Un agente dell'F.B.I. convince un assistente sociale, esperto di una nuova tecnologia sperimentale, ad entrare nella mente di un serial killer in stato comatoso per sapere dove ha nascosto l... Leggi tuttoUn agente dell'F.B.I. convince un assistente sociale, esperto di una nuova tecnologia sperimentale, ad entrare nella mente di un serial killer in stato comatoso per sapere dove ha nascosto la sua ultima vittima.Un agente dell'F.B.I. convince un assistente sociale, esperto di una nuova tecnologia sperimentale, ad entrare nella mente di un serial killer in stato comatoso per sapere dove ha nascosto la sua ultima vittima.
- Candidato a 1 Oscar
- 9 vittorie e 29 candidature totali
- Agent Stockwell
- (as John Cothran Jr.)
Recensioni in evidenza
Psychotherapist Catherine Deane (J-Lo) goes into her patients' dreams via artificial means to discover and help them over come their phobias and obsessions. A new patient whose fallen into a coma, is brought to her attention by the FBI. He's a serial killer who drowns his female victims then poses their bodies in grotesque scenarios like mannequins. Deane must enter the killer's mind and navigate through his sick fantasies in order to find and save his latest victim.
Director Tarsem Singh has incredible visions and set pieces for this production. Each dream sequence is like a nightmare-ish painting in motion, from the landscapes to the costumes.
But the plot suffers from lack of history of its characters. Stargher is the only person with a thorough background and he's the last person you want to care about. Without him, you basically have a movie that moves in the present tense only, which is a shame since the movie is so visually stunning and genuinely scary. Lopez is wasted but she's not that amazing an actress anyway, though she's as gorgeous as ever. And Vince Vaughn? I don't even know why he was chosen. This is not his forte and he overacts to boot. He tried too hard to become his character and it showed. Stick to comedy, Vince! Even so, this movie is so visually frightening, I still watch this movie with the lights on and can never fall asleep right away afterward.
Jennifer Lopez stars as Catherine Deane, the best psychotherapist in the business. She works for a company who has developed the latest technology in therapy. She has the ability to go inside the mind of anyone and find out the reasoning to his or her distress. Enter Peter Novak (Vince Vaughn), a FBI agent tracking down a very sick serial killer Carl Stargher (Vincent D'Onofrio), who drowns his victims then dresses them up like dolls. On a FBI raid of his home Stargher goes into a coma and the whereabouts of his next victim are unknown. So Deane takes the job of going into his mind to find out where the victim is being held. And that's when this film gets intense, seriously intense.
The director Tarsem Singh, known for the award winning R.E.M. video `Losing my Religion', blows away everything you could have imagined. The dream sequences are beautifully shot with many camera tricks, creepy color distribution, graphic images, and a tense score. They are extremely trippy and surreal. They actually have a dream feel because anything goes and there are no rules. Lopez performance is as good as she looks. She nails the psychotherapist dead on and does a great job in showing the different aspects of her character. Vince is Vince, very cool, very low key, and very real. D'Onofrio will scare you. His Carl Stargher would make even Hannibal Lecter scream for mommy. This guy is more disturbed than ever imagined. He has to be seen to believe it.
Tarsem, with this film, has become one of my favorite directors and I will go see any film with his name on it. The Cell can only be described as a Sci-fi serial killer thriller that's visually disturbing, creepy, and one of the wildest films ever. It runs along the line with Seven for a good serial killer film and Event Horizon for a graphically sick and twisted film. This is best summer movie and the best film I've seen all year.
This is the story of a sick madman - abused as a child - who abducts women and transforms them into dolls. There are a few very disturbing images, so be warned. The dream world is very realistically created to look and feel like a dream. This is one incredible movie! You can't help but marvel at this cinematic achievement!
Lo sapevi?
- QuizVincent D'Onofrio later admitted that his wife refused to sleep in the same bed with him for two weeks after seeing his performance in the movie.
- BlooperAny goofs occurring in the "subconscious" world which the characters enter, do not have to be consistent or conform to realistic physics, as the subconscious is arbitrary, and can create whatever rules it wants.
- Citazioni
Miriam: Did we go sailing?
Catherine Deane: Almost! Mocky-Lock showed up.
Miriam: [saying a nursery rhyme] Mocky-Lock is the boogeyman, Mocky-Lock wants me where I am!
Catherine Deane: Mocky-Lock is a pain in the ass.
- Versioni alternativeOne scene, where Vincent D'Onofrio hangs on his piercings, masturbating over the dead body of a woman, was not included in the US theatrical or DVD release, but can be seen in the European one. However, the US Blu-ray happens to contain the director's cut of the film, despite not being labelled as such on the packaging and the R-rating listed on the back. The runtime is listed as 109 (the length of the director's cut) which marks the first time the film has been released uncut in the US.
- ConnessioniEdited into The Cell: Deleted Scenes (2000)
- Colonne sonoreO Sciore Cchiu Felice
Written by Raiz (as G. Della Volpe), Stefano Facchielli (as S. Facchielli), Giovanni Mantice (as G. Mantice), Pier Paolo Polcari and Gennaro Tesone (as G. Tesone)
Performed by Almamegretta (as Alma Me Gretta)
Courtesy of BMG Ricordi S.p.A.
By Arrangement with The RCA Records Label of BMG Entertainment
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Dettagli
Botteghino
- Budget
- 33.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 61.334.059 USD
- Fine settimana di apertura Stati Uniti e Canada
- 17.515.050 USD
- 20 ago 2000
- Lordo in tutto il mondo
- 104.155.843 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39:1