame it isn't another cinematic masterpiece we feel we can still hope for from director Clint Eastwood.
Lo sapevi?
- QuizThe situation at the opening of the movie is based on an incident when, as a child, author Dennis Lehane's mother severely reprimanded him for getting into a car with men who claimed to be plain-clothes policemen.
- BlooperAt around 5 minutes in, as the young Dave Boyle is being driven away by the pedophiles, there's a cut back to the young Jimmy and Sean standing in the street. In the background to the right, in plain view, is a modern era police car guarding the filming location.
- Citazioni
Dave Boyle: Maybe some day you forget what it's like to be human and maybe then, it's ok.
- Curiosità sui creditiThe Warner Bros and Village Roadshow Logos at the beginning of the film are not animated. They are both colored grey and stay in the middle of the screen.
- Colonne sonoreMystic River
Composed by Clint Eastwood
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Río místico
- Luoghi delle riprese
- Doyle's Pub - 3484 Washington Street, Jamaica Plain, Boston, Massachusetts, Stati Uniti(bar where Dave sees Jimmy's daughter)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 90.135.191 USD
- Fine settimana di apertura Stati Uniti e Canada
- 640.815 USD
- 12 ott 2003
- Lordo in tutto il mondo
- 156.595.191 USD
- Tempo di esecuzione2 ore 18 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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