VALUTAZIONE IMDb
6,3/10
18.744
LA TUA VALUTAZIONE
Una ragazza avventurosa, un giovane eremita cieco e uno sciocco dragone a due teste corrono per trovare la spada perduta di Excalibur e salvare Re Artù e Camelot dal disastro.Una ragazza avventurosa, un giovane eremita cieco e uno sciocco dragone a due teste corrono per trovare la spada perduta di Excalibur e salvare Re Artù e Camelot dal disastro.Una ragazza avventurosa, un giovane eremita cieco e uno sciocco dragone a due teste corrono per trovare la spada perduta di Excalibur e salvare Re Artù e Camelot dal disastro.
- Candidato a 1 Oscar
- 1 vittoria e 6 candidature totali
Jessalyn Gilsig
- Kayley
- (voce)
Cary Elwes
- Garrett
- (voce)
Andrea Corr
- Kayley
- (voce (canto))
Bryan White
- Garrett
- (voce (canto))
Gary Oldman
- Ruber
- (voce)
Don Rickles
- Cornwall
- (voce)
Jane Seymour
- Juliana
- (voce)
Céline Dion
- Juliana
- (voce (canto))
- (as Celine Dion)
Steve Perry
- King Arthur
- (voce (canto))
Bronson Pinchot
- Griffin
- (voce)
Jaleel White
- Bladebeak
- (voce)
Gabriel Byrne
- Lionel
- (voce)
John Gielgud
- Merlin
- (voce)
- (as Sir John Gielgud)
Frank Welker
- Ayden
- (voce)
Sarah Rayne
- Young Kayley
- (voce)
Trama
Lo sapevi?
- QuizBill Kroyer, the original director of this movie, intended to make a darker movie, more faithful in tone to the original book. Following the phenomenal successes of the movies of the Disney Renaissance, Warner Bros. among many other studios, moved into Warner Bros. Feature Animation hoping to replicate similar successes with their own animated movies. At Warner Brothers' behest, Kroyer's vision for this movie was rejected, in favor of a more Disney animated musical movie-style, and the movie was put into production before the story was even finalized. The complex plot and dark nature of the novel, The King's Damousel, were replaced with several animation trademarks of the 1990s-era: musical numbers, a strong female heroine, a power hungry antagonist who wants to usurp the kingdom, a romantic subplot where the couple lives happily ever after, talking animal sidekicks, and family-friendly comedy gags.
- BlooperWhen Devon and Cornwall make shadow puppets on the wall, Garrett (who is supposedly blind), looks at the shadow puppets on the wall.
- Curiosità sui creditiOn the On Demand print, during the closing credits, the offer for the movie's soundtrack on CD & Cassette, that is seen before the movie begins, plays again.
- Versioni alternativeIn the version released on Netflix and YouTube, the Warner Bros. Family Entertainment logo is plastered by the Warner Bros. Television logo.
- ConnessioniFeatured in Troldspejlet: Episodio #19.6 (1998)
- Colonne sonoreUnited We Stand
Written by Carole Bayer Sager and David Foster
Produced by David Foster and Carole Bayer Sager
Performed by Steve Perry
Courtesy of Columbia Records
Recensione in evidenza
I am going to agree with the majority of the other posters here. There is a lot of good elements in this movie, but it is all put together as much more of a cliche then it had to be.
It seemed like there were too many singing scenes and they were too abrupt and not integrated into everything. Every time one started, I couldn't wait for it to be over so we could get back to the story. And as others mentioned, the singing voices were too different from that of the characters themselves. Imagine if they had used the time during the songs to actually give more plot and character development.
Everyone seemed too two-dimensional. As someone else pointed out, how did the bad guy even get to the round table in the first place? He was charming in his own way, but too cookie-cutter.
As others mentioned, the animation is very hit-or-miss. The backgrounds and overall mood are very well done, but a lot of the characters were just not animated well, the hawk was frequently deformed, etc. It stood out badly due to the quality of everything around it. Take a look at something like Princess Mononoke to see characters animated on a limited budget that meshes much better with everything else, with a lot more visual style.
It seems like it would have a feminist bent, but then she is still rescued most of the time, and the dress scene at the end seems especially absurd in the context of everything else.
Some of the comedy elements were cute, but I did dislike all of the movie references and everything. Since everything else seems centered in the world, it seems out of place.
Like the Black Cauldron, this was an OK movie that could have been a lot better. But at least BC didn't have all that singing. Sword in the Stone also worked a lot better while being in a similar vein.
If you want an American animated movie that is really consistent with its own world, animated well, has good characters, etc. check out the Secret of Nimh. You can get it really cheap on DVD now. Seeing Quest for Camelot the day after Nimh, there really is no comparison...
It seemed like there were too many singing scenes and they were too abrupt and not integrated into everything. Every time one started, I couldn't wait for it to be over so we could get back to the story. And as others mentioned, the singing voices were too different from that of the characters themselves. Imagine if they had used the time during the songs to actually give more plot and character development.
Everyone seemed too two-dimensional. As someone else pointed out, how did the bad guy even get to the round table in the first place? He was charming in his own way, but too cookie-cutter.
As others mentioned, the animation is very hit-or-miss. The backgrounds and overall mood are very well done, but a lot of the characters were just not animated well, the hawk was frequently deformed, etc. It stood out badly due to the quality of everything around it. Take a look at something like Princess Mononoke to see characters animated on a limited budget that meshes much better with everything else, with a lot more visual style.
It seems like it would have a feminist bent, but then she is still rescued most of the time, and the dress scene at the end seems especially absurd in the context of everything else.
Some of the comedy elements were cute, but I did dislike all of the movie references and everything. Since everything else seems centered in the world, it seems out of place.
Like the Black Cauldron, this was an OK movie that could have been a lot better. But at least BC didn't have all that singing. Sword in the Stone also worked a lot better while being in a similar vein.
If you want an American animated movie that is really consistent with its own world, animated well, has good characters, etc. check out the Secret of Nimh. You can get it really cheap on DVD now. Seeing Quest for Camelot the day after Nimh, there really is no comparison...
- Shawn Fumo
- 2 apr 2002
- Permalink
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- How long is Quest for Camelot?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Quest for Camelot
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 22.510.798 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.041.602 USD
- 17 mag 1998
- Lordo in tutto il mondo
- 22.510.798 USD
- Tempo di esecuzione1 ora 26 minuti
- Mix di suoni
- Proporzioni
- 1.66 : 1(original & negative ratio)
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By what name was La spada magica - Alla ricerca di Camelot (1998) officially released in India in English?
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