VALUTAZIONE IMDb
6,0/10
919
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA man who is haunted by a murder he committed.A man who is haunted by a murder he committed.A man who is haunted by a murder he committed.
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- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Lili Horváth
- Dounia
- (as Lili Horvath)
József Gyabronka
- Louzhin
- (as Jozsef Gyabronka)
Enikõ Détár
- Elizaveta
- (as Eniko Detar)
Recensioni in evidenza
Crime and Punishment is one of the greatest books ever written but is not the easiest book to put on screen.Dostoyevsky`s genius is in his capacity to go deep into his characters minds and thoroughly describe their emotions.Patrick does a great job in this movie and so does Sir Ben(but he`s always brilliant)but the movie doesn`t even come close to the excellence of the book.In Dostoyevsky`s books the plot is not that important,for him the characters are more important.He puts them in different situations just to see how they react,for him the world inside his characters is more interesting than the world outside of them so it`s very difficult(if not impossible) to You should see the movie but don`t judge the book by it. make a good movie based on one of his books.
This TV movie is an excellent adaptation of the classic novel by Dostoyevsky. This is the story of Rodya Raskalnikov (Patrick Dempsey), an intellectual who is suspended from University and is living in poverty in 19th century Russia. Raskalnikov believes that in order for great men like Napoleon to accomplish great things, they must be above the law.
With this as a psychological backdrop, he gets the news that his sister has been discharged from her governess position and she is considering marrying a rich man she doesn't love to keep the family from starving. He reasons that he, being a great man, must take action to prevent this travesty. So he decides he should kill his pawnbroker, a despicable woman who preys on the misfortune of others, and take her money to save his sister from prostituting herself in this terrible marriage. He reasons that the pawn broker deserves to die anyway, and that his sister's future is far more important. The remainder of the story is a study in the torment and guilt he feels, and from which he cannot escape intellectually.
The film remains true to the novel, which is one of the classics of Russian literature. It is well directed, filmed in Poland to give it an authentic eastern European look. Joseph Sargent does an excellent job of capturing the rank poverty of the time in contrast to the opulence of the privileged.
This is Patrick Dempsey's shining moment, by far the best I've ever seen him. He does a terrific job of capturing the overwrought Rodya's agony and emotional distraction. Although Dempsey was sometimes overly manic in his portrayal, this is one of the most complex characters in literature and it is impossible to imagine anyone getting him just the way Dostoyevsky wrote him. Dempsey has come a long way since the Woo Woo Kid (`In The Mood', 1987).
Ben Kingsley was also terrific as the wily police chief who suspects Rodya of the crime, but with no evidence, cleverly manipulates his psyche to make the guilt unbearable.
I rated this film a 9/10. It is no substitute for reading the novel, but in comparison to most of what is on the market, this is a gem. Most refined viewers will not regret renting this film.
With this as a psychological backdrop, he gets the news that his sister has been discharged from her governess position and she is considering marrying a rich man she doesn't love to keep the family from starving. He reasons that he, being a great man, must take action to prevent this travesty. So he decides he should kill his pawnbroker, a despicable woman who preys on the misfortune of others, and take her money to save his sister from prostituting herself in this terrible marriage. He reasons that the pawn broker deserves to die anyway, and that his sister's future is far more important. The remainder of the story is a study in the torment and guilt he feels, and from which he cannot escape intellectually.
The film remains true to the novel, which is one of the classics of Russian literature. It is well directed, filmed in Poland to give it an authentic eastern European look. Joseph Sargent does an excellent job of capturing the rank poverty of the time in contrast to the opulence of the privileged.
This is Patrick Dempsey's shining moment, by far the best I've ever seen him. He does a terrific job of capturing the overwrought Rodya's agony and emotional distraction. Although Dempsey was sometimes overly manic in his portrayal, this is one of the most complex characters in literature and it is impossible to imagine anyone getting him just the way Dostoyevsky wrote him. Dempsey has come a long way since the Woo Woo Kid (`In The Mood', 1987).
Ben Kingsley was also terrific as the wily police chief who suspects Rodya of the crime, but with no evidence, cleverly manipulates his psyche to make the guilt unbearable.
I rated this film a 9/10. It is no substitute for reading the novel, but in comparison to most of what is on the market, this is a gem. Most refined viewers will not regret renting this film.
Usually movies for TV don't have the outstanding quality this one displays.Seeing movies like Crime and Punishment is a pleasure.It's well acted and well directed.I wish TV viewers had the opportunity to see more quality films like this.
it is only another outside adaptation of the novel. and the only sin remains the conviction than to save the appearances represents to make a good film. because the sin of this film is the same who defines many other exercise on the Dostoievsky text - good actors, beautiful performances and poor script. or, not exactly the script is the problem but the ambition to give a "reasonable" version of a book who has its precise rules, perspectives and development of the way of characters. and this is all.Patrick Dempsey as a good Raskolnikov, a brilliant Ben Kingsley and Julie Delpy as the ideal Sonia. but the essence of the universe of novel remains a sort of version "ad usum Delphini".
This would have been good, but it's got the actors speaking in stupid accents, I appreciate that Ben Kingsley was trying his hardest not to, but I'm still stunned how some directors would think it a good idea! Stop the stupid accents!
Lo sapevi?
- QuizSince this movie was shot using many Hungarian actors and actresses, the non-Hungarians were taught to speak their English lines with a Hungarian accent to add uniformity to the dialogue.
- Versioni alternativeRecut from 120 to 87 minutes in some European versions.
- ConnessioniRemake of I peccatori guardano il cielo (1956)
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By what name was Delitto e castigo (1998) officially released in Canada in English?
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