Una squadra di salvataggio scopre una nave del 1962 scomparsa da tempo che galleggia senza vita in una remota regione del Mare di Bering. Presto notano che i suoi passeggeri già morti da tem... Leggi tuttoUna squadra di salvataggio scopre una nave del 1962 scomparsa da tempo che galleggia senza vita in una remota regione del Mare di Bering. Presto notano che i suoi passeggeri già morti da tempo potrebbero essere ancora a bordo.Una squadra di salvataggio scopre una nave del 1962 scomparsa da tempo che galleggia senza vita in una remota regione del Mare di Bering. Presto notano che i suoi passeggeri già morti da tempo potrebbero essere ancora a bordo.
- Premi
- 1 candidatura in totale
Bob Ruggiero
- Captain
- (as Robert Ruggiero)
Matthew Wollaston
- Steward Number 3
- (non citato nei titoli originali)
Recensioni in evidenza
I'm rather pleasantly surprised after seeing Ghost Ship
I expected it to be a lot sillier, more dumb and inferior than it actually is. Still a long way from being a good horror film but a step in the right direction, to say the least. Cast and crew paid attention to building up a horrifying atmosphere instead of attacking the audience with lame and violent killing scenes. That's an effort that gets my appreciation. The vicious opening sequence is professional horror
a scene that grabs you by the throat and demands your complete attention and curiosity for the rest of the movie. The high quality level is held up a little while longer but unfortunately it loses his grip during the second half. For as long as the mysterious, deserted ship is portrayed as a complete riddle, the film is fascinating, interesting and beautifully shot. As soon as a few plot-aspects are clarified, Ghost Ship turns into a mediocre and predictable thriller
I'm convinced that, with a slightly more intelligent script, this could have become one of the better horror-thrillers since the new Millennium. Now, it's only regarded as a reasonable and decent effort that lacks a bit of talent. Nonetheless, the settings and decors make it worth watching. The graphic decorations aren't overused, so it remains a beautiful experience to observe at least once. Gabriel Byrne is acting far below his normal standards and yet he's still great! All the other cast-members are pretty uninspired and forgettable. I'd describe Ghost Ship as a nice waste of time. If you have the opportunity, I advise you to search for an 80's horror title called `Death Ship'
a terrific piece of trash of which Ghost Ship borrowed a lot of ideas.
Sean Murphy and his crew are the top salvage experts in the land (well, sea). They have just completed one big job when a pilot, Jack Ferriman, comes tot them with a ship that he has spotted in remote, international waters. It hasn't responded to distress signals and it seems fair game if Murphy will give Jack a cut and let him come along. Murphy accepts and they set off. The fact that the ship doesn't show up on radar doesn't ring any alarm bells with the crew, who board the ship to find a deserted vessel ripe for the pickings. However she has sustained damage and has days before she will sink forever. Diver Maureen spotted a young girl on board is only the first of several strange things to occur and soon the crew find themselves in deeper than they planned.
Opening with a scene so brutal and gory (made all the worse for me knowing it was coming) that I literally couldn't watch, this film had me hooked at the same time as having me worried that this would just be a big gore fest with nothing else to it. Indeed this is what I had heard, having only read negative reviews for this film. However for the majority it avoids this by being spooky, atmospheric and engaging. The plot isn't anything amazing but it does the job. Many reviewers have said it turns rubbish in the final thirty minutes but to me it was still effective even if it did resort to genre by being gorier and more obvious. It will never win any awards for originality or anything else but it is an effective genre movie that avoids the b-movie schlock of stuff like Deep Rising.
Because it is mostly about atmosphere, the cast are only so-so as they are given little to do. Byrne is a good presence but is slumming it so obviously that he should probably have had a slot in his character's back with a studio exec feeding it every few minutes of screen time. Margulies is better as she has more to do and is a more interesting character; she can work at this level and does. Eldard has some terrible lines but does OK with Urban. Washington is better than this but is quite interesting and has a good screen presence. Harrington plays it so obviously that it is hard not to see him coming, which was a bit of a shame. The direction is good and the design/feel of the film is probably better than the material deserves nicely building up tension and atmosphere as it goes.
Overall then a good genre movie. Better than b-movie stuff, it uses the gore sparingly for the most part and builds up to things well. In the end it may go just where you expect it to and not do anything that special but I found it quite enjoyable for what it was and, in the words of the advert, does exactly what it says on the tin.
Opening with a scene so brutal and gory (made all the worse for me knowing it was coming) that I literally couldn't watch, this film had me hooked at the same time as having me worried that this would just be a big gore fest with nothing else to it. Indeed this is what I had heard, having only read negative reviews for this film. However for the majority it avoids this by being spooky, atmospheric and engaging. The plot isn't anything amazing but it does the job. Many reviewers have said it turns rubbish in the final thirty minutes but to me it was still effective even if it did resort to genre by being gorier and more obvious. It will never win any awards for originality or anything else but it is an effective genre movie that avoids the b-movie schlock of stuff like Deep Rising.
Because it is mostly about atmosphere, the cast are only so-so as they are given little to do. Byrne is a good presence but is slumming it so obviously that he should probably have had a slot in his character's back with a studio exec feeding it every few minutes of screen time. Margulies is better as she has more to do and is a more interesting character; she can work at this level and does. Eldard has some terrible lines but does OK with Urban. Washington is better than this but is quite interesting and has a good screen presence. Harrington plays it so obviously that it is hard not to see him coming, which was a bit of a shame. The direction is good and the design/feel of the film is probably better than the material deserves nicely building up tension and atmosphere as it goes.
Overall then a good genre movie. Better than b-movie stuff, it uses the gore sparingly for the most part and builds up to things well. In the end it may go just where you expect it to and not do anything that special but I found it quite enjoyable for what it was and, in the words of the advert, does exactly what it says on the tin.
The cast is so great and so is the style of cinematography; lots of murky gross scenery to appreciate! Karl Urban and Gabriel Byrne are a delight. So much of the bulk of the film is definitely horror I don't know why a few said it's not. I really like the scene when a couple of the guys eat and unlike others I really like the ending - Ghost Ship is fantastic for what it is! Has some of the best horror sequences in my opinion highly effective!
Now this I would call exactly an average film. For me, it landed precisely at the very center of imdb's 10 point scale, right at 5.5. This means that I found exactly as much to like as I did to dislike. There is a bit of inspiration here, but just as much that's stolen from other better horror movies. If it had opted for tone and real fear instead of cheap shocks, the movie could have been great. The story is good enough that it could have been great if handled well. But we do live in these times, and, although there are scholars of the modern era who would try to have us believe that the current generation consists of a bunch of kids who get everything instantly and process it on a billion levels at once, the truth is indeed the exact opposite. No, there is no subtlety here. It would go over your average teenager's head in a heartbeat. Nope, better play it safe and provide us with a gruesome scene up front where a couple of dozen people are sliced in half by a loose cable during a ball. Gore is not scary. I did however produce a dry heave during this sequence, which is more than I can say for any other gore scene that I've viewed lately. As the gore accumulates, I began to appreciate the artistry that was put into the enormous number of deaths. These are some sickeningly creative people, let me tell you. Unfortunately, the director (or screenwriters or whoever) ruins any real potential by revealing every detail about what happened on the titular boat in a fast-motion sequence accompanied by techno music! It's the kind of moment where you just slap your head for the lack of talent involved. And then there was more stuff I liked. For example, the art direction is very impressive. The revelation of one character's identity, while not particularly surprising, is at least somewhat new. I give this film a 5/10, rounding down because I felt the final moment was a bit groan-inducing.
The third movie produced by the production company "Dark Castle" and managed by Joel Silver and Robert Zemeckis, "Ghost Ship" (2002) marks a step forward and constitutes a neat improvement in comparison with the two previous movies, "the House on the Haunted Hill" (1999) and "13 Ghosts" (2001). This can be checked at the level of a meticulous making and quite outstanding special effects. It is all the more positive as with "Ghost Ship", we deal with a B movie. Another good point: the change of scenery. It is a judicious choice to have replaced the threadbare topic of the haunted house by the haunted ship.
If the screenplay doesn't avoid all the Hollywood conventions, neither all the clichés of the horror film, the director Steve Beck makes up for it by shrouding his movie an atmosphere of mystery as soon as the crew discovers the ship. He's also imposing (slowly but surely) a progressive rise of the tension which reaches its climax in the end. The result: we come in for a few real moments of fright and Beck, in the long run puts the spectator in his pocket.
As far as the cast is concerned, there are two surprises. First: Julianna Margulies who for once decided to give up scalpels in the "ER" series and especially Gabriel Byrne. An ambitious actor who isn't reluctant to sometimes act in a horror movie which is potboiler for him like "End of Days" (1999) or "Stigmata" (1999).
It is a shame that the end isn't really satisfying and suits badly to the whole. But no matter, "Ghost Ship" remains a nice little horror movie whose main function is to make shiver. For this, it reaches its goal. One last thing, if the movies that come out of the "Dark Castle" production company keep on gaining in quality, maybe will they create a masterpiece one day...
NB:it borrows a bit from "shining".
If the screenplay doesn't avoid all the Hollywood conventions, neither all the clichés of the horror film, the director Steve Beck makes up for it by shrouding his movie an atmosphere of mystery as soon as the crew discovers the ship. He's also imposing (slowly but surely) a progressive rise of the tension which reaches its climax in the end. The result: we come in for a few real moments of fright and Beck, in the long run puts the spectator in his pocket.
As far as the cast is concerned, there are two surprises. First: Julianna Margulies who for once decided to give up scalpels in the "ER" series and especially Gabriel Byrne. An ambitious actor who isn't reluctant to sometimes act in a horror movie which is potboiler for him like "End of Days" (1999) or "Stigmata" (1999).
It is a shame that the end isn't really satisfying and suits badly to the whole. But no matter, "Ghost Ship" remains a nice little horror movie whose main function is to make shiver. For this, it reaches its goal. One last thing, if the movies that come out of the "Dark Castle" production company keep on gaining in quality, maybe will they create a masterpiece one day...
NB:it borrows a bit from "shining".
Lo sapevi?
- QuizIn 2016, the media website ComingSoon named the film's opening scene one of the greatest in horror film history.
- Blooper(at around 24 mins) Captain Murphy's story of the Mary Celeste is largely inaccurate. According to him, it was a two-mast brigantine leaving Charleston, South Carolina, during the American Civil War. She carried a load of cotton for London, England. Fishermen off the coast of Tripoli found the ship under sail with no one on board; its last log entry was 59 days prior. Somehow an unmanned ship sailed through the Strait of Gibraltar and into the Mediterranean Sea.
In truth, the Mary Celeste left New York Harbor in late October 1872 with a cargo of 1,701 barrels of denatured alcohol bound for Genoa, Italy. She was found off the coast of Portugal, under sail yet abandoned, with its last log entry nine days before she was found.
- Curiosità sui creditiThe opening logos are tinted brown, and the typical Warner Bros. logo is instead an intentionally chintzy 60s style logo. All this ties into the infamous cruise ship opening.
- Versioni alternativeThe version aired on Indian cable networks omitted a huge chunk of the opening mass-decapitation scene and most of the gore and graphic shots throughout the film. The scene where Francesca seduces Greer was also edited significantly in order to obscure any nudity.
- ConnessioniFeatured in Dietro l'angolo (2004)
- Colonne sonoreSenza Fine
Written by Gino Paoli
Produced by John Frizzell
Performed by Monica Mancini
Courtesy of Concord Records
[Francesca sings the song in the opening sequence; the salvage crew later hears her singing the song]
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Barco fantasma
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 30.113.491 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.503.423 USD
- 27 ott 2002
- Lordo in tutto il mondo
- 68.349.884 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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