Mortel transfert

"Mortel transfert" ("Mortal Transfer" in English) is the first Jean-Jacques Beineix movie that I've seen; it turns out to have been his final theatrical film before he died. Certainly an intense one; a real Hitchcockian vibe to it. In addition to the basic plot, it drives home questions about the ethics of one's job, especially with regard to a psychoanalyst's patients.

I will say that the non-intense scenes tend to drag, but the intense scenes make up for that. It's not a masterpiece, but most of it kept me on the edge of my seat. I hope to see the rest of Beineix's movies now.

Just think about it the next time that you go to Père Lachaise.

I came out of the cinema saying this was an OK film, no more. Better than staying at home Saturday evening. I actually laughed a lot, but I somehow still had the impression that I would have been a great video to rent. It did have a few surprising twists, but something was missing... What?

Michel Durand (Jean-Hugues Anglade) is the psychoanalyst of Olga Kubler (Hélène de Fougerolles), a kleptomaniac and masochistic beautiful woman married with the brutal Max Kubler (Yves Rénier). Michel has a great attraction for Olga, desiring her as a woman. One afternoon, Michel falls asleep during her session and when he wakes up, he finds Olga strangled on his divan. Then he is informed by Max that Olga stole seven million francs from him. Max believes Michel knows where the money is and demands the devolution until the next day. The story has many plot points along approximately 2 hours. This movie is a very weird French dark comedy. The plot is unusual, very strange and irregular, alternating boring and interesting parts and even the genres of black comedy and thriller. The premise is good, but in some parts it does not work well in spite of a great cast. The beauty of the nudity of Valentina Sauca is amazing. Her beautiful body is perfect and looks like a statue. However, this film is only a reasonable entertainment recommended for a very specific audience. My vote is six.

Title (Brazil): `Um Enigma No Divã' (`An Enigma on the Divan')

loved the details of Beineix... it is enjoyable to catch them(if you are careful enough) and try to solve the puzzle..... it is rather more enjoyable to fail solving the puzzle though. fortunately there still exist some films that may surprise you...even the name of the movie is surprising since the genre of film is comedy and the title includes the word of "mortal" i am looking forward to see other works of Jean Jacques Beineix.... good scenery; good acting; nice musics...includes all in balance.. and the result is a real success..deserves watching once again not to miss anything....the original novel is a focus of curiosity for me....the dialogs are poetic and are one of the most memorable features of the movie...

I cannot add much to the comments already given. For those who consider watching the movie: you can expect a nice mix of Scorcese's "After Hours", Kubrick's "EWS", Roman Polanski's "The Tenant" (Le Locataire; funny how Anglade even looks and acts like Polanski!) and some elements of Hitchcock. Nowhere near of a masterpiece, but neither boring or bad. Shooting and directing is flawless, I enjoyed the speed. The film is a bit too long, though. The key-element of the movie is that is concentrated on almost one place (the practice of a psycho-analyst in the center of Paris ). Only few scenes are shot by daylight, the dark atmosphere adds up to the script that focuses on sexual aberration, lies and truth, death, and Freudian therapy. Finally, I should not forget to mention that are some humorous scenes that make the film also fun to watch.