Evita

I liked this movie. I thought it kept it's edge and that was largely because of Madonna. I didn't want to like Madonna in the part...she seemed too flighty, too self-involved. I didn't hold out too much hope for her acting.

She really surprised me. Not only did she do a wonderful job with the script as given, she also went so far as to watch footage of Eva Peron and got the hand gestures and facial expressions down.

I also heard that she is credited in obtaining permission from the Argentine government to film at the Casa Rosada. Eva Peron is STILL considered a saint, and they were worried the movie would show her in a bad light. Madonna proved to them (and then followed through on film) that she was going to give the role dignity...to show Eva Peron in a balanced way as a person with flaws, not an evil woman bent on destroying Argentina.

She actually made the movie for me to the point where I couldn't envision anyone else in the role.

Antonio Banderas was also a bit of a surprise for me. I didn't know anything about him and kinda considered him eye candy instead of a serious actor. I was pleasantly surprised when I found out he can sing as well as act.

Jonathan Price was good at portraying a Juan Peron. He could be gentle and kind to his friends, but also showed no remorse for "removing" anyone who opposes him. I read in another review of this movie that Price wasn't barbaric enough for the part. Juan Peron WAS very charismatic...he had to be, or else he would NEVER had been elected president.

One of the things I liked most about this movie was that all the people in it seemed real. The extras were neither overly good looking or freakishly ugly. They looked like anyone you would see walking down any given street.

The cinematography is splendid, and it's hard to beat the soundtrack.

It's an 8/10 for me.

I love musicals and was eager to watch Evita. I'm not the biggest of all Andrew Lloyd Webber fans, though Phantom of the Opera is phenomenal and all his work has at least one standout song(Memory for Cats, Don't Cry for me Argentina for Evita and Any Dream Will do for Joseph).

This Evita was so much better than anticipated. I cannot deny the music is wonderful, but I was also sceptical because of Madonna, who I like as a singer but not so much as an actress. I was proved wrong, Madonna while not quite my idea for Evita is wonderful in the role, she does justice to Buenos Aires and Don't Cry for me Argentina and the whole performance is very moving.

She has a good cast, with the dashing Antonio Banderas exuding tremendous chemistry with her and Jonathan Pryce a revelation as Juan Peren. The visuals are spectacular, the cinematography is sumptuous and the colours, costumes and settings are wonderfully vivid. The story might just lack the spark of the musical itself, but it is still emotionally resonant and the script and direction are more than credible.

Evita may drag a little towards the end, but overall it was a very good film and much better than I thought. 8/10 Bethany Cox

The movie Evita, starring Madonna, Antonio Banderas and Johnathan Pryce is a musical account of the life of Eva Peron. An adaptation of the original rock opera by Tim Rice and Andrew Lloyd Webber, the film is told as a flash back with the narrator, Antonio Banderas as Che, recounting the events that have lead to the opening scene: the announcement of Evita's death.

Evita, played by Madonna, was born into poverty in rural Argentina. She was able to climb the social ladder through her numerous male relationships and acting career. Eventually she marries Juan Peron, played by Jonathan Price, who is an up and coming Colonel in the Argentine military. Evita then becomes the first lady when a military lead coup makes Peron President. As first lady, Evita is extremely popular with the general Argentinean population because she is considered to understand the needs of the lower class, as she came from a poor background herself. Peron exploits his wife's popularity by having Evita tour the world and run charitable foundations. As the story develops the narrator portrays Evita as increasingly more negative and aloof to her husband's repressive actions and policies.

From a historical standpoint Evita has many inconsistencies, however, the general storyline is factual and based on Mary Main's biography of Eva Peron. Unfortunately, Mary Main's biography has been criticized as biased because much of her evidence was attained from anti-Peron sources. As a result the movie also shares this historical criticism, and many of the events and portrayals in the film have been disputed. The films' suggestion that Evita was a terrible actress who slept her way to the top has been disproved by historians. Likewise, the film's portrayal of Evita's arrival in Buenos Aires as mistress of a married man has also been proved false. Nonetheless, the core historical events portrayed in the film are on the whole extremely accurate. The movie does a particularly good job of illustrating the social unrest and governmental corruption rampant in Argentina during the 1940's and 1950's. The film also correctly addresses the large gap between the rich and poor during the time period and its relative implications on society. All the dates, events and characters are based on historical fact, except for Che the narrator. This gives the movie a pseudo-realism that is unique from other musicals. As an educational film, Evita could be very helpful in depicting the events surrounding Peron's rise to power, as long as one notes the biases and alleged inconsistencies ahead of time.

From an entertainment perspective, Evita is thoroughly enjoyable. Antonio Banderas in particular, does a fabulous job in his role of Che. Madonna, in the role she was "born to play", is spotty at times, but on the whole is very commendable. The music, already famous from the play, is well incorporated into the movie and generally well sang by the cast. The simple cinematography allows the movie to progress very smoothly and incorporate Che in scenes the play never could. The story is widely held as a classic and is quite entertaining. Evita's realism allows viewers to associate themselves with aspects of Evita or any of the other characters lives, while the music makes the movie easy to follow and family friendly.

Clearly Evita is worth watching as it is both entertaining and educational, a rare combination. Although, one must be preemptively warned that the movie has been criticized from a historical viewpoint as being unfairly negative toward Evita. The movie also portrays the many charitable and positive actions lead by Evita. The movie makes no claims to be entirely historically accurate, and subsequently must be understood as entertainment first, and history second. Still, the movie provides a strong background in Argentine history and politics that are relevant even today. On a scale of one to ten I would rate the movie a nine for entertainment and a seven for historical accuracy.

Excellent Lloyd Webber-Rice musical is finally brought to the silver screen twenty years after the release of its concept album. Being used to watching flashy, colourful musicals, namely from MGM, full of catchy tunes and full of breathtaking dance routines, "Evita" left me quite shocked. It was the first (and last) "political" musical I saw. The music impressed me at once, however the story and the setting did not quite do so at first sight. It was only later, when I read something about the life story of Eva Peron did I really appreciate the excellent work Lloyd Webber and Rice did. Even though they were not 100% faithful to the real story, the bio-musical gave a somewhat clear picture of what type of woman Eva Peron was. The movie was great with its re-enactments of the 1940s-1950s Argentine elections, however, having personally performed in the stage version (playing a descamisado, a waiter, a policeman and one of Eva's lovers), I cannot but point out the several drawbacks it had. It is true that the funeral, the electoral campaign and the terrorism were by far better on screen than on stage, yet the stage musical had a certain charm which was lost in the film. It could be due to the fact that on stage there was some dancing involved while the movie had none; it could be because one was live and one was playback; it could be because some of the harmonies were lost in the movie; it could be simply due to the fact that in one I participated while in the other I was just a spectator. I don't know, still the stage version was more "alive". Nonetheless, in order to be fair, I have to admit that the movie version did have some improvements as regards to the play. The best one of them was the song "You Must Love Me". Apart from finally re-uniting composer and lyricist after more than 10 years of cold war, it presents the First Lady of Argentina as a woman who has some feelings, who is afraid in front of her approaching death, who is not only interested in becoming vice-president, as the stage production tends to hint. How much this is historically true is beyond me, yet it is good to give some human element to the heroine.

I was quite impressed by the actors' interpretations. Madonna has finally showed the world that she is able to look great without taking her clothes off, that she is more than just voice, boobs and scandal. Jonathan Pryce was excellent as the Argentine president - such a pity he had so little to sing, having such a great voice. Antonio Banderas impressed me - I did not know he was that good at singing. The role of the narrator was quite a breakthrough after his ‘tough-guy' parts, and he did it quite well. Some critics said that this movie would set the way for future film versions of musicals - I hope they were right!

Surely Madonna was made for this role, that of Eva Duarte de Peron, a young girl from the country who rises to the top with a combination of brains, wits, political savvy and sexuality. Sure she used men to attain her dreams, but what was a girl to do in 1930s-40s Argentina? Antonio Banderas is superb as Che, the "narrator" critic, perhaps the soul of the Argentinian peasants. Banderas' background is stage musicals, and he matches Madonna in every way. Jonathan Pryce is also excellent in his role as the dictator who rises to power only with the talents of Eva. This is not your ordinary musical. Almost every word is sung, as in opera, and the whole thing works. Andrew Lloyd Webber proves himself again a master tunesmith. Besides "Don't cry for me Argentina," all the other songs (if you can call them that) are beautiful, ranging from sweet ballads to waltz and rock. The film is lavish in breadth and depth, with thousands of extras just like the old Hollywood spectaculars. No f/x here, but real people. The cinematography is also superb. This is truly a triumph, a glorious experience, totally unique in film. Highly recommended. *****