Leela

While cultural identity may be a key theme of Somnath Sen's 'Leela', the film presents it well without the use of clichés or at the expense of the story. For example, American Indian Krishna's clash of cultural identity is depicted in a very subtle manner. There is no Indian culture is great and American culture is bad nonsense or vice versa (which is usually the case with this kind of films that are made by Indian directors). Sen doesn't take any side here and he attempts to portray a balanced view.

In addition, 'Leela' works excellently as a character-driven piece. The characters are very well-defined. The story moves slowly but this invites the viewer to get to know these people: Krishna, Leela and Chaitali: Krishna has almost completely assimilated to his American identity. Were it not for his parents, he probably would have entirely washed off his Indian identity. The growth of his character as he learns to appreciate Indian culture thanks to Leela is very convincingly demonstrated. The writer doesn't force him to give up his American identity but rather has the character realize that he is both: an Indian and an American.

Fiercely independent, his lovely mother, Chaitali, has already embraced American culture without losing her connection to her Indian roots. She has managed to balance her identity and is living her life the way she wants to.

Beautiful, intelligent and lonely Leela has just arrived in the country and experiences and appreciates the beauty life in America. She learns that one cannot live a happy life just by living it for someone else. In Krishna, she finds a companion and they both learn something from each other.

The use of poetry and music is done delightfully. Jagjit Singh's soothing voice and Gulzar's magical lyrics breathe poetry into the story. It gives 'Leela' a very lyrical feel. The dialogues are splendid.

On the technical side, the cinematography is adequate but the lighting is a little faulty.

Deepti Naval and Dimple Kapadia are superb. Amol Mhatre looks a little uneasy in the more dramatic sequences but his presence adds to the innocence of Krishna. Gulshan Grover and Vinod Khanna provide good support.

Poetic, subtle and engaging, 'Leela' does a fine job of telling a story about cultural identity and self discovery.

I do not know anything about Somnath Sen, the director of the film. If this is indeed his first film, I congratulate him for pulling together a good cast and some fine production quality that lifts up the film.

However, the script is nothing more than a reworking of "40 carats" and/or "Summer of '42". If the film is aimed at the Indian or South Asian community in Asia, the film will draw some attention. This is because the line up of the commercially accepted Indian movie actors--Dimple Kapadia, Deepti Naval and Vinod Khanna--will pull the crowds out of curiosity to see them act in an English movie. Compared to an average Indian film, the camerawork, editing, and music of this US film are all used with considerable finesse. Sen's work stands out for these factors not the screenplay, the performances or the story. Ms Kapadia and Ms Naval prop up the film as they are both beautiful and evidently quite talented. I wish they could act in films of some top-notch European director!

The ravishing, beautiful Dimple Kapadia (she looks absolutely gorgeous) and the equally charming Dipti Naval give commendable performances... the Ghazal by Jagjitsinghji is by far an icing on cake... on parallel lines to Namesake or Mitra and absolutely not a cliche.. coming of an age... where East meets West, a delicious cocktail ...

This seemed to be a good movie, I thought it would be a good movie, and throughout the movie I was hoping it would be a meaningful use of my time, and yes, I have to admit that the acting talent of Dimple Kapadia and Deepti Naval where truly commendable, but despite the best effort this movie falls short of effectively conveying a meaningful message, which it seems is it seemed was what Somnath Sen is trying to do. The final point comes short and the ending seemed kind of unsatisfactory after all that happens; a bit like real life in that respect but movies unlike real life ends in about 2hrs and the ending should leave the audience satisfied, if indeed that was the director's intention. This falls short in that respect and that is what disappoints me the most.

Another aspect that concerned me was the national stereo-typing of the American characters - they all seem to be carved out of the same block. Seems to me that most American characters in Indian English movies are based upon how common Indians themselves perceive Americans to be like and it is clear that no effort has been made to bring any sense of depth or complexity to any American in the movie.

These two aspects put together they make for a disappointing story.

One's been seeing a crass of movies made on the Indians settled abroad and how do they relate to their environment vis-a-vis their origins. Some of the movies have been downrightly funny (Bend it Like Beckham)to make any serious comment , some have been very good.. like East is East.

The feeling one got after coming out of seeing Leela was that why did the director keep it so short at 97 mins.. they were so many openings ( for lack of a better word) which the director could have explored. For eg: the relationship between the son Krishna and father Jai could have been taken up, one was also not very sure on why Jai and Chaitali broke up and Jai seems to be having a good relationship with Jennifer.

Having said all this, the movie is a must see, it has sensitively treated the issue of a teacher falling for her student.Also makes one think about relationships which are kind of surviving in India , breakup under a more liberal and accepting environment.

Dimple Kapadia is ravishing as usual and its nice to see Deepti Naval back on screen after a while . I have always felt that she could offer more , and just needed a good director to get it all out. The kid Krishna also comes up with a good performance. The movie soundtrack is superb especially the last ghazal which has the Krishna doing a little jugalbandi with Vinod Khanna.