VALUTAZIONE IMDb
6,6/10
35.782
LA TUA VALUTAZIONE
Wallace Ritchie viene scambiato per una spia e deve fermare un complotto per assassinare i leader internazionali a un banchetto.Wallace Ritchie viene scambiato per una spia e deve fermare un complotto per assassinare i leader internazionali a un banchetto.Wallace Ritchie viene scambiato per una spia e deve fermare un complotto per assassinare i leader internazionali a un banchetto.
Isabel Hernández
- Consuela
- (as Isabel Hernandez)
Recensioni in evidenza
Wally Ritchie flies from America to visit his brother in London for his birthday. However James has a business meeting and needs Wally out of the way for the evening. He books Wally onto a new murder-evening style experience where you get to play the character of an secret agent or the like. However Wally answers the wrong phone call and is mistaken for hitman Spenser. Following the instructions of the call, Wally becomes involved in a plot to start the cold war again by killing a mix of Ambassadors. Blissfully unaware Wally sets out to foil the plot.
This is one of those films that I'd kept meaning to see for ages but never got round to it. So when I finally did I maybe had too high expectations for it. So for the first 20 minutes I was a little impatient and was bothered that I wasn't really enjoying it or laughing very much. However once I got past this I relaxed and started to enjoy it.
The plot is mush and even if you take it seriously, all the pieces don't fit together and the plot doesn't make a lot of sense. However ignore all this plot nonsense this is all about Wally stumbling from one misunderstanding to another lucky occurrence. We're not in the realms of classic comedy here and it certainly isn't hilarious. Rather it's funny and enjoyable in that, even when I wasn't smiling I still had a fixed grin on my face.
Murray is the film's saviour. He stumbles around so very well and makes even the most basic misunderstanding funny. Gallagher is a passable straightman and Walley-Kilmer is decent but really suffers from having to share a screen with Murray. A fleet of British faces make up the rest of the cast from Molina, Wilson, Woodeson to the sublime John Thomson and faces like Dexter Fletcher and `that guy offa Family Affairs'. To be honest it's all a bit distracting having so many `oh, that's ' and you do have to try and get past it.
Overall this isn't the funniest thing you'll ever see, but it is enjoyable and will make you smile for 90 minutes, even if the belly laughs are less often than you'd like. Murray runs the show and brings laughs out of the least inspired routines. Well worth a watch if you're in a silly, undemanding mood.
This is one of those films that I'd kept meaning to see for ages but never got round to it. So when I finally did I maybe had too high expectations for it. So for the first 20 minutes I was a little impatient and was bothered that I wasn't really enjoying it or laughing very much. However once I got past this I relaxed and started to enjoy it.
The plot is mush and even if you take it seriously, all the pieces don't fit together and the plot doesn't make a lot of sense. However ignore all this plot nonsense this is all about Wally stumbling from one misunderstanding to another lucky occurrence. We're not in the realms of classic comedy here and it certainly isn't hilarious. Rather it's funny and enjoyable in that, even when I wasn't smiling I still had a fixed grin on my face.
Murray is the film's saviour. He stumbles around so very well and makes even the most basic misunderstanding funny. Gallagher is a passable straightman and Walley-Kilmer is decent but really suffers from having to share a screen with Murray. A fleet of British faces make up the rest of the cast from Molina, Wilson, Woodeson to the sublime John Thomson and faces like Dexter Fletcher and `that guy offa Family Affairs'. To be honest it's all a bit distracting having so many `oh, that's ' and you do have to try and get past it.
Overall this isn't the funniest thing you'll ever see, but it is enjoyable and will make you smile for 90 minutes, even if the belly laughs are less often than you'd like. Murray runs the show and brings laughs out of the least inspired routines. Well worth a watch if you're in a silly, undemanding mood.
With my son out-of-school, it's a bit trickier getting time to see the films I really enjoy. TRANSLATION: it's that time of year for a lot of rentals of films he likes and I can handle. After a tough day of lounging by the pool, another viewing of "The Seventh Seal" won't fly.
But Bill Murray in "The Man Who Knew Too Little" gives us that perfect summertime, late night film. Murray stars as a bumbling, clueless American who pops into London unexpected and uninvited so his Master of the Universe brother can celebrate his birthday. Trouble is the brother and his wife are entertaining visitors from Germany for a business presentation and Murray can't fit in. His brother has to make him disappear for the evening.
Which leads to the complex plot. Given a ticket for a live, interactive, TV show without walls (or a specific locale), Murray stumbles into a plot by a top British spymaster and his Soviet counterpart to pull off a midnight assassination of two ambassadors, thus wrecking a treaty ending the Cold War (and their lucrative, paranoia-tinged careers). Believing he's in a very big show, and with - of course - suitable and gorgeous female assistance he hits a lot of London (sometimes literally).
A little dated, I'm not so sure we wouldn't welcome some of the uncertainties and stresses of the Cold War for the unfolding enigma of international relations today. Hey, I shouldn't get serious and neither does Murray as he blunders about dispatching assassins and bystanders with ease.
This is a very physical comedy, Murray's forte. There isn't a serious idea in the script and the outcome is as predictable as May drizzle in London. But my kid couldn't stop laughing and that's good enough for me.
But Bill Murray in "The Man Who Knew Too Little" gives us that perfect summertime, late night film. Murray stars as a bumbling, clueless American who pops into London unexpected and uninvited so his Master of the Universe brother can celebrate his birthday. Trouble is the brother and his wife are entertaining visitors from Germany for a business presentation and Murray can't fit in. His brother has to make him disappear for the evening.
Which leads to the complex plot. Given a ticket for a live, interactive, TV show without walls (or a specific locale), Murray stumbles into a plot by a top British spymaster and his Soviet counterpart to pull off a midnight assassination of two ambassadors, thus wrecking a treaty ending the Cold War (and their lucrative, paranoia-tinged careers). Believing he's in a very big show, and with - of course - suitable and gorgeous female assistance he hits a lot of London (sometimes literally).
A little dated, I'm not so sure we wouldn't welcome some of the uncertainties and stresses of the Cold War for the unfolding enigma of international relations today. Hey, I shouldn't get serious and neither does Murray as he blunders about dispatching assassins and bystanders with ease.
This is a very physical comedy, Murray's forte. There isn't a serious idea in the script and the outcome is as predictable as May drizzle in London. But my kid couldn't stop laughing and that's good enough for me.
In the film "Scandal," Joanne Whalley-Kilmer played the part of a high priced call girl who has affairs with British politicians, movers, and shakers, and most famously with the British Minister of War. It was based on a true story and Joanne W-K's performance became the highlight of her career. In "The Man Who Knew Too Little," Joanne W-K once again plays this character but for laughs. Kind of neat considering that the two films probably don't share the same audience (which is apparent since so far I am the only reviewer to pick up on this connection, despite the obvious spoof.) When she appeared on screen and I saw she was spoofing her "Scandal" role it was like actually getting one of Dennis Miller's "intellectual" jokes. If you have only seen one of the films you should see the other one too. If you have not seen either start with "Scandal," if not for chronological sake then at least to get the inside joke in the later (plus "Scandal" is a really good film and very timely considering the Clinton-Monica thing). Bill fans (Murray that is) don't worry, he is here in fine form. For movie buffs this film is but a series of spoofs of well-known, and not so well-known mostly film-noir flicks (think watered down Mel Brooks, circa Young Frankenstein, not so broad, not so obvious, but cool when you "get it.") If you're under the age of 35 you probably won't get them (my niece, part of the "money demographic" was shocked to find out that there was actually a movie called "The Man Who Knew Too Much," which explains exactly why the film didn't do better box office.) Most of all, the interest is Joanne Whalley-Kilmer who has brought back to comedic film the wonderful French Maid costume. Once a staple of Vauldeville, Bob Hope comedies, and Pink Panther films, the French Maid's costume should be mandatory for all women endowed with great legs. Oooh La La! Even if you have not seen Hitchcock or British cinema, you never heard of film-noir (let alone pronounce it), and your knowledge of Cold War and foreign spy history is non-existent, there is Joanne W-K's killer bod and cool spoof. And oh yes, Bill Murray's good too.
The Man Who Knew Too Little (1997)
There are those who think Bill Murray can do no wrong, that he has an impeccable comic flair and intelligence that drive even mediocre fare. And I'm one of them.
And this is relatively humdrum stuff on one level--though the basic idea of spoofing a spy superstar is as old and reliable as James Bond himself. (I mean, Bond spoofs were around when Sean Connery was still 007.) And the writing is really very witty here, giving two prongs forward in this mostly funny, always fast affair.
That is--I laughed a lot! That's the goal. The cold war themes of the U.S. and the U.S.S.R. going head to head were old even in 1997 but of course not old for James Bond, and this does harken back somehow to the original. Murray plays a classic type--the hero who succeeds by accident. Often, it's the absurdity and illogic of this odd hero that makes him successful, surprising the professionals and seeming brazen and original. And so he is.
The plot is simple--some bad guys have a bomb that's going to go off in five hours. We know that at the start, and so the rest is loaded with anticipation and dread as the deadline nears. We also know (in this sort of movie) that no harm will come to Murray's cheerful, doltish American type. So the race against the clock is a series of gags and spoofs and lucky twists, all good for laughs. Murray is the key to it all, playing the naive participant with that uncanny timing and innocent face too well, over and over. If it were only about Murry this would be a 10 star masterpiece. The rest of the cast, and the eventual inevitability of the plot, hold it back, though. So it is what it is, still a great romp.
You want more than that? You won't get it. But why would you? Enjoy.
There are those who think Bill Murray can do no wrong, that he has an impeccable comic flair and intelligence that drive even mediocre fare. And I'm one of them.
And this is relatively humdrum stuff on one level--though the basic idea of spoofing a spy superstar is as old and reliable as James Bond himself. (I mean, Bond spoofs were around when Sean Connery was still 007.) And the writing is really very witty here, giving two prongs forward in this mostly funny, always fast affair.
That is--I laughed a lot! That's the goal. The cold war themes of the U.S. and the U.S.S.R. going head to head were old even in 1997 but of course not old for James Bond, and this does harken back somehow to the original. Murray plays a classic type--the hero who succeeds by accident. Often, it's the absurdity and illogic of this odd hero that makes him successful, surprising the professionals and seeming brazen and original. And so he is.
The plot is simple--some bad guys have a bomb that's going to go off in five hours. We know that at the start, and so the rest is loaded with anticipation and dread as the deadline nears. We also know (in this sort of movie) that no harm will come to Murray's cheerful, doltish American type. So the race against the clock is a series of gags and spoofs and lucky twists, all good for laughs. Murray is the key to it all, playing the naive participant with that uncanny timing and innocent face too well, over and over. If it were only about Murry this would be a 10 star masterpiece. The rest of the cast, and the eventual inevitability of the plot, hold it back, though. So it is what it is, still a great romp.
You want more than that? You won't get it. But why would you? Enjoy.
First of all....I loved it. Simply put, this film was great. Talk about a story that could have been based upon true life incidents is not what this film is about. This is comedy at its best. Bill Murray's character is a man who manages a Blockbuster-video store someplace in Iowa. Murray decides to take a vacation and visit his brother in London. His brother (Peter Gallagher) is entertaining some important clients that same evening and sends his brother (Murray) out to participate in this audience-interaction play involving spies called the `Theater of Life'. Well, as the play begins, Murray accidentally stumbles into a real-life spy drama and takes everything that happens next as if he is just acting in a play. The result is non-stop humor which leaves the audience busting up outloud. You don't have to love Bill Murray to love this film...he brings to the screen the best parts of his roles in "Scrooged", "Stripes", "Ground Hog Day" and "What About Bob"...you just have to be ready to experience Bill Murray at his best. Bottom line, what might even be funnier than the film, is being part of an uninhibited audience, because once some people begin laughing, they will be at it for the next two hours.
Lo sapevi?
- QuizAt the airport Bill Murray is asked for his passport. He said the pictures not a very good picture and opens his wallet. It is his picture of Carl Spackler from Caddyshack
- BlooperThe German map shown at the presentation is completely wrong. Frankfurt is found roughly in the Munich area and so forth.
- Citazioni
James Ritchie: Am I talking to an actor now, or a human being?
Chief Insp. Cockburn: Neither sir, I'm a policeman.
- Colonne sonoreHully Gully
Written by Fred Smith and Clifford Goldsmith (as Cliff Goldsmith)
Performed by Tommy Kinsman
Courtesy of Mercury Records Ltd.
By Arrangement with Polygram Film & TV Licensing
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- El teatro de la vida
- Luoghi delle riprese
- Dingwall Road, Croydon, Londra, Inghilterra, Regno Unito(roundabout scene)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 13.717.039 USD
- Fine settimana di apertura Stati Uniti e Canada
- 4.604.819 USD
- 16 nov 1997
- Lordo in tutto il mondo
- 13.717.039 USD
- Tempo di esecuzione1 ora 34 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was L'uomo che sapeva troppo poco (1997) officially released in India in English?
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