Un addetto allo sviluppo fotografico mentalmente instabile prende di mira una famiglia della classe media dopo che la sua ossessione per loro è diventata più malata e inquietante di quanto c... Leggi tuttoUn addetto allo sviluppo fotografico mentalmente instabile prende di mira una famiglia della classe media dopo che la sua ossessione per loro è diventata più malata e inquietante di quanto chiunque di loro possa immaginare.Un addetto allo sviluppo fotografico mentalmente instabile prende di mira una famiglia della classe media dopo che la sua ossessione per loro è diventata più malata e inquietante di quanto chiunque di loro possa immaginare.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 22 candidature
- Yoshi Araki
- (as Paul Hansen Kim)
- Officer Lyon
- (as Andrew A. Rolfes)
Trama
Lo sapevi?
- QuizAfter the film premiered at the Sundance Film Festival, Robin Williams overheard viewers say that they forgot it was Williams in the lead role 15 minutes into the film. An observation that made Williams proud.
- BlooperRed light is added by the filmmakers to show the film moving through the developing machine. Color film is sensitive to all light, therefore all of that film would be fogged. Red light is only used for black and white paper print developing.
- Citazioni
Sy Parrish: And if these pictures have anything important to say to future generations, it's this... I was here. I existed. I was young. I was happy... and someone cared enough about me in this world to take my picture.
- Versioni alternativeAn early cut of the film had several differences than the theatrical version.
- The opening Fox Searchlight logo briefly becomes a negative image as it fades out. This is obviously a reference to picture negatives.
- An alternate prologue before the main titles featured a narration by Williams on the red eye effect in human's and animals, while a photo of a family with red eyes, footage of animals with this effect and video of what's happening in the eye when this happens.
- There was also a scene near the end where a police detective reviews the pictures Sy took of Will & Maya at the hotel. In the theatrical version these photos were never shown and it was left in question whether they were actually taken.
- The argument between Sy and the photo machine repair guy was extended.
- ConnessioniFeatured in Anatomy of a Scene: One Hour Photo (2002)
- Colonne sonoreComing Home
Written by William Aura, Craig Dobbin, and Alain Eskinasi
Performed by 3rd Force
Courtesy of Higher Octave Music
This isn't a fast-paced thriller. Writer and director Romanek takes his time to tell the story but that does not make 'One Hour Photo' boring. On the contrary, it allows us to discover the shades of Seymour and allows the viewer to feel sympathy for but also be fear of him. Likewise, we also discover the family Seymour/Sy stalks. At first they appear to be like a happy American family but soon we see, through Seymour's point of view, that reality is something else. Romanek creates a very gloomy cold atmosphere. The viewer does feel Seymour's loneliness from the busy supermarket to his claustrophobic apartment. The film is very well shot as it highlights the gloominess, indifference and closed atmosphere. Romanek also approaches interesting themes about what photographs mean i.e. proof of ones existence (beautifully explained in the film). While people take pictures of happy moments, their reality is something else.
Coming to the performances, what would 'One Hour Photo' be without Robin Williams? The actor is in a completely different form and he does an excellently downplays Sy. Sy is gentle, polite, pathetic and creepy. Williams really brings a humane quality to the character rather than portray him as the clichéd stalker. Nielsen and Vartan are good too. La Salle and Cole give sufficient support. But, in the end, it's a one man show that belongs to Mr. Williams.
There are a few very minor flaws such as a few scenes where reality is suspended but overall this is a cleverly chilling film that deserves to be watched but do not expect lots of murder, bloodshed, or silly twists like boiling a live rabbit.
- Chrysanthepop
- 7 mar 2008
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Фото за годину
- Luoghi delle riprese
- Brentwood, Los Angeles, California, Stati Uniti(Yorkin house)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 12.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 31.597.131 USD
- Fine settimana di apertura Stati Uniti e Canada
- 321.515 USD
- 25 ago 2002
- Lordo in tutto il mondo
- 52.223.306 USD