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Addio terraferma

Titolo originale: Adieu, plancher des vaches!
  • 1999
  • T
  • 1h 58min
VALUTAZIONE IMDb
7,1/10
1067
LA TUA VALUTAZIONE
Addio terraferma (1999)
ComedyDrama

Aggiungi una trama nella tua linguaNicolas, the eldest son of a wealthy family, works far from his home environment as a window washer and dishwasher in a bistro. He does not notice at all the baseness of his new relationship... Leggi tuttoNicolas, the eldest son of a wealthy family, works far from his home environment as a window washer and dishwasher in a bistro. He does not notice at all the baseness of his new relationships.Nicolas, the eldest son of a wealthy family, works far from his home environment as a window washer and dishwasher in a bistro. He does not notice at all the baseness of his new relationships.

  • Regia
    • Otar Iosseliani
  • Sceneggiatura
    • Otar Iosseliani
  • Star
    • Niko Tarielashvili
    • Lily Lavina
    • Philippe Bas
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    1067
    LA TUA VALUTAZIONE
    • Regia
      • Otar Iosseliani
    • Sceneggiatura
      • Otar Iosseliani
    • Star
      • Niko Tarielashvili
      • Lily Lavina
      • Philippe Bas
    • 13Recensioni degli utenti
    • 22Recensioni della critica
    • 69Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 vittorie e 1 candidatura in totale

    Foto44

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    Interpreti principali27

    Modifica
    Niko Tarielashvili
    • Son
    • (as Nico Tarielashvili)
    Lily Lavina
    • Mother
    Philippe Bas
    Philippe Bas
    • Moto driver
    Stephanie Hainque
    • Girl at bar
    Mirabelle Kirkland
    • Maid
    Amiran Amiranashvili
    • Hobo
    Joachim Salinger
    • Beggar
    Emmanuel de Chauvigny
    • Lover
    Otar Iosseliani
    Otar Iosseliani
    • Father
    Narda Blanchet
    • Old lady
    Yannick Carpentier
    • Serveur
    Vincent Darasse
    Mathieu Amalric
    Mathieu Amalric
    • A drinker at bar
    Viviane Bonelli
    Viviane Bourguinet
    Mathieu Demy
    Mathieu Demy
      Anne-Marie Eisenschitz
      Fanny Gonin
      • Regia
        • Otar Iosseliani
      • Sceneggiatura
        • Otar Iosseliani
      • Tutti gli interpreti e le troupe
      • Produzione, botteghino e altro su IMDbPro

      Recensioni degli utenti13

      7,11K
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      Recensioni in evidenza

      5Aoi_kdr

      The story went on blandly, though I felt like lovery for a bourgeois family.

      All members were unique like this : a mother was very busy for her job, a father played with locomotive models all day, a son got along with homeless friends, a seles girl of the cafe whom he had been in a one way relationship with and a dull servant who worked in a house of the mother's lover.

      It was similar to a miniature world. I enjoyed watching interpersonal relationships passed by each other and fitting them perfectly! Maybe we circulate in the narrower range than we expect.

      I watched it twice. I couldn't follow the progress because, at first, I watched it while having done something. I recommend it to peple like Jacques Tati.
      10lukas-14

      Great work by a great artist

      I've just seen this movie last week at the International Film Forum "Arsenals" which takes place in Riga, Latvia.

      I think it's a brilliant movie with style, taste and outstanding work of Director and Director of Photography. Acting is great, too. It's a definite must to see for people who like Otar Iosseliani's films and for many others who can appreciate real art of cinema.
      9gubacs2

      Sentimental, Contemplative and Ironic

      Iosseliani is a truly controversial figure of film making; You either like his films or fell asleep watching them. No in betweens. Having only minimal traditional narrative or story telling clichés, the film manages to illustrate true emotions without being bombastic or over-sophisticated. Doing this by showing everyday people who are only drifting with the waves of life, wishing to get away from their existence.There's a slight sarcasm involved in the portrayal of how everyone is unhappy with what he/she has and wants to be like the other who wants to be like him , and vice versa.(Really sharp.)However, Itt all ends up in positive, placing emphasis on the need for seeking personal freedom and finding hope and refugee in true friendship, in a plastic, greedy, selfish world.

      Personally, i think it has one of the most touching end sequences in film history.
      7writers_reign

      All At Sea

      I saw this immediately following the same director's Falling Leaves and found it much more accessible. The twenty-odd year gap between the two films and the fact that this one was made in France as opposed to Georgia may, of course, have something to do with it. Again, the Georgian-born director (he made a point of saying he was Georgian and NOT Russian) introduced it - in fluent French yet - and described it as his most complicated film. It's a gently, meandering piece and at least half a dozen times you think, OK, that's it, a logical ending, only to have it spin out yet moor gossamer thread. There's a distant relationship with Renoir's The Rules Of The Game but only around the edges. It's about a disparate group of people whose lives intersect and sometimes, but not always, connect. Bizarre, eccentric, both could be fairly employed to describe some of the characters. Again the director chooses to spin his web around a young male, this time around the scion of a wealthy family who, for reasons best known to himself, works as a dishwasher in a restaurant - and an inept dishwasher at that; he's fired halfway through the film - and chooses friends from among the outcasts of society (again, we could, if we wanted to stretch a point, find a link with Boudu Saved From Drowning). Characters come and go on this patchwork quilt and some we find more interesting than others. None of the actors are well known but most are fairly competent and overall the film holds the attention.
      10maggietom

      European "My Private Idaho"

      It reminds me of Keanu Reeves in My Private Idaho, but this is a European version which is of course more "humane" and very "european". The style is like "the Stream of Consciousness", the shooting of the movie seems like the director's casual flowing of ideas, which is not very much arranged, anyway, I like anything that is off the track and extraordinary. Lastly, the gist the movie tries to unveil is that life is a circle, it repeat itself all the way. Seems like the director understand the Chinese philosophy- Taoism, which said that everything is developing is its own track, which is a circle. I think the end of the movie is very meaningful, though it's the father's turn to leave the rich home to look for his own dream, it is clear that unlike his son, his must be a successful escaping. I appreciate the regular using of the rainy weather in the movie. I just love everything about the movie.

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      Trama

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      • Quiz
        Presented in the official selection, out of competition at the 1999 Cannes Film Festival.
      • Connessioni
        Edited into Spisok korabley (2008)

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      Dettagli

      Modifica
      • Data di uscita
        • 12 novembre 1999 (Italia)
      • Paesi di origine
        • Francia
        • Svizzera
        • Italia
      • Lingua
        • Francese
      • Celebre anche come
        • Farewell, Home Sweet Home
      • Luoghi delle riprese
        • Parigi, Francia
      • Aziende produttrici
        • Pierre Grise Productions
        • Carac Films
        • Alia Film
      • Vedi altri crediti dell’azienda su IMDbPro

      Specifiche tecniche

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      • Tempo di esecuzione
        1 ora 58 minuti
      • Colore
        • Color
      • Proporzioni
        • 1.66 : 1

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